Poems on Slavery


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Amazing Grace


Book Description

"This volume is the first anthology of poetic writings on slavery from America, Britain, and around the Atlantic during the Enlightenment - the crucial period that saw the height of the slave trade but also the origins of the anti-slavery movement. Bringing together more than four hundred poems and excerpts from longer works that were written by more than two hundred and fifty poets, both famous and unknown, the book charts the emergence of slavery as part of the collective consciousness of the English-speaking world. The book includes: poems by forty women, ranging from abolitionists Hannah More and Mary Robinson to Frances Seymour, the Countess of Herford; works by more than twenty African or African American poets, including familiar names (Phillis Wheatley), intriguing figures (Afro-Dutch Latin scholar Johannes Capitein), and newly rediscovered black poets (an anonymous veteran of the Revolutionary War); and poetry by such canonical writers as Dryden, Defoe, Pope, Johnson, Blake, Boswell, Burns, Wordsworth, and Coleridge." "The poems speak of the themes of slavery: capture, torture, endurance, rebellion, thwarted romances, and spiritual longing. They also raise intriguing questions about the contradications between cultural attitudes and public policy of the time. Writers such as these, suggests editor James Basker, were not complicit in the imperial project or indifferent about slavery but actually laid the groundwork for the political changes that would follow."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




I Lay My Stitches Down


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Mirroring the structure of a quilt, this volume of poems are built in three layers, representing biblical/spiritual reference, musical reference, and references to sewing/quilting itself. These are the poems of American slavery."--




The Poems of Phillis Wheatley


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At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.







Anti-slavery Poems


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Poems by a Slave


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This is a volume of poems written by an African American who was born into slavery on William Horton's plantation in Northampton County, North Carolina.




The Vintage Book of African American Poetry


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In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.




Voices Beyond Bondage


Book Description

Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery. The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empowerment of African American voices. For many, poetry became this empowerment. Almost every black-owned periodical featured an open call for poetry, and African Americans, both free and enslaved, responded by submitting droves of poems for publication. Yet until now, these poems -- and an entire literary movement -- have been lost to modern readers. The poems in Voices Beyond Bondage address the horrific and the mundane, the humorous and the ordinary and the extraordinary. Authors wrote about slavery, but also about love, morality, politics, perseverance, nature, and God. These poems evidence authors who were passionate, dedicated, vocal, and above all resolute in a bravery which was both weapon and shield against a world of prejudice and inequity. These authors wrote to be heard; more than 150 years later it is at last time for us to listen.