Placido Domingo's Tales from the Opera


Book Description

Considers Domingo's vocal qualities, the nature & depth of his musicianship, his abilities as an actor & something of the inner motivation that has enabled him to achieve so much for so long. Written to accompany a major 4-part BBC TV series & illustrated with specially commissioned photos, this book is a revealing portrait of a great performer at the height of his powers told by an author who writes about his subject with informed insight as well as affection. Takes us inside the rehearsal room & shows us something of the humor, the pathos, the tensions & the sheer hard work as the clock ticks away & the first night approaches.




The Private Lives of the Three Tenors


Book Description

Chronicles the lives and careers of the three tenors who have also become pop icons




Opera 101


Book Description

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.




Plácido Domingo's Tales from the Opera


Book Description

"Placido Domingo has been one of the greatest stars in the operatic firmament for over a quarter of a century, a man whose combination of vocal, dramatic and musical gifts is probably unmatched in the history of opera. A massive public has learnt to revere his legendary portrayals, while millions all over the world know and love his art through television, film and an immense discography." "What the public does not see is the detailed preparation and concentrated hard work that lie behind these towering performances. Now, Daniel Snowman takes us inside the rehearsal room and shows us something of the humour, the pathos, the tensions and the sheer hard work as the clock ticks away and the first night approaches." "In a wide-ranging book, Snowman considers Domingo's vocal qualities, the nature and depth of his musicianship, his abilities as an actor and something of the inner motivation that has enabled him to achieve so much for so long."--Jacket.




Blackness in Opera


Book Description

Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.




Plácido Domingo's Tales from the Opera


Book Description

"Placido Domingo has been one of the greatest stars in the operatic firmament for over a quarter of a century, a man whose combination of vocal, dramatic and musical gifts is probably unmatched in the history of opera. A massive public has learnt to revere his legendary portrayals, while millions all over the world know and love his art through television, film and an immense discography." "What the public does not see is the detailed preparation and concentrated hard work that lie behind these towering performances. Now, Daniel Snowman takes us inside the rehearsal room and shows us something of the humour, the pathos, the tensions and the sheer hard work as the clock ticks away and the first night approaches." "In a wide-ranging book, Snowman considers Domingo's vocal qualities, the nature and depth of his musicianship, his abilities as an actor and something of the inner motivation that has enabled him to achieve so much for so long."--Jacket.




Molto Agitato


Book Description

If the opera world is full of “intrigue, double meanings, and devious dramatics,” then no place exemplifies this more than the world-famous Metropolitan Opera, where politics, ambition, and oversized egos have traditionally taken center stage along with some of the world’s richest music. Drawing on her fifteen years as its press representative, Johanna Fiedler explodes the traditional secrecy that surrounds the Met in this wonderfully entertaining account of its tumuluous history. Fiedler chronicles the Met’s early days as a home for legends like Toscanini, Mahler, and Caruso, and gives a fascinating account of the middle years when haughty blue-bloods battled stubborn adminstrators for control of a company that would emerge as America’s premiere opera house. She takes us behind the grand gold-curtain stage in more recent years as well, showing how musical superstars like Luciano Pavarotti, Plácido Domingo, and Kathleen Battle have electrified performances and scandalized the public. But most revelatory are Fiedler’s portrayals of James Levine and Joseph Volpe and their practically parallel ascendancies—Levine rising from prodigy to artistic director, Volpe advancing from stagehand to general manager—and their once strained relationship. Weaving together the personal, economic, and artistic struggles that characterize the Met’s long and vibrant history, Molto Agitato is a must-read saga of power, wealth, and, above all, great music.




My Operatic Roles


Book Description

This book was produced for Placido Domingo's 60th birthday and the 40th anniversary of his debut in a major role (Alfredo in La Traviata in 1961). It is a portrait of the artist in his own words, through his own portrayals of the various operatic heroes he has so grippingly and hauntingly brought to life over the years. The series of interviews took place all over the world over several years, from Seville to New York to Vienna and home in Acapulco. They trace his journey into each of his 62 major roles for the benefit of present and future singers, to single out the specific vocal aspects in each role that he considers significant. - Author's note.




When Divas Confess


Book Description

Operas most beloved stars, including Placido Domingo and Marilyn Horne, pose in full costume and makeup as they speak about their favorite roles. 100 color illustrations.




The Real Tales of Hoffmann


Book Description

Of all operas in the standard repertory, none has had a more complicated genesis and textual history than Offenbach’s Tales of Hoffmann. Based on a highly successful 1851 play inspired by the short stories by the German Romantic writer E.T.A. Hoffmann, the work occupied the last decade of Offenbach’s life. When he died in October 1880, the work was being rehearsed at the Opéra-Comique. At once cut and rearranged, the work was performed from the start in versions that ignored the composer’s final intentions. Only a few decades ago, when previously unavailable manuscripts came to light, it became possible to reconstitute the score in its real form. Vincent Giroud and Michael Kaye’s The Real 'Tales of Hoffmann' tells the full story for the first time in English. After discussing how the work of Hoffmann became known and influential in France, the book includes little-known sources for the opera, especially the complete Barbier and Carré play, in French and English. It describes the genesis of the opera. The annotated libretto is published in full, with the variants, for the two versions of the opera: with spoken dialogue or recitatives. Essays explain what was done to the opera after Offenbach’s death, from the 1881 Opéra-Comique production to more recent restoration attempts. There is also a survey of Les contes d’Hoffmann in performance from the 1970s to the present, and supplementary information, including discography, filmography, and videography. The Real 'Tales of Hoffmann' is intended to appeal to anyone interested in the work, specialists or non-specialists. Audiences, musicologists and students of French opera and opéra-comique will find it of particular interest, as will opera houses, conductors, singers, directors, and dramaturgs involved in performances of the opera.