Photographing Jerusalem


Book Description

This text explores the different ways in which Jews, Christians and Muslims have imagined Jerusalem in the past and considers the meanings of 19th-century photographic representations of the city. It illustrates the way in which the city looked through the lens of a camera in the 1800s and investigates the uses of photographic representation while taking a tour of 19th-century Jerusalem sites in more than 100 photographs.




Capturing the Holy Land


Book Description

At a garage sale in Minnesota in 1989, a young American photographer, John Barnier, bought eight wooden crates containing over 130 glass plate negatives. Realizing that many of the negatives were of Jerusalem, he brought them to the Harvard Semitic Museum where they were eventually identified as the long-lost work of Mendel John Diness, who lived in Jerusalem in the 1850s and was the first photographer to learn--and practice--the art there. Until a decade ago Diness did not even appear in the annals of photography. It was Dror Wahrman, an Israeli historian, who discovered that Diness was a Russian Jewish watchmaker who arrived in Jerusalem in 1848 to pursue rabbinical studies. A year later he converted and his baptism by the Anglican bishop caused near-riots in the city's Jewish community. Having lost his Jewish clients, Diness supported his family by learning photography and eventually became the Holy City's first commercial photographer. This volume traces Diness' role in the history of photography and his life in Jerusalem and subsequently in the United States. From the uncovered negatives, 60 platinum prints were developed showing with utmost clarity rare views of Jerusalem and environs. Other photographs, lent by Diness' descendants, enhance this most unusual tale.







Jerusalem


Book Description

Jerusalem, the holy city of three faiths, has been the focus of competing historical, religious, and political narratives from Biblical chronicles to today’s headlines. With an aura that transcends the boundaries of time and place, the city itself embodies different levels of reality – indeed, different realities altogether – for both observers and inhabitants. There is the real Jerusalem, a place of ancient streets and monuments, temples and coffee-houses, religious discourse and political argument. But there is also the imaginary and utopian city that exists in the minds of believers, political strategists, and artists. The study of this multifaceted city poses complex questions that range over several fields of inquiry. The multidisciplinary studies in Jerusalem offer insights into this complexity. Chapters by leading scholars examine the significant issues that relate to the perception, representation, and status of the city at the historical, religious, social, artistic, and political levels. Together they provide an essential resource for anyone interested in the paradoxes that Jerusalem offers.




Photography and Jewish History


Book Description

It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in which our understanding of the relationship between history and photography can be theorized and reoriented. Morris-Reich here turns to five twentieth-century cases in which photography and Jewish history intersect: Albert Kahn’s utopian attempt to establish a photographic archive in Paris in order to advance world peace; the spectacular failed project of Helmar Lerski, the most prominent photographer in British Mandate Jewish Palestine; photography in the long career of Eugen Fischer, a Nazi professor of genetics; the street photography of Robert Frank; and the first attempt to introduce photography into the study of Russian Jewry prior to World War I, as seen from the post-Holocaust perspective of the early twenty-first century. Illustrated with nearly 100 images, Photography and Jewish History moves beyond a focus on Jewish photographers or the photographic representation of Jews or Jewish visibility to plumb the deeper and more significant registers of twentieth-century Jewish political history.




Israel Through My Lens


Book Description

The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.




Jerusalem Rising


Book Description

Documented Proof of the Prophetic Promises of God Revealed Thousands of years ago, the prophet Zechariah foretold that the once-revered city of Jerusalem would again shake off its dust and be revived in peace and security. He predicted it would not only become a center of thriving life and seat of international influence but also the place where God himself will return to dwell. This stunning new photo-comparison book and follow-up to Israel Rising documents the long-awaited and ongoing restoration of a city "set in the center of the nations" (Ezekiel 5:5). From its famed walls and gates to the beloved Old City and the new city rising up around it, view some of the oldest photos of Jerusalem ever taken (starting in the 1840s) and see them re-created from the same perspective today―some for the first time ever. Author Doug Hershey and adventure-travel photographer Edden Ram gained exclusive access to storied vantage points to reshoot the exact angles of these stunning and seldom-seen historical photos. The result is an awe-inspiring and groundbreaking collection that will captivate hearts and reveal the accuracy of the prophet's words. The book also features fascinating insights into Jerusalem's first photographers and firsthand accounts from pilgrims, locals, and would-be conquerors that capture the longing and desire for this treasured city, spanning almost 2,000 years. Indeed, the reawakening of the City of Peace is at hand.




Screen Shots


Book Description

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography—closer, sharper, faster—would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.




Jerusalem Transformed


Book Description

The symposium that kicks off the latest volume of Studies in Contemporary Jewry focuses on the city that is at the very center of contemporary Jewish life, both geographically and culturally. Jerusalem is an extremely engaging and beautiful city as well as a source of continual controversy and contestation. The authors in the symposium discuss a wide range of topics, with a focus on politics and culture, offering readers provocative views on the city over the last 120 years. Essays by historians and cultural scholars in the volume engage with such issues as visions of the city among Jews and non-Jews and musical and literary imaginings of the city, while other scholars bring original interpretations of the city's political evolution in the past century that will both surprise and intrigue readers. The extensive book review section illustrates the consistent interest in modern Jewish history and culture.




Through Soviet Jewish Eyes


Book Description

Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust. These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives. Through Soviet Jewish Eyes helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.