On Line


Book Description

On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.




Piero Manzoni


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The Infinite Line


Book Description

A través de la obra de varios artistas -Rothko, Piero Manzoni, Agnes Martin, Dan Flavin, Eva Hesse, Blinky Palermo y Louise Bourgeois- se analizan aspectos innovadores del arte de los años 50 y 60, incidiendo en la tendencia a la repetición y la seriación que tiene lugar tras el declive del modernismo, empleada por el minimalismo y considerada como estrategia que genera nuevas formas de ver y pensar.




Piero Manzoni


Book Description

Newly translated writings on art from the Italian arte povera provocateur Featuring a luxurious faux-leather binding, Piero Manzoni: Writings on Art features 25 texts by the Italian artist Piero Manzoni (1933-63), spanning from 1956 to 1963, the year of the artist's premature death by heart attack. Writing during the Italian economic miracle of the '50s and '60s, Manzoni's essays and manifestos represent his response to the state of midcentury Italian art and art writing. Selected by art historian Gaspare Luigi Marcone, all writings have been either translated into English for the first time or newly translated. Each text is accompanied by extensive archival images and contextualized with editorial commentary. The book features a foreword by the Piero Manzoni Foundation's director, Rosalia Pasqualino di Marineo, and a newly commissioned essay by one of today's best-known art historians, Benjamin H.D. Buchloh.




Azimut/h. Continuità E Nuovo. Catalogo Della Mostra (Venezia, 20 Settembre 2014-19 Gennaio 2015). Ediz. Inglese


Book Description

The story of a seminal experience on the international art scene in the 1960s. In the postwar period characterized by wide-ranging experimentation involving major artists and international exchanges, Azimut/h played a key cultural and expressive role. Founded in 1959 with slightly different names by Piero Manzoni and Enrico Castellani, the gallery (Azimut) and the magazine (Azimuth) forged a new concept of aesthetics. In doing so, they were inspired by intense relationships developed with some of the leading figures exploring the language and theory of Italian and international art at the time. This book focuses on the Italian artists of that generation and the European and American reach of their work.




Manzoni


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Anna Maria Maiolino


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Published on the occasion of the exhibition Errãancia poâetica.




The Transported Man


Book Description

A foreword by museum director and exhibition curator Marc-Olivier Wahler discusses the contemporary art exhibition The Transported Man within the framework of a teleportation magic trick described in Christopher Priest's 1995 novel The Prestige. Included is an interview between Wahler and France-based curator Christophe Kihm addressing how the brain reacts when interpreting an artwork, the language with which to approach art, and how these impact the future of museums and art exhibitions. Pairing the exhibition objectives with methods of illusion, an original essay by Christopher Priest, and a text by Francis Ponge, the book provides insight into the importance of belief and the nature of visual perception.




The Stage of Drawing


Book Description

The Stage of Drawing presents remarkable works on paper selected by the artist Avis Newman from the prestigious collection of Tate, London. Including both well-known and less familiar drawings from the mid-1700s to the 1970s by British and international artists, this book, and its accompanying exhibition, offers the opportunity to view developments in drawing over the past three centuries. The subjects addressed by the book range from literary and theatrical influences on such artists as Sir Joshua Reynolds, William Blake, and Henry Fuseli, to the gestural act in 20th-century drawing as seen in the work of Natalya Goncharova, Francis Bacon, Lucio Fontana, Cy Twombly, Blinky Palermo and Andy Warhol. This book presents a unique view of drawing and its place in the history of art.