Photographers, Writers, and the American Scene


Book Description

Featuring a multi-faceted collection of images and words, this book is a lavishly produced companion to a major traveling exhibition documenting America just before the 21st century. 162 photos, 80 in color.




Writers


Book Description

More than a hundred wonderful and sensitive duotone portraits of our major novelists, poets, and playwrights. Paired with the photographs are fascinating texts from each writer on writing-thoughts on the craft, recollections of significant moments from their personal history, meditations on the civic importance of writing, and so forth. Some of the photographs in this treasure trove are already well known-Bellow, Mailer, Cheever, Wolfe, Singer, and Capote, to name a few. Others have never before been published. Many were taken on location, from Tom Stoppard in London and James Baldwin in Provence to Gabríel Garcia Márquez in Mexico City-one of ten Nobel Prize winners in the book. Closer to home, we have Eudora Welty in Jackson, Nelson Algren in Chicago, Philip Roth and Maurice Sendak in rural Connecticut, Anne Sexton and John Updike near Boston, Walker Percy in Louisiana, Christopher Isherwood in Santa Monica, Annie Proulx in Wyoming, and several writers in the Hamptons. Whatever the setting, the images are strikingly fresh and authentic. The pithy and idiosyncratic thoughts on writing are a perfect complement to the superb portraits; often words and pictures seem to exist in a magical rapport. For all of us who care about the American literary scene, Nancy Crampton's intimate look at our literary heroes, our Writers, is a gift. 104 duotone photographs.




How Photography Became Contemporary Art


Book Description

A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.




The Open Road


Book Description

After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Many photographers embarked on trips across the U.S. in order to create work, including Robert Frank, whose seminal 1955 road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma later became Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato and Nico Krebs. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany's introduction to the genre and eighteen chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made on the road from The Americans to present day.




Through the Lens of the City


Book Description

During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In Through the Lens of the City: NEA Photography Surveys of the 1970s, Mark Rice brings to light this long-neglected photographic endeavor. From 1976 to 1981, the NEA supported more than seventy projects that examined a wide range of people and places in America. Artists involved included such well known photographers as Bruce Davidson, Lee Friedlander, and Joel Meyerowitz and many photographers who became widely known after their work with the surveys, such as Robert Adams, Joe Deal, Terry Evans, and Wendy Ewald. Rice argues that the NEA Photographic Surveys drew from two wells: a widespread sense of nostalgia and an intense public interest in photography. Looking at the works from eight key cities-Atlanta, Buffalo, Durham, East Baltimore, Galveston, Long Beach, Los Angeles, and Venice-the book uncovers marked differences as well as startling similarities in the concerns manifested by different photographers in far-flung places. Although the surveys are interesting both for their artistic merits and for their place in the history of American photography, they are equally important as a documentation of bicentennial-era America and a close examination of American cities. A major shift in the ideals of civil engineering and urban planning was underway in the 1970s. At the same time, ideas and theories about photography were changing along with our notions of what the city could and should be. These surveys, capturing American cities in a fascinating period of flux, show us American photographers matching artistry to subject matter in new and exciting ways. Mark Rice is chair of the American studies department at St. John Fisher College. His work has been published in such periodicals as Exposure, Explore, and Reviews in American History.




The Beat Scene


Book Description

This magnificent book features a remarkable collection of largely unseen photographs of the Beat Generation by renowned Magnum photographer Burt Glinn. This amazing, untouched treasure trove of images was discovered when R|A|P was working with Burt Glinn's widow, Elena, on a larger retrospective of Glinn's work. The book features black and white shots, and also over 70 images in colour: an extremely rare find, these photographs manage to capture the raw energy of the Beat Generation in a way that has never been seen before in print.




Encyclopedia of Twentieth-Century Photography, 3-Volume Set


Book Description

The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.




Print the Legend


Book Description

Resurrecting scores of rare images of the 19th century American West, "Print the Legend" offers engaging tales of ambitious photographic adventurers, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photos and to envision their expanding nation. 138 illustrations.




Errant Modernism


Book Description

DIVExamines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics./div




Catherine Opie


Book Description

Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.