The Oxford History of Poetry in English


Book Description

The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.




Poetics and Praxis, Understanding and Imagination


Book Description

Whether O.B. Hardison Jr. (1929-1990) wrote about government's responsibility to the arts and humanities, film adaptations of Shakespeare's play, Dadaist poetry, or modern and postmodern design and architecture, his chosen form was the essay. Showcasing Hardison's mastery of the essay's power to instruct, persuade, and provoke, the twenty-five selections in this volume range from his earliest works to those completed but still unpublished at the time of his death. As Arthur F. Kinney notes in his preface, they all bear hallmarks of Hardison's style: his intensity and acuity of thought, his concreteness, his grounding of the present and future in the past, his easy melding of analytic and expository conventions, and his intercultural perspective.




"Matter of Glorious Trial"


Book Description

This groundbreaking book, the first to examine Milton's thinking about matter and substance throughout his entire poetic career, seeks to alter the prevailing critical view that Milton was a monist-materialist--one who believes that all things are composed of material and all phenomena (including consciousness) are the result of material interactions. Based on her close study of the philosophical movements of Milton's mind, Sugimura discovers the "fluid intermediaries" in his poetry that are neither strictly material nor immaterial. In doing so, Sugimura uses Paradise Lost as a fascinating window into the intersection of literature and philosophy, and of literary studies and intellectual history. Sugimura finds that Milton displays a tense and ambiguous relationship with the idealistic dualism of Plato and the materialism of Aristotle and she argues for a more nuanced interpretation of Milton's metaphysics.




Why do We Write as We Write? Paradigms, Power, Poetics, Praxis


Book Description

This volume was first published by Inter-Disciplinary Press in 2013. Why? What is motivating us? What are the outcomes of our writing experiences? How to improve them? How to enable and empower young writers, students or independent artists to write more and better? What are the challenges? The activity of writing has been observed in this eBook from, mainly, two different perspectives: writing, self and discovery, on a predominantly institutional level, and writing as craft, with focus on text and writing practice. The division seems simple, but the variety of articles cover a wide range of subjects within the topic, creating interesting overviews – writing starts with writing instruction, progresses to discovery of the text, and this stage progresses frequently, as shown in the articles, as journeys of discovery and self-discovery.




Shakespiritualism


Book Description

This study concerns itself with a now-forgotten religious group, Spiritualists, and how their ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare Studies.




The Cambridge Companion to The Essay


Book Description

The Cambridge Companion to the Essay considers the history, theory, and aesthetics of the essay from the moment it's named in the late sixteenth century to the present. What is an essay? What can the essay do or think or reveal or know that other literary forms cannot? What makes a piece of writing essayistic? How can essays bring about change? Over the course of seventeen chapters by a diverse group of scholars, The Companion reads the essay in relation to poetry, fiction, natural science, philosophy, critical theory, postcolonial and decolonial thinking, studies in race and gender, queer theory, and the history of literary criticism. This book studies the essay in its written, photographic, cinematic, and digital forms, with a special emphasis on how the essay is being reshaped and reimagined in the twenty-first century, making it a crucial resource for scholars, students, and essayists.




Poetics of Imagining


Book Description

With an extended foreword and an afterword chapter, and fascinating new material on the narrative imagination, Poetics of Imagining, Modern to Post-modern provides a critically developed and accessible account of the major theories of imagination in modern European thought.




Renaissance Historicisms


Book Description

This collection of essays by major Renaissance scholars demonstrates the vitality and variety of current historical approaches to studying early modern England - itself developing new ways to view the past. Here are, for example, a hitherto unpublished memoir, a discussion of Shakespeare's printed texts, new biographical approaches to Tudor writers, the recovery of manuscript sources, the tracing of intertextual relations, the impact of Renaissance humanism, and close readings that join an understanding of words' ambiguity to a refreshed awareness of historical context. --From publisher's description.




Medieval and Early Modern Religious Cultures


Book Description

New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication.




Circular Narratives in Modern European Literature


Book Description

Breaking with linearity – the ruling narrative model in the Jewish-Christian tradition since the ancient world – many 20th-century European writers adopted circular narrative forms. Juan Luis Toribio Vazquez shows this trend was not a unified nor conscious movement, but rather a series of works arising sporadically in different countries at different times, using a variety of circular structures to express similar concerns and ideas about the world. This study also shows how the renewed understanding of narrative form leading to this circular trend was anticipated by Nietzsche's critiques of truth, knowledge, language and metaphysics, and especially by his related discussions of nihilism and the eternal recurrence. Starting with an analysis of the theory and genealogy of linear narrative, the author charts the emergence of Nietzsche's idea of eternal return, before then turning to the history of the circular narrative trend. This history is explored from its inception, in the works of August Strindberg, Gertrude Stein and Azorín; through its development in the interwar years, by writers such as Raymond Queneau and Vladimir Nabokov; to its full flowering in the work of authors James Joyce or Samuel Beckett, among others; and its later employment by post-war writers, including Alain Robbe-Grillet, Italo Calvino and Maurice Blanchot. Through a series of close readings, the book aims to highlight the various ways in which narrative circularity serves to break with an essentially teleological and theological thinking. Finally, Toribio Vazquez concludes by proposing a new typology of non-linear narratives, which builds on the work of recent narratologists.