Poetry and Autobiography


Book Description

This collection makes a critical and creative intervention into ongoing debates about the relationship between poetry and autobiography. Drawing on recent theories of life writing, the essays and reflections in this volume offer new analyses of works by a range of poets, dating from the early modern period to the present day. This book was published as a special issue of Life Writing.




After Confession


Book Description

Explores how poems have been used as autobiographies throughout time.




Autobiography of Death


Book Description

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.




I Wanted to Write a Poem


Book Description

WCW, I Wanted to Write a Poem. Williams discusses the procedure of poetry.




Autobiography of Red


Book Description

The award-winning poet reinvents a genre in a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National Book Critics Circle Award Finalist "Anne Carson is, for me, the most exciting poet writing in English today." --Michael Ondaatje "This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro "A profound love story . . . sensuous and funny, poignant, musical and tender." --The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice




Plainwater


Book Description

The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.




The Autobiography of a Yaqui Poet


Book Description

This is the major literary achievement of a sensitive, gifted man. The author is a Yaqui Indian, a railroad gandy dancer who sees beauty in iron spikes and rail clamps as well as in twilight-purple mountains and glossy-leafed cottonwood trees. In the seventy years following his flight from the Yaqui-Mexican wars in Sonora, Savala became a talented poet and loving recorder of his people's cultural heritage. A large sampling of his original works appears in the interpretations section of this book. Together with the beautifully written autobiography, they offer a unique view of Arizona Yaqui culture and history, railroading in the American West, and the personal and artistic growth of a Native American man of letters.







Nizar Qabbani


Book Description

As the title of this book indicates, this is Nizar's journey in life as a student, a son, a man, a lover, a revolutionary, a rebel, a diplomat, a patriot, an ambassador, a world traveler, a citizen of the world, a literary critic, a champion of women's rights, and a Don Juan. Above all, he is a pioneer of Modern Arabic Poetry and the innovative "poet par excellence" who stood firmly and honestly in the face of the literary and political establishments that held, at that time and for the past thousand years before, an absolute monopoly on the fettered mind and on the restrained imagination of generations of young Arab men and women, both politicians and intellectuals alike. Nizar stood unyielding. He was a "Man against [the] Empire." He was the uncompromising witness to his times and era, an effectual participant who helped shape the new movement in Modern Arabic Poetry and modernize the Arabic language and the Arab nation's outlook towards women, love, sex, emotions, and most definitely, patriotic sentiments that were until then politically correct but phony and void of any national passion or commitment. Nizar Qabbani was never a casual observer standing on the margin of history or a bearer of false witness and fake testimony; instead, he was the storm that brought the change and the mirror in which the Arab nation saw its putrefied and failing body reflected and suspended in a vacuum on the decomposed garment of tradition and worn out institutions. This book is not just an autobiography of Nizar Qabbani; rather, it is a comprehensive testimony of his era and a multi-faceted historical and humanistic document that records the story of the Arab nation's emotional, political, social, literary, and cultural struggle against its own outdated tradition, against foreign influences, and ultimately against itself and its own demons of superstition, magic, fables, and archaic beliefs.




Tony Brooks


Book Description

It has taken 15 years of relentless persuasion to convince Tony Brooks that he should write his autobiography. In the 1950s he revealed himself to be one of Britain's foremost grand prix drivers, yet throughout his career he shunned publicity, preferring to let his on-track performances speak for themselves. This is why Sir Stirling Moss, on many occasions his team-mate in Formula One and sports car races, has described him as "the greatest 'little known' driver of all time". His motor racing career began at Goodwood in 1952 at the wheel of his mother's Healey Silverstone sports car. Three years later, having never previously sat in a Formula One car, he drove a Connaught to victory in the Syracuse Grand Prix, beating the entire Maserati works team at a time when the Italians dominated the sport; it was the first GP victory for a British car and driver for 31 years. Tony's unique combination of speed and smoothness, which has inspired his choice of Poetry in Motion as the title of his book, was to lead to works drives with Aston Martin, BRM, Vanwall and Ferrari, bringing him Grand Prix and sports car victories on Europe's three most challenging circuits ? Spa-Francorchamps, the Nürburgring and Monza. Through his extensive autobiography, he explores in great detail the fundamental differences between the hazardous sport of motor racing in his day with the safety and electronically aided business environment in which Formula One operates today. From an era when death on the track was all too commonplace, he survived two major accidents to complete a career trilogy embracing dentistry, motor racing and the motor business. Now retired, he retains strong links with the sport and is frequently to be seen at major events which honour the history of the sport and its participants.