Against Popery


Book Description

Although commonly regarded as a prejudice against Roman Catholics and their religion, anti-popery is both more complex and far more historically significant than this common conception would suggest. As the essays collected in this volume demonstrate, anti-popery is a powerful lens through which to interpret the culture and politics of the British-American world. In early modern England, opposition to tyranny and corruption associated with the papacy could spark violent conflicts not only between Protestants and Catholics but among Protestants themselves. Yet anti-popery had a capacity for inclusion as well and contributed to the growth and stability of the first British Empire. Combining the religious and political concerns of the Protestant Empire into a powerful (if occasionally unpredictable) ideology, anti-popery affords an effective framework for analyzing and explaining Anglo-American politics, especially since it figured prominently in the American Revolution as well as others. Taking an interdisciplinary approach, written by scholars from both sides of the Atlantic working in history, literature, art history, and political science, the essays in Against Popery cover three centuries of English, Scottish, Irish, early American, and imperial history between the early sixteenth and early nineteenth centuries. More comprehensive, inclusive, and far-reaching than earlier studies, this volume represents a major turning point, summing up earlier work and laying a broad foundation for future scholarship across disciplinary lines. Contributors: Craig Gallagher, New England College * Tim Harris, Brown University * Clare Haynes, Independent Researcher * Susan P. Liebell, St. Joseph’s University * Brendan McConville, Boston University * Anthony Milton, University of Sheffield * Andrew R. Murphy, Virginia Commonwealth University * Gregory Smulewicz-Zucker, Rutgers University, New Brunswick * Laura M. Stevens, University of Tulsa * Cynthia J. Van Zandt, University of New Hampshire * Peter W. Walker, University of Wyoming Early American Histories




The Spice of Popery


Book Description

Laura Chmielewski provides an important new interpretation of the borderlands between French and English settlements in North America between 1688 to 1727.




Escaped Nuns


Book Description

Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.




Pictures and Popery


Book Description

The part religion played in questions of national identity in early modern England is a familiar historical theme, yet little work has been done on how this worked culturally. Nowhere is this more visible than in the seeming contradiction of a militantly Protestant nation such as England, that had a high regard for Catholic art. It is this dichotomy, the tensions between art and anti-Catholicism, that forms the central investigation of this book. During the late seventeenth and eighteenth century, religious art was closely identified with idolatry, and the use of images was one of the most obvious markers of the boundary between Protestantism and Catholicism. This manifested itself in an unease about the status of the religious image in English society, which was articulated in religious tracts, anti-Catholic propaganda, polemical debate, court cases and numerous other places. In light of these attacks upon 'idolatry', the fact that a great deal of Catholic art was so highly regarded and sought after seems puzzling. By discussing English attitudes towards the works of Italian painters (including Raphael, Michelangelo and Domenichino) and the ways in which native artists sought appropriately Protestant ways of emulating them, this volume offers a fascinating perspective on the dichotomy that existed between English appreciation and disapproval of Catholic culture. By taking this cultural and artistic approach and applying it to the broader historical themes, a new and invigorating way of understanding religion and national identity is offered.







No King, No Popery


Book Description

This book explores the complex relationship between anti-Catholicism, or anti-popery to use the contemporary term, and the American Revolution in New England. Anti-Catholicism was among the most common themes in colonial New England culture. Nonetheless, New Englanders entered into an alliance with French Catholics against Protestant Britons during the American Revolution. As New Englanders traditionally associated Catholicism with tyranny and oppression, they were able to extend these feelings to the popish British upon the passage of the Quebec Act. As a consequence, anti-popery helped enable New Englanders to make the intellectual transition that war with Britain required. During the Revolution, anti-popery became less popular as the American rebels relied on Catholic France for aid. By the end of the revolutionary era, Catholics were extended legal toleration in all of the New England states. The book's conclusion explores the change in religious tolerance and the decline of anti-popery with a study of New England's first Catholic parish.




Protestants


Book Description

On the 500th anniversary of Luther’s theses, a landmark history of the revolutionary faith that shaped the modern world. "Ryrie writes that his aim 'is to persuade you that we cannot understand the modern age without understanding the dynamic history of Protestant Christianity.' To which I reply: Mission accomplished." –Jon Meacham, author of American Lion and Thomas Jefferson Five hundred years ago a stubborn German monk challenged the Pope with a radical vision of what Christianity could be. The revolution he set in motion toppled governments, upended social norms and transformed millions of people's understanding of their relationship with God. In this dazzling history, Alec Ryrie makes the case that we owe many of the rights and freedoms we have cause to take for granted--from free speech to limited government--to our Protestant roots. Fired up by their faith, Protestants have embarked on courageous journeys into the unknown like many rebels and refugees who made their way to our shores. Protestants created America and defined its special brand of entrepreneurial diligence. Some turned to their bibles to justify bold acts of political opposition, others to spurn orthodoxies and insight on their God-given rights. Above all Protestants have fought for their beliefs, establishing a tradition of principled opposition and civil disobedience that is as alive today as it was 500 years ago. In this engrossing and magisterial work, Alec Ryrie makes the case that whether or not you are yourself a Protestant, you live in a world shaped by Protestants.