Poems on Ohio (Classic Reprint)


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Excerpt from Poems on Ohio Pardon, stranger, did you say you're from Ohio? Shake. Born there, was you? Well, I guess we're 'bout of the same make, An' I'm mighty glad to see you, stranger, for the sake Of the love I bear to old Ohio. What is that? You're from the hills? Well, shake again, by Jo! From the hills along the river, where the buckeyes grow. I hain't been there, I guess, since twenty years ago. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Vision of Columbus


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Odes in Ohio, and Other Poems (Classic Reprint)


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Excerpt from Odes in Ohio, and Other Poems Written In Commemoration Of The One Hundredth Anniversary Of The Founding Of The City Of Cleveland And The Settlement Of The Western Reserve In Ohio: Read On The Occasion Of The Celebration At Cleveland, July 22, 1896 I Praise to the sower of the seed, The planter of the tree! - What though another for the harvest gold The ready sickle hold, Or breathe the blossom, watch the fruit unfold? Enough for him, indeed, That he should plant the tree, should sow the seed, And earn the reaper's guerdon, even if he Should not the reaper be: "Let him who after a while, when I shall pass, may dwell In my sweet close, 'neath my dear roof instead, Enjoy the harvest, pluck the fruit as well, About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Reading Pope's Imitations of Horace


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This study reclaims Pope's meaning in each successive imitation by focusing on the differences between Horace's Latin poems and Pope's English versions. It considers not only Pope's expression of concerns about his own world but also the contemporary reputation of the Roman Augustan Age and of Augustus and Horace.




Awash with Roses


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100 of the love poems of Kenneth Patchen, one of America's greatest love poets. A detailed biographer introduction is provided by editor Larry Smith.




Travel and Home in Homer's Odyssey and Contemporary Literature


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Travel and Home in Homer's Odyssey and Contemporary Literature brings Homer's Odyssey together with contemporary literary texts ranging from Rebecca West's The Return of the Soldier to Marilynne Robinson's Housekeeping and Cormac McCarthy's The Road to produce new readings that reframe, reorient, and ultimately revise aspects of Homer's iconic story of travel and home. While some novels share with the Odyssey a celebration of the creative process of improvisation to rethink the relationship between home and travel, others draw upon nostalgia - our complicated longing for home - to unsettle the inevitability of return. Rather than offering an explicit retelling of Homer's poem, each of these novels prompts us to revisit the relationship between travel and home that Odysseus and Penelope embody to ask new questions of that well-read text. Does travel reinforce or destabilize our notion of home? Are mobility and domesticity irrevocably gendered, or can we imagine a world in which Penelope travels and Odysseus stays home? Just as Odysseus continually reinvents his own identity with each new encounter, both abroad and at home, so too we, as readers, participate in an improvisatory interpretive experiment of our own. This volume sets out a new model for reading ancient and contemporary texts together - one that challenges the conventional chronological assumptions inherent in many works of classical reception. No longer a stable text to which we as readers return time and again to find it the same, the Odyssey, together with the novels with which it engages, changes and adapts with each new literary encounter.




Emigrant, Or Reflections While Descending the Ohio


Book Description

Excerpt from Emigrant, or Reflections While Descending the Ohio: A Poem This poem was written under the circumstances which its title implies. Three years since, as the author was descending the Ohio, to become a citizen of the West, he wrote a considerable number of stanzas, expressive of his feelings, six or eight of which were published as a fragment on his arrival in Cincinnati, in the Commercial Daily Advertiser, and republished and noticed by different prints in a way that induced the author, from time to time, to add stanzas to stanzas, until they almost imperceptibly reached their present number. He wrote on, without any previous study of the style or manner in which the subject should be pursued - using the poetic license of light and shade as Fancy dictated. Being in ill health, and coming to a strange land, it was very natural for his Reflections to be of a sombre cast, without there being any thing peculiar in his situation differing from that of other Emigrants. The reader will perceive that the metrical arrangement of the stanzas is the same as that used by Gray, in his Ode to Adversity, with this difference, that the Ode is written in lines of eight syllables, and the author has attempted the heroic measure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Incredible Sestina Anthology


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More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.







New Addresses


Book Description

Kenneth Koch, who has already considerably "stretched our ideas of what it is possible to do in poetry" (David Lehman), here takes on the classic poetic device of apostrophe, or direct address. His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island. Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.