Women of Resistance
Author : Iris Mahan
Publisher : OR Books
Page : 259 pages
File Size : 41,23 MB
Release : 2018-03-13
Category : Poetry
ISBN : 1682191397
Author : Iris Mahan
Publisher : OR Books
Page : 259 pages
File Size : 41,23 MB
Release : 2018-03-13
Category : Poetry
ISBN : 1682191397
Author : Illona Linthwaite
Publisher : Gramercy
Page : 232 pages
File Size : 28,63 MB
Release : 1993
Category : Poetry
ISBN :
Spanning the centuries from Sappho's Greece to tenth-century Japan, from nineteenth-century Chile to Zindziswa Mandela's twentieth-century South Africa, the voices of these women poets express themes of love, injustice, motherhood, and loss, and the oppressions of race and sex. The sequence of the poems moves from youth to old age, and they bear witness to the triumphs as well as the pain and frustration of women in many times and in many places. Among the many poets whose work is included are Anna Akhmatova, Maya Angelou, Judith Kazantzis, Gabriela Mistral, Marge Piercy, Irina Ratushinskaya and Alice Walker. Illona Linthwaite began gathering this collection several years ago, initially for a theatrical performance. Here, in this unique exchange between women of many races, affirming their differences and what they have in common, are more than 150 poems which assert the black abolitionist Sojourner Truth's challenge, "Ain't I a Woman!" In addition to the poems, there are biographies of the 91 contributors.
Author : David Blair
Publisher : Web del Sol Association
Page : 84 pages
File Size : 50,54 MB
Release : 2007-10-01
Category : Poetry
ISBN : 9780979150159
"What a strange and intense book this is! David Blair has a wild, restless imagination and he uses language like saw, a hammer, a velvet whip. He can write incredibly tender (and original) love poems and enfilading satirical poems, as well as many of the many other "kinds" of poems between those poles, and they all seem entirely at home, indeed, need to be in this book together. His music, his diction, his refusal to use (ever!) cliches, his syntax all drive his poems and their hearts forward. That is where his poems go: forward. He will be in the company of the best poets of his generation." --Thomas Lux "Nothing can remain horizontal or vertical for long" might as well be David Blair's mini ars poetica. A commitment to the pleasures and terrors of change, you might say. I have been reading Blair's poems for about ten years now--struck always by his unique pitch and tone, the tensile muscularity of his syntax and vibrational accents. His diction is totally unboxed. He reminds me a bit of August Kleinzahler or John Yau in this--a karaoke of urban hullabaloo sung slightly off the beat, all for the sake of swing....David Blair's acceptance of the world is signaled by his stylishness, provoked by the people and things he encounters. His brain knows that it's living in an animal body. And it moves among all these other minds and bodies in motion. Changed by the smallest of changes. Unbalanced but at ease. This poet's energy reminds me of Edwin Denby's comments about De Kooning's paintings from the 1930s: "He wanted everything in the picture out of equilibrium except spontaneously all of it...a miraculous force and weight of presence moving from all over the canvas at once." These poems wantthat, too. --David Rivard, /Boston Review/ "David Blair's work is both public and discreet, somewhere between black box theatre and a blind date with an utterly beguiling stranger. His poems are dinner parties, intimate and sumptuous, arranged with great care and yet full of unforeseen turns: the pope gives way to 'the first red coils of the peonies' and a the hair of a lost aviator becomes 'brown, fibrous light.' How refreshingly unlike contemporary poetry this book is; a pleasure. --D. A. Powell
Author : Allison Funk
Publisher : Parlor Press LLC
Page : 72 pages
File Size : 48,51 MB
Release : 2021-01-01
Category : Poetry
ISBN : 1643171941
In The Visible Woman, Allison Funk writes of how women often disappear into the roles expected of them, becoming invisible to themselves. To fill in “the thin / chalk outline” of herself that she’s “drawn and erased” for as long as she can remember, Funk returns to the anatomical model of “The Visible Woman” she left unassembled as a child. With poems rather than the kit’s plastic organs and bones, she strives to “create a likeness / to embody herself.” In her efforts at self-representation, the poet is guided by the visual artist Louise Bourgeois— her real-life model of a woman who proved that art gives us a way of recognizing ourselves.
Author : Emma Heaney
Publisher :
Page : 345 pages
File Size : 11,63 MB
Release : 2017
Category : Gender identity in literature
ISBN : 9780810135536
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
Author : Kate Baer
Publisher : HarperCollins
Page : 117 pages
File Size : 43,35 MB
Release : 2020-11-10
Category : Poetry
ISBN : 0063008432
An Instant #1 New York Times Bestseller A Goop Book Club Pick "If you want your breath to catch and your heart to stop, turn to Kate Baer."--Joanna Goddard, Cup of Jo A stunning and honest debut poetry collection about the beauty and hardships of being a woman in the world today, and the many roles we play - mother, partner, and friend. “When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me.” In “Nothing Tastes as Good as Skinny Feels” she challenges her reader to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?” Through poems that are as unforgettably beautiful as they are accessible, Kate Bear proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.
Author : Xiaorong Li
Publisher : University of Washington Press
Page : 264 pages
File Size : 16,8 MB
Release : 2013-05-03
Category : History
ISBN : 0295804432
This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.
Author : Annie Ridley Crane Finch
Publisher : University of Michigan Press
Page : 192 pages
File Size : 20,95 MB
Release : 2010-02-22
Category : Literary Criticism
ISBN : 0472025589
The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation. Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart." Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Author : Susan L. Rattiner
Publisher : Courier Corporation
Page : 257 pages
File Size : 24,7 MB
Release : 1998-01-21
Category : Poetry
ISBN : 0486401642
Presents over two hundred poems written by American women poets, drawn from a period that ranges from the colonial era through the twentieth century.
Author : Paula R. Backscheider
Publisher : JHU Press
Page : 556 pages
File Size : 18,93 MB
Release : 2005-12-31
Category : Biography & Autobiography
ISBN : 9780801881695
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.