Petrarch's English Laurels, 1475–1700


Book Description

The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.




Petrarch’s Triumphi in English


Book Description

This edition argues that Petrarch's text has been neglected by modern scholarship in favour of the translations of the Canzoniere, while it can be shown that the Triumphi enjoyed a much earlier and much more durable fame in Europe as well as in the British Isles, being translated at least twice in its entirety, with individual books and smaller sections being translated or adapted a number of times. Critical editions of the translations are accompanied by analysis of the reception of Petrarch's work in the British Isles, looking at the circulation of the book in the original Italian and in the various French translations, as well as at the use that is made of the Triumphi motifs not only in literature, but in paintings, music, etc.




The early modern English sonnet


Book Description

This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland.




Petrarchan Love and the English Renaissance


Book Description

This book surveys English love poetry, primarily, though not exclusively, sonnets and sonnet sequences that show the influence of Petrarch, from the early sixteenth century to the publication of Mary Wroth's Pamphilia to Amphilanthus in 1621. It incorporates a range of new scholarship and thinking into narrative history, with a focus on particular poets including Thomas Wyatt, George Gascoigne, Philip Sidney, Fulke Greville, Samuel Daniel, Wroth, Walter Ralegh, and Shakespeare, as well as particularly notable poems such as "They flee from me", "Gascoigne's Woodmanship", and "The Ocean's Love to Cynthia". The self-absorption of Petrarchan lyricism is brought into a more populous environment and is linked to the ambitious and intense world of the English court, within which many of these poets lived and worked. During the reign of Queen Elizabeth, the Petrarchan theme of love for a powerful but distant woman was literalized in the politics of the realm, in ways that the queen herself recognized and exploited. A final chapter offers a new model for the implied narrative of Shakespeare's sonnets.




The Cambridge Edition of Works of Anne Finch, Countess of Winchilsea: Volume 1, Early Manuscript Books


Book Description

This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.




A Companion to Renaissance Poetry


Book Description

The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.




The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture


Book Description

The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative state-of-the-art review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality, corresponding to the dual way in which early modern England looked upon the Italian world from the English perspective – Part 1: "Italian literature and culture" and Part 2: "Appropriations and ideologies". In the first part, prominent Italian authors, artists, and thinkers are examined as a direct source of inspiration, imitation, and divergence. The variegated English response to the cultural, ideological, and political implications of pervasive Italian intertextuality, in interrelated aspects of artistic and generic production, is dealt with in the second part. Constructed on the basis of a largely interdisciplinary approach, the volume offers an in-depth and wide-ranging treatment of the multifaceted ways in which Italy’s material world and its iconologies are represented, appropriated, and exploited in the literary and cultural domain of early modern England. For this reason, contributors were asked to write essays that not only reflect current thinking but also point to directions for future research and scholarship, while a purposefully conceived bibliography of primary and secondary sources and a detailed index round off the volume.




Virgil and his Translators


Book Description

This is the first volume to offer a critical overview of the long and complicated history of translations of Virgil from the early modern period to the present day, transcending traditional studies of single translations or particular national traditions in isolation to offer an insightful comparative perspective. The twenty-nine essays in the collection cover numerous European languages - from English, French, and German, to Greek, Irish, Italian, Norwegian, Slovenian, and Spanish - but also look well beyond Europe to include discussion of Brazilian, Chinese, Esperanto, Russian, and Turkish translations of Virgil. While the opening two contributions lay down a broad theoretical and comparative framework, the majority conduct comparisons within a particular language and combine detailed case studies with in-depth contextualization and theoretical background, showing how the translations discussed are embedded in their own cultures and historical moments. The final two essays are written from the perspective of contemporary translators, closing out the volume with a profound assessment not only of the influence exerted by the major Roman poet on later literature, but also why translation of a canonical author such as Virgil matters, not only as a national and transnational cultural phenomenon, but as a personal engagement with a literature of enduring power and relevance.




'Ungainefull Arte'


Book Description

'Ungainefull Arte' examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplaces, allowing for the reassessment of patronage both as a social practice and a literary theme.




The Guitar in Tudor England


Book Description

Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.