Portrait of Julia


Book Description

In 1920 Julia Robertson is a young, beautiful war widow, aware of the radical new ideas bursting into the settled thinking of post-Victorian Canada. That new thinking, about the human unconscious through Freud and Jung, about sexual frankness, about women as well as skepticism about religion, shaped the emerging 20th century world and infused modern painting, music, and literature. Julia struggles with her conscience over the man she most trusts when she is passionately infatuated with another, an Englishman. He leads her into the orbit of the young and charming Prince of Wales. Leaving behind the stuffy world of Halifax, she goes to London and Paris and then the South of France where she renews her close friendship with one of the great Canadian painters of the period, J.W. Morrice. She becomes part of Morrice's circle of artists and admirers, among them Henri Matisse, who was Morrice's close friend. Ultimately Julia has to resolve a dilemma that dramatically tests all her progressive ideas. With this novel Robert MacNeil returns to a character who first appears in his bestselling novel set at the time of the Halifax Explosion, Burden of Desire. "Julia's appetite for life and her bold embrace of the modern world was so vivid to me that I had to follow her life into the postwar world," says MacNeil. The result is a fascinating account of a young woman in the midst of a world in transformation.




Portrait Revolution


Book Description

Based on the popular international collaborative art project, Julia Kay's Portrait Party, this book features hundreds of portraits in multiple mediums and styles teamed with tips and insights on the artistic process. The human face is one of the most important subjects for artists, no matter their chosen medium. Pulling from 50,000 works of portraiture created by the artists of the international online collaborative project Julia Kay’s Portrait Party, Portrait Revolution presents a new look at this topic—one that doesn’t limit itself to one medium, one style, one technique, or one artist. By presenting portraits in pencil, pen, charcoal, oils, watercolors, acrylics, pastels, mixed media, digital media, collage, and more, Julia Kay and co. demonstrate the limitless possibilities available to aspiring artists or even to professional artists who are looking to expand creatively. Along with works in almost every conceivable medium, Portrait Revolution shines a spotlight on different portrait-making techniques and styles (featuring everything from realism to abstraction). With tips, insights, and recommendations from accomplished portrait artists from around the globe, this all-in-one inspiration resource provides everything you’ll need to kick-start your own portrait-making adventure.




Julia


Book Description

Julia's aspirations to become a model and an actress lead her to Milan, where she abandons her old life, full of lessons and troubles, for the prospect of a new one with a career and a man she loves. While her career soars to new heights, Julia is continually tested by memories of her past and hopes for her future. In Milan's romantic and, at times, dangerous setting, Julia gains all she ever desired only to lose it all in a single moment of betrayal. As a test of courage and faith in herself, she must fulfill her dreams again, discovering the power and creativity of the human imagination and the everlasting joys of love.




Classical Sculpture


Book Description

This first complete published catalogue of one of the most important classical sculpture collections in the United States includes 154 works from Italy, Greece, Cyprus, Asia Minor, North Africa, Roman Syria and Palestine, Egypt, and Babylonia, ranging in date from the late seventh century B.C. to the fourth century A.D. Each piece receives a complete description with measurements and report of condition, a list of the previous published sources, and a commentary reflecting the most recent scholarship, along with extensive photographic documentation. Various audiences will appreciate the accessibility of the scholarship presented here—students may engage in further study on some of topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant classical sculpture collection in one of the world's great archaeology museums.




Great Women of Imperial Rome


Book Description

Drawing from a broad range of documentation this book vividly characterizes eleven royal women who are brought visually to life through photographs of over 300 ancient coins and through the author's own illustrations. Spanning the period from the death of Julius Caesar in 44BC to the third century AD, and with an epilogue surveying empresses of later eras, the author's compelling biographies reveal their remarkable contributions towards the legacy of Imperial Rome. Examining the wives, daughters, sisters and mothers of emperors, the study includes: a pregnant Roman princess who saves a Roman army through an act of personal heroism three third-century empresses who rule the most powerful state on Earth, presiding over unprecedented social and political reform an empress, though revered by her husband, is immortalized in history for infidelity and corruption by students of her greatest enemy. Jasper Burns paints portraits of these exceptional women that are colourful, sympathetic, and above all profoundly human. This book will be highly valuable to numismatists, students and scholars of Roman history or women’s studies.




The Portrait in Fiction of the Romantic Period


Book Description

Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.







Julia


Book Description







The Frame of Art


Book Description

Marshall asks what it means for these authors to view the world through the frame of art.