Poems of the Jackson Homestead
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Page : 142 pages
File Size : 37,71 MB
Release : 1903
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Author :
Publisher :
Page : 142 pages
File Size : 37,71 MB
Release : 1903
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Author : Walt Hunter
Publisher : Oxford University Press
Page : 187 pages
File Size : 46,62 MB
Release : 2024-01-11
Category : Literary Criticism
ISBN : 0192856251
The house is perhaps the most recognizable emblem of the American ideals of self-making: prosperity, stability, domesticity, and upward mobility. Yet over the years from 1945-2021, the American house becomes more famous for the betrayal of those hopes than for their fulfilment: first, through the segregation of cities and public housing; then through the expansion of private credit that lays the ground for the subprime mortgage crisis of the early twenty-first century. Walt Hunter argues that, as access to housing expands to include a greater share of the US population, the house emerges as a central metaphor for the poetic imagination. From the kitchenette of Gwendolyn Brooks to the duplex of Jericho Brown, and from the suburban imagination of Adrienne Rich to the epic constructions of James Merrill, the American house poem represents the changing abilities of US poets to imagine new forms of life while also building on the past. In The American House Poem, 1945-2021, Hunter focuses on poets who register the unevenly distributed pressures of successive housing crises by rewriting older poetic forms. Writing about the materials, tools, and plans for making a house, these poets express the tensions between making their lives into art and freeing their lives from inherited constraints and conditions.
Author : Kathrin Haubold
Publisher : GRIN Verlag
Page : 53 pages
File Size : 44,34 MB
Release : 2011-03
Category : Biography & Autobiography
ISBN : 3640856325
Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 1 (A), University of Frankfurt (Main) (Institute for England and American Studies), course: Emily Dickenson, language: English, abstract: We know much of Dickinson ́s life through her correspondences. She maintained a lifelong correspondence with Susan Dickinson, even though they were next-door neighbors. This correspondence, preserved by Susan, is the source for many of the poet ́s manuscripts. But Emily Dickinson also corresponded with school friends, with her cousins Fanny and Loo Norcross, and with several people of letters, including Samuel Bowles, Dr. and Mrs. J.G. Holland, T.W. Higginson, and Helen Hunt Jackson. The central events, then, of Dickinson ́s life are those that are central to the life of most writers: she wrote. She compiled a manuscript recorded of 1.775 poems, along with many letters. In or around 1858 she began to keep manuscript books of her poetry, the "fascicles", hand-produced and hand-bound. In the early 1860s she produced hundreds of poems each year. In 1864 and 1865, failing eyesight, which impelled her to make two extended visits to Cambridge, Massachusette for medical treatment, slowed her production of manuscipt books. But her production of manuscripts continued at a slower pace until her last illness in 1885-86. Though she wrote hundreds of poems, Dickinson never published a book of poetry. The few poems published during her lifetime were anonymous. The reasons why she never published are still unclear. A myth promoted by William Luce ́s play The Belle of Amherst (1976) is that Higginson discouraged her writing. However, it is propably not the case that Dickinson met with rejection from the literary world. For one thing, Higginson was instrumental in getting her poetry published soon after her death, suggesting, that her reluctance and not his disapproval was the barrier to him doing this earlier. Also, both Bowles and Hunt Jackson arranged for anonymou
Author : Emily Dickinson
Publisher : Belknap Press
Page : 697 pages
File Size : 43,91 MB
Release : 2005-10-28
Category : Poetry
ISBN : 0674018249
Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals—an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk—an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day. Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson—1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem—usually the latest version of the entire poem—rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.
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Page : 628 pages
File Size : 49,52 MB
Release : 1972
Category : National parks and reserves
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Author : Emily Dickinson
Publisher : Harvard University Press
Page : 858 pages
File Size : 32,29 MB
Release : 2016-04-11
Category : Poetry
ISBN : 0674968778
Widely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems. The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them. A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.
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Page : 710 pages
File Size : 41,86 MB
Release : 1922
Category : Periodicals
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Author : John Hollander
Publisher : Routledge
Page : 1995 pages
File Size : 25,63 MB
Release : 2016-04-01
Category : Literary Criticism
ISBN : 1135922810
First Published in 2004. From Philip Freneau to Walt Whitman, Herman Melville to Trumbull Stickney, this collection of two volumes, selected by John Hollander, gives an insight into the artform during the nineteenth century. This collection is sorted by author with focus on American Indian Poetry, Folk Songs and Spirituals. An extensive list of works with attention to their chronology and editor notes on the texts within.
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Page : 376 pages
File Size : 13,38 MB
Release : 1969
Category : Historic buildings
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Author : George Monteiro
Publisher : McFarland
Page : 192 pages
File Size : 26,18 MB
Release : 2015-02-13
Category : Literary Criticism
ISBN : 147661945X
"Wise old Vergil says in one of his Georgics, 'Praise large farms, stick to small ones,'" Robert Frost said. "Twenty acres are just about enough." Frost started out as a school teacher living the rural life of a would-be farmer, and later turned to farming full time when he bought a place of his own. After a sojourn in England where his first two books were published to critical acclaim, he returned to New England, acquired a new farm and became a rustic for much of the rest of his life. Frost claimed that all of his poetry was farm poetry. His deep admiration for Virgil's Georgics, or poems of rural life, inspired the creation of his own New England "georgics," his answer to the haughty 20th-century modernism that seemed certain to define the future of Western poetry. Like the "West-Running Brook" in his poem of the same name, Frost's poetry can be seen as an embodiment of contrariness.