Postclassical Violin - Book 1


Book Description

An instruction manual for the modern violinist in how to improvise solo and accompianament lines over jazz and folk music. Postclassical is a term used to descripe music genres and musicality which players investigate after a prolonged period or immersed career of playing exclusively classical music. It is a great way to utilise your existing knowledge and technique in other genres. The objective of this book is to guide string players through a structured and sequenced path to becoming a more fluent improvisor and a more effective ensemble member. You will achieve this by also expanding your role as an accompaniment instrument in an ensemble setting. This book is aimed at players who are already reasonably fluent with their instrument and musical vernacular and who can read sheet music, chord charts and lead sheets. There are eighty tunes from the swing Manouche style used in this system; the idea being that you increase your repertoire whilst developing your knowledge of playing through this genre. It is essential to learn and memorise the chord progression and form of each tune BEFORE you memorise the melody. If you only learn the melody, then you only know half of the tune. Be like a conductor, be aware of what everyone in the band is doing, what all the other roles are in a tune. Immerse yourself in a genre and remember; you are what you listen to. The skills presented are not specific to jazz. These concepts are easily transferrable to bluegrass, old timey, swing, folk, trad and other genres with elements of spontaneous creativity and mixed instrumentation. I chose Manouche jazz as the medium for these techniques as I have the most experience in this genre and there is an abundance of repertoire and recordings. As a style it features the violin quite prominently, it is great fun to learn about and play and I really enjoy it.




Rhythm Fiddle


Book Description

What is rhythm violin? The violin sings and the fiddle dances. In the same way there is lead guitar and rhythm guitar, we can have lead violin and rhythm violin also. Rhythm violin playing is when you accompany dance melodies with repetitive bowing patterns. This kind of bowing is very common in most folk and dance styles and the most well-known bowing variation for this is called The Shuffle (also known sometimes as the Nashville shuffle). In 16 concise pages with clear examples and a little bit of dyad theory, learn how to accompany any melody with nothing but a leadsheet or even just a chord progression written on the back of a beermat.




Arabic Literature in the Post-Classical Period


Book Description

The final volume of The Cambridge History of Arabic Literature explores the Arabic literary heritage of the little-known period from the twelfth to the beginning of the nineteenth century. Even though it was during this time that the famous Thousand and One Nights was composed, very little has been written on the literature of the period generally. In this volume Roger Allen and Donald Richards bring together some of the most distinguished scholars in the field to rectify the situation. The volume is divided into parts with the traditions of poetry and prose covered separately within both their 'elite' and 'popular' contexts. The last two sections are devoted to drama and the indigenous tradition of literary criticism. As the only work of its kind in English covering the post-classical period, this book promises to be a unique resource for students and scholars of Arabic literature for many years to come.




Schumann's Virtuosity


Book Description

“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.







Clara Schumann Studies


Book Description

Since the 1980s, when she re-emerged from the peripheries into a more central position in music studies, Clara Schumann (1819–1896) has exerted an enduring fascination over the scholarly and popular imagination. Revisionist biographies, the uncovering of primary sources (diaries, letters, memorabilia), and filmic and literary depictions of Schumann have all brought into sharper focus the details and reception of her life, while simultaneously drawing attention to how much there is still to learn about her creativity. This book brings together a team of leading scholars to reappraise Clara Schumann in three particular respects: first, by delving deeper into her social and musical contexts; secondly, by offering fresh analytical perspectives on her songs and instrumental music; and thirdly, by reconsidering her legacy as a pianist and teacher. In doing so, the volume not only contributes to a rounded picture of Schumann's creative vision, but also opens up new pathways in the wider study of women in music.







Franz Liszt, His Circle, and His Elusive Oratorio


Book Description

Many scholars, concert pianists, and classical music fans deem Franz Liszt the preeminent pianist of the nineteenth century. In Franz Liszt, His Circle, and His Elusive Oratorio, Xavier Puslowski engages in a detailed study of the links between Liszt, his contemporaries, and his milieu. Drawing on Liszt’s famous Saint Stanislas Oratorio as a focal point, Puslowski brings together the history of the Romantic period in classical music and the intersection of key figures and historical events in his story of Liszt’s achievements told from a distinctly historicist perspective. Readers get a new view of Liszt as Puslowski brings together a remarkable cast of characters. Friend and rival, Frederic Chopin, stands tall as a symbol of Poland’s fight for independence; the remarkable French “people’s poet” Pierre Beranger makes his entrance; virtuoso violinist Niccolo Paganini takes center stage later in Liszt’s life; the indefatigable French composer Hector Berlioz and the domineering Richard Wagner assume their roles in this musical drama; and finally two of Poland’s premier violinists, Karol Lipinski and Henryk Wieniawski, stand side by side with Russian pianist Anton Rubinstein, as the story of Liszt’s influence reaches across national boundaries and time itself to make its presence felt.







The Gramophone


Book Description