Author : George Villiers Duke of Buckingham
Publisher :
Page : 833 pages
File Size : 47,86 MB
Release : 2007
Category :
ISBN : 0199203636
George Villiers, Second Duke of Buckingham, was one of the most controversial figures of the late 17th century. He was the principal author of 'The Rehearsal' (1671), a burlesque play. This edition addresses the difficulties in both attribution and annotation that almost all of his works present.
Author : George Villiers Duke of Buckingham
Publisher : Oxford University Press
Page : 601 pages
File Size : 20,74 MB
Release : 2007
Category : Literary Criticism
ISBN : 0199203644
George Villiers, Second Duke of Buckingham, was one of the most controversial figures of the late 17th century. He was the principal author of 'The Rehearsal' (1671), a burlesque play. This edition addresses the difficulties in both attribution and annotation that almost all of his works present.
Author : George Villiers Duke of Buckingham
Publisher : Oxford University Press
Page : 608 pages
File Size : 19,34 MB
Release : 2007
Category : Literary Collections
ISBN :
George Villiers, Second Duke of Buckingham, was one of the most controversial figures of the late 17th century. He was the principal author of 'The Rehearsal' (1671), a burlesque play. This edition addresses the difficulties in both attribution and annotation that almost all of his works present.
Author : George Villiers Duke of Buckingham
Publisher :
Page : 0 pages
File Size : 32,78 MB
Release : 2007
Category :
ISBN :
Author : Ashley Marshall
Publisher : JHU Press
Page : 452 pages
File Size : 10,16 MB
Release : 2013-06-28
Category : Humor
ISBN : 1421408163
Rather, it is a collection of episodic little histories.
Author : George Villiers Duke of Buckingham
Publisher :
Page : 0 pages
File Size : 41,56 MB
Release : 2007
Category :
ISBN :
Author : Kevin Sharpe
Publisher : OUP Oxford
Page : 384 pages
File Size : 17,16 MB
Release : 2008-07-03
Category : Literary Criticism
ISBN : 0191550892
Biography appears to thrive as never before; and there clearly remains a broad readership for literary biography. But the methods and approaches of recent criticism which have contributed rich insights and asked new questions about the ways in which we interrogate and appreciate literature have scarcely influenced biography. Biography as a form has been largely unaffected by either new critical or historical perspectives. For early-modern scholars the biographical model, fashioned as a stable form in the eighteenth century, has been, in some respects, a distorting lens onto early-modern lives. In the Renaissance and early-modern period rather the biography's organic and developmental narratives of a coherent subject, lives were written and represented in a bewildering array of textual sites and generic forms. And such lives were clearly imagined and written not to entertain or even simply to inform, but to edify and instruct, to counsel and polemicize. It is only when we understand how early moderns imagined and narrated lives, only that is through a full return to history and an exact historicizing, that we can newly conceive the meaning of those lives and begin to rewrite their histories free of the imperatives and teleologies of Enlightenment. In Writing Lives literary scholars, cultural critics, and historians of ideas and visual media, currently engaged both with early modern conceptions of the life and our own conceptualizing of the biographical project, reflect on the problems of writing lives from the various perspectives of their own research and in the form of case studies informed by new questions.
Author : Paddy Bullard
Publisher : Oxford University Press
Page : 753 pages
File Size : 37,74 MB
Release : 2019-07-30
Category : Literary Criticism
ISBN : 0191043710
Eighteenth-century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth-century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth-century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to the first decade of the seventeenth-century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.
Author : John Spurr
Publisher : Routledge
Page : 314 pages
File Size : 40,98 MB
Release : 2016-04-08
Category : History
ISBN : 1317180518
Anthony Ashley Cooper, First Earl of Shaftesbury, was a giant on the English political scene of the later seventeenth century. Despite taking up arms against the king in the Civil War, and his active participation in the republican governments of the 1650s, Shaftesbury managed to retain a leading role in public affairs following the Restoration of Charles II, being raised to the peerage and holding several major offices. Following his dismissal from government in 1673 he then became de facto leader of the opposition faction and champion of the Protestant cause, before finally fleeing the country in 1681 following charges of high treason. In order to understand fully such a complex and controversial figure, this volume draws upon the specialised knowledge of nine leading scholars to investigate Shaftesbury's life and reputation. As well as re-evaluating the well-known episodes in which he was involved - his early republican sympathies, the Cabal, the Popish Plot and the politics of party faction - other less familiar themes are also explored. These include his involvement with the expansion of England's overseas colonies, his relationship with John Locke, his connections with Scotland and Ireland and his high profile public reputation. Each chapter has been especially commissioned to give an insight into a different facet of his career, whilst simultaneously adding to an overall evaluation of the man, his actions and beliefs. As such, this book presents a unique and coherent picture of Shaftesbury that draws upon the very latest interdisciplinary research, and will no doubt stimulate further work on the most intriguing politician of his generation.
Author : Martin Dzelzainis
Publisher : Oxford University Press
Page : 857 pages
File Size : 18,50 MB
Release : 2019-03-28
Category : Literary Criticism
ISBN : 0191056006
The Oxford Handbook of Andrew Marvell is the most comprehensive and informative collection of essays ever assembled dealing with the life and writings of the poet and politician Andrew Marvell (1621-78). Like his friend and colleague John Milton, Marvell is now seen as a dominant figure in the literary landscape of the mid-seventeenth century, producing a stunning oeuvre of poetry and prose either side of the Restoration. In the 1640s and 1650s he was the author of hypercanonical lyrics like 'To His Coy Mistress' and 'The Garden' as well as three epoch-defining poems about Oliver Cromwell. After 1660 he virtually invented the verse genre of state satire as well as becoming the most influential prose satirist of the day - in the process forging a long-lived reputation as an incorruptible patriot. Although Marvell himself was an intensely private and self-contained character, whose literary, religious, and political commitments are notoriously difficult to discern, the interdisciplinary contributions by an array of experts in the fields of seventeenth-century literature, history, and politics gathered together in the Handbook constitute a decisive step forward in our understanding of him. They offer a fully-rounded account of his life and writings, individual readings of his key works, considerations of his relations with his major contemporaries, and surveys of his rich and varied afterlives. Informed by the wealth of editorial and biographical work on Marvell that has been produced in the last twenty years, the volume is both a conspectus of the state of the art in Marvell studies and the springboard for future research.
