Plains Indian Art from Fort Marion


Book Description




Book of Sketches


Book Description

A luminous, intimate, and transcendental glimpse into the mind of Jack Kerouac, one of the most original voices of the twentieth century “Sketching . . . Everything activates in front of you in myriad profusion, you just have to purify your mind and let it pour the words and write with 100% personal honesty.” In 1951, it was suggested to Jack Kerouac by his friend Ed White that he “sketch in the streets like a painter but with words.” In August of the following year, Kerouac began writing down prose poem “sketches” in small notebooks that he kept in the breast pockets of his shirts. For two years he recorded travels, observations, and meditations on art and life as he moved across America and down to Mexico and back. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. In 1957, Kerouac sat down with the fifteen handwritten sketch notebooks he had accumulated and typed them into a manuscript called Book of Sketches. Published for the first time, this work offers a detailed portrait of Kerouac at a key period of his literary career.




Plains Indian Drawings 1865-1935


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Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary




Art from Fort Marion


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During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. The Silberman Collection is an unusually complete group of images that illustrate the artists' fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life.




A Song for the Horse Nation


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Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.




Women and Ledger Art


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Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.




Between Two Cultures


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Art historian Moira F. Harris analyzes the known Fort Marion drawings attributed to Wo-Haw, Kiowa warrior and artist (1855-1924), in relationship to then contemporary events.. Her work shows how Kiowa Indian painting developed from its traditional beginnings to the preset day.




Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors


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Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents Dodge City ledger-art images and biographies that document a Native perspective at the cusp of reservation life in 1879.




A Kiowa's Odyssey


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Presents the sketchbook made by Kiowa warrior artist Etahdleuh Doanmoe at Fort Marion in 1877, with other drawings and photographs, and essays about the U.S. Army's exile of Arapaho, Comanche, Cheyenne, and Kiowa Native Americans from Oklahoma to Florida and subsequent Westernization and assimilation of the prisoners.




Love's Fortress


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A Love Story from the Past Brings Closure to Dani’s Fractured Family Walk through Doors to the Past via a series of historical stories of romance and adventure. When Dani Sango’s art forger father passes away, Dani inherits his home. Among his effects is a book of Native American drawings, which leads her to seek the help of museum curator Brad Osgood to decipher the ledger art. Why would her father have this book? Is it just another forgery? Brad Osgood’s four-year-old niece, Brynn, needs a safe home, and Brad longs to provide it. The last thing he needs is more drama, especially from a forger’s daughter. But when the two meet “accidentally” at St. Augustine’s 350-year-old Spanish fort, Castillo de San Marcos, he can’t refuse the intriguing woman. Broken Bow is among seventy-three Plains Indians transported to Florida in 1875 for incarceration at ancient Fort Marion. Sally Jo Harris and Luke Worthing dream of serving God on a foreign mission field, but when the Indians arrive in St. Augustine, God changes their plans. Then when friendship develops between Sally Jo and Broken Bow and false accusations fly, it could cost them their lives. Can Dani discover how Broken Bow and Sally Jo’s story ends and how it impacted her father’s life? Don’t miss other great books in the Doors to the Past series: The Lady in Residence by Allison Pittman Hope Between the Pages by Pepper Basham Bridge of Gold by Kimberley Woodhouse Undercurrent of Secrets by Rachel Scott McDaniel Behind Love’s Wall by Carrie Fancett Pagels High Wire Heartbreak by Anna Schmidt