Pinkerton and Friends


Book Description

For more than thirty years, Steven Kellogg has been delighting young readers with his bright, lively books full of feisty imagination and silliness --and always perfectly expressing children's thoughts and dreams. As his friend Helen Hunt says in her introduction to this treasury, Steven's books "give voice and bring humor to the mischievous in all of us." Because of that, Steven Kellogg has become one of our most loved picture book creators. For the first time, here is a treasury of Steven's books, including many of his bestsellers (The Mysterious Tadpole, The Island of the Skog, Jimmy's Boa, Best Friends and others) and several little-known books that have been unavailable for many years. In all, eleven books are included--eleven gems to pore over again and again. And as an added bonus, there is also a biographical profile of Steven, complete with many photos and even some never-before-seen sketches. This is a compendium for every child--those who already love Steven Kellogg's books, and those who are soon to love them.




A Rose for Pinkerton


Book Description

Pinkerton seems lonely. So his young owner goes to the pet show to find him a friend. She returns with a kitten named Rose, who could be the ideal playmate for Pinkerton. But Rose has ideas of her own. She wants to be a Great Dane, and suddenly Pinkerton decides to start acting like a kitten. So Pinkerton, Rose and their owners go back to the pet show to seek professional advice, but what results is a crazy and comical adventure! "A zesty tale that is delivered with splendid flourish . . . Funny and well-paced [with] dexterous illustrations." (Booklist, starred review)




Pinkerton, Behave!


Book Description

Pinkerton doesn't understand his owner’s commands. When told to come, he jumps out the window. When asked to fetch, he destroys the slippers instead. Pinkerton’s desperate owners take him to obedience school, but he flunks out in record time. Then one night a burglar breaks into their house, and Pinkerton is able to put his bad habits to good use. This silly charmer of a story was included on the Booklist and Horn Book best of the year lists and inspired four sequels about the impossibly clueless but irresistibly sweet Pinkerton. Now, in honor of its 35th anniversary, Steven Kellogg has updated the art and text (most notably removing the gun that appeared in the original edition), and has written an introductory note about the book’s history.




Won't Somebody Play with Me?


Book Description

A young girl imagines terrible punishments for her three best friends who won't play with her on her birthday.




Me First


Book Description

Pinkerton the pig always manages to be first until he rushes for a sandwich and it turns out not to be the edible kind.




B-E-S-T Friends


Book Description

Stacy dislikes being partners with the new girl in school. Annie doesn't do anything right, and she is so different from everyone else. Annie even eats potatoes for breakfast. But when Stacy tries some one day, she likes them and decides being different is not so bad after all.




Tallyho, Pinkerton!


Book Description

Pinkerton goes fox hunting with the Hunting Academy, but gets distracted easily when a bird and hot air balloons drift by overhead. Full-color illustrations. Copyright © Libri GmbH. All rights reserved.




The Pinks


Book Description

The true story of Kate Warne and the other women who served as Pinkertons, fulfilling the adage, “Well-behaved Women Seldom Make History.” Most students of the Old West and American law enforcement history know the story of the notorious and ruthless Pinkerton Detective Agency and the legends behind their role in establishing the Secret Service and tangling with Old West Outlaws. But the true story of Kate Warne, an operative of the Pinkerton Agency and the first woman detective in America—and the stories of the other women who served their country as part of the storied crew of crime fighters—are not well known. For the first time, the stories of these intrepid women are collected here and richly illustrated throughout with numerous historical photographs. From Kate Warne’s probable affair with Allan Pinkerton, and her part in saving the life of Abraham Lincoln in 1861 to the lives and careers of the other women who broke out of the Cult of True Womanhood in pursuit of justice, these true stories add another dimension to our understanding of American history.




The Expressman and the Detective


Book Description

Montgomery, Alabama, is beautifully situated on the Alabama river, near the centre of the State. Its situation at the head of navigation, on the Alabama river, its connection by rail with important points, and the rich agricultural country with which it is surrounded, make it a great commercial centre, and the second city in the State as regards wealth and population. It is the capital, and consequently learned men and great politicians flock to it, giving it a society of the highest rank, and making it the social centre of the State. From 1858 to 1860, the time of which I treat in the present work, the South was in a most prosperous condition. "Cotton was king," and millions of dollars were poured into the country for its purchase, and a fair share of this money found its way to Montgomery. When the Alabama planters had gathered their crops of cotton, tobacco, rice, etc., they sent them to Montgomery to be sold, and placed the proceeds on deposit in its banks. During their busy season, while overseeing the labor of their slaves, they were almost entirely debarred from the society of any but their own families; but when the crops were gathered they went with their families to Montgomery, where they gave themselves up to enjoyment, spending their money in a most lavish manner. There were several good hotels in the city and they were always filled to overflowing with the wealth and beauty of the South. The Adams Express Company had a monopoly of the express business of the South, and had established its agencies at all points with which there was communication by rail, steam or stage. They handled all the money sent to the South for the purchase of produce, or remitted to the North in payment of merchandise. Moreover, as they did all the express business for the banks, besides moving an immense amount of freight, it is evident that their business was enormous. At all points of importance, where there were diverging routes of communication, the company had established principal agencies, at which all through freight and the money pouches were delivered by the messengers. The agents at these points were selected with the greatest care, and were always considered men above reproach. Montgomery being a great centre of trade was made the western terminus of one of the express routes, Atlanta being the eastern. The messengers who had charge of the express matter between these two points were each provided with a safe and with a pouch. The latter was to contain only such packages as were to go over the whole route, consisting of money or other valuables. The messenger was not furnished with a key to the pouch, but it was handed to him locked by the agent at one end of the route to be delivered in the same condition to the agent at the other end.




Blasphemous Modernism


Book Description

Scholars have long described modernism as "heretical" or "iconoclastic" in its assaults on secular traditions of form, genre, and decorum. Yet critics have paid surprisingly little attention to the related category of blasphemy--the rhetoric of religious offense--and to the specific ways this rhetoric operates in, and as, literary modernism. United by a shared commitment to "the word made flesh," writers such as James Joyce, Mina Loy, Richard Bruce Nugent, and Djuna Barnes made blasphemy a key component of their modernist practice, profaning the very scriptures and sacraments that fueled their art. In doing so they belied T. S. Eliot's verdict that the forces of secularization had rendered blasphemy obsolete in an increasingly godless century ("a world in which blasphemy is impossible"); their poems and fictions reveal how forcefully religion endured as a cultural force after the Death of God. More, their transgressions spotlight a politics of religion that has seldom engaged the attention of modernist studies. Blasphemy respects no division of church and state, and neither do the writers who wield it to profane all manner of coercive dogmas--including ecclesiastical as well as more worldly ideologies of race, class, nation, empire, gender, and sexuality. The late-century example of Salman Rushdie's The Satanic Verses affords, finally, a demonstration of how modernism persists in postwar anglophone literature and of the critical role blasphemy plays in that persistence. Blasphemous Modernism thus resonates with the broader cultural and ideological concerns that in recent years have enriched the scope of modernist scholarship.