Peter de Rivo on Chronology and the Calendar


Book Description

Critical edition of previously unpublished works by a key philosopher of the fifteenth-century Low Countries Peter de Rivo (c.1420–1499), a renowned philosopher active at the University of Leuven, is today mostly remembered for his controversial role in the quarrel over future contingents (1465–1475). Much less known are his contributions to historical chronology, in particular his attempts to determine the dates of Christ’s birth and death. In 1471, Peter made an original contribution to this long-standing discussion with his Dyalogus de temporibus Christi, which reconciles conflicting views by rewriting the history of the Jewish and Christian calendars. Later in his career, Peter tackled the issue of calendar reform in his Reformacio kalendarii Romani (1488) and engaged in a heated debate with Paul of Middelburg on the chronology of Christ. This book edits the Dyalogus and Reformacio and sets out their context and transmission in an extensive historical introduction.




Peter de Rivo on Chronology and the Calendar


Book Description

Critical edition of previously unpublished works by a key philosopher of the fifteenth-century Low Countries.




The Worlds of Knowledge and the Classical Tradition in the Early Modern Age


Book Description

This volume is the first to adopt systematically a comparative approach to the role of ancient texts and traditions in early modern scholarship, science, medicine, and theology. It offers a new method for understanding early modern knowledge.




The Hybrid Reformation


Book Description

Studies the thought and actions of the Reformation's central figures - reformers, counter-reformers, and their supporters - in the light of ordinary people.




Nostalgia in the Early Modern World


Book Description

How can the concept of nostalgia illuminate the culturally specific ways in which societies understand the contested relationship between the past, present, and future? The word nostalgia was invented in the late seventeenth century to describe the debilitating effects of homesickness. Now widely defined as a sense of longing for a lost past, initially it was more closely linked with dislocation in space. By exploring some of its many textual, visual and musical manifestations in the tumultuous period between c. 1350 and 1800, this volume resists the assumption that nostalgia is a distinctive by-product of modernity. It also forges a fruitful link between three lively areas of current scholarly enquiry: memory, temporality, and emotion. The contributors deploy nostalgia as a tool for investigating perceptions of the passage of time and historical change, unsettling experiences of migration and geographical displacement, and the connections between remembering and forgetting, affect and imagination. Ranging across Europe and the Atlantic world, they examine the moments, sites and communities in which it arose, alongside how it was used to express both criticism and regret about the religious, political, social and cultural upheavals that shaped the early modern world. They approach it as a complex mixed feeling that opens a new window into individual subjectivities and collective mentalities.




Time and Presence in Art


Book Description

This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.




The Fullness of Time


Book Description

The Low Countries were at the heart of innovation in Europe in the fifteenth century. Throughout this period, the flourishing cultures of the Low Countries were also wrestling with time itself. The Fullness of Time explores that struggle, and the changing conceptions of temporality that it represented and embodied showing how they continue to influence historical narratives about the emergence of modernity today. The Fullness of Time asks how the passage of time in the Low Countries was ordered by the rhythms of human action, from the musical life of a cathedral to the measurement of time by clocks and calendars, the work habits of a guildsman to the devotional practices of the laity and religious orders. Through a series of transdisciplinary case studies, it explores the multiple ways that objects, texts and music might themselves be said to engage with, imply, and unsettle time, shaping and forming the lives of the inhabitants of the fifteenth-century Low Countries. Champion reframes the ways historians have traditionally told the history of time, allowing us for the first time to understand the rich and varied interplay of temporalities in the period.




Dating the Passion


Book Description

Drawing on computistical and astronomical sources from late antiquity to the Renaissance, this book demonstrates how pre-modern Christian attempts to determine the principal dates of the life of Jesus played an essential role in the development of historical chronology.




Scandalous Error


Book Description

The Gregorian calendar reform of 1582, which provided the basis for the civil and Western ecclesiastical calendars still in use today, has often been seen as a triumph of early modern scientific culture or an expression of papal ambition in the wake of the Counter-Reformation. Much less attention has been paid to reform's intellectual roots in the European Middle Ages, when the reckoning of time by means of calendrical cycles was a topic of central importance to learned culture, as impressively documented by the survival of relevant texts and tables in thousands of manuscripts copied before 1500. For centuries prior to the Gregorian reform, astronomers, mathematicians, theologians, and even Church councils had been debating the necessity of improving or emending the existing ecclesiastical calendar, which throughout the Middle Ages kept losing touch with the astronomical phenomena at an alarming pace. Scandalous Error is the first comprehensive study of the medieval literature devoted to the calendar problem and its cultural and scientific contexts. It examines how the importance of ordering liturgical time by means of a calendar that comprised both solar and lunar components posed a technical-astronomical problem to medieval society and details the often sophisticated ways in which computists and churchmen reacted to this challenge. By drawing attention to the numerous connecting paths that existed between calendars and mathematical astronomy between the Fall of Rome and the end of the fifteenth century, the volume offers substantial new insights on the place of exact science in medieval culture.




Medieval Latin Christian Texts on the Jewish Calendar


Book Description

During the later Middle Ages (twelfth to fifteenth centuries), the study of chronology, astronomy, and scriptural exegesis among Christian scholars gave rise to Latin treatises that dealt specifically with the Jewish calendar and its adaptation to Christian purposes. In Medieval Latin Christian Texts on the Jewish Calendar C. Philipp E. Nothaft offers the first assessment of this phenomenon in the form of critical editions, English translations, and in-depth studies of five key texts, which together shed fascinating new light on the avenues of intellectual exchange between medieval Jews and Christians.