Postmodern Spain


Book Description

Postmodern Spain examines the cultural transformation experienced by Spanish society during the late 1980s and 1990s. By looking at specific aspects of culture, the representation of the human subject, the past, and the transformation of the city this book critically re-assesses the validity of postmodernism in Spain. Focusing on the novels written by Juan Goytisolo during this period this book examines the representation and development of the human subject and its identification with the marginalized 'other(s)'. It further analyses various representations of the Spanish Civil War, challenging the prevalent view of post-Franco Spain as suffering from amnesia, and thereby vindicates postmodern historical representations as a valid dialogue with the past. The third chapter examines Barcelona's urban redevelopment, analysing the transformation effected in some of its popular sites as a postmodern re-formulation of the city as a fluid, flexible public space. Finally it brings its previous findings to bear on an analysis of the Barcelona 1992 Olympic Games. It argues that these celebrations constituted a performance of Spain's 'new' cultural identity designed for global, national and local consumption. Thus, these cultural celebrations corroborated the emergence of postmodernism as a cultural dominant which has exceeded modern and pre-modern cultural practices while, paradoxically, containing and enhancing both.







Angles on Otherness in Post-Franco Spain


Book Description

In the end, it is precisely the difference and repetition imbued in oppositionality that establish, destabilize, and re-define the identity to the subject who is open to different angles on otherness."--BOOK JACKET.







Urban Space, Identity and Postmodernity in 1980s Spain


Book Description

During the 1980s, the urban youth movement known as la movida transformed the Spanish cultural landscape, particularly in the country's capital, Madrid. After a four-decade long dictatorship, artists and thinkers sought to make the most of their newly found freedoms. The vibrancy, optimism and aesthetic heterogeneity of the period are best captured in contemporary ephemera - in the fanzines and magazines that provided movida participants with an immediate and largely unmediated outlet for their creative experiments. Among them, monthly arts magazine La Luna de Madrid is arguably the most iconic, and its preoccupation with urban space, identity, and postmodernity suggests that la movida was indeed more than 'just a teardrop in the rain', as some of its critics have suggested.




Postmodernity in Spanish Fiction and Culture


Book Description

"Postmodernity in Spanish Fiction and Culture" is a compelling study that combines elements of cultural studies and literary studies in order to present an integrated cultural representation of the emergence of a postmodern social constitution of contemporary Spain. Marking a sweeping reposition from earlier works about postmodernity and postmodernism in Spain, "Postmodernity in Spanish Fiction and Culture" makes a strong connection between postmodernity as social and economic conditions that are the result of unique features of a Spain of the 20th and 21st century, and postmodernism as life-style experiences that manifest new cultural and artistic practices of the 1980s and beyond. The study examines postmodernity by relating it to those exclusive social and cultural experiences that are patently Spanish (the movida, desencanto, immigration, globalization, and terrorism) and concludes that by virtue of Spain's unique socio-cultural, economic, and political history, not only does the country emerge as one of the most postmodern of all European nations but also that the conditions that define the country's evolution from the mid 1980s to the present constitute a distinctively authentic postmodernity.




Memory and Spatiality in Post-Millennial Spanish Narrative


Book Description

Focusing on literary texts produced from 2000 to 2009, Lorraine Ryan examines the imbrication between the preservation of Republican memory and the transformations of Spanish public space during the period from 1931 to 2005. Accordingly, Ryan analyzes the spatial empowerment and disempowerment of Republican memory and identity in Dulce Chacón’s Cielos de barro, Ángeles López’s Martina, la rosa número trece, Alberto Méndez’s ’Los girasoles ciegos,’ Carlos Ruiz Zafón ́s La sombra del viento, Emili Teixidor’s Pan negro, Bernardo Atxaga’s El hijo del acordeonista, and José María Merino’s La sima. The interrelationship between Republican subalternity and space is redefined by these writers as tense and constantly in flux, undermined by its inexorable relationality, which leads to subjects endeavoring to instill into space their own values. Subjects erode the hegemonic power of the public space by articulating in an often surreptitious form their sense of belonging to a prohibited Republican memory culture. In the democratic period, they seek a categorical reinstatement of same on the public terrain. Ryan also considers the motivation underlying this coterie of authors’ commitment to the issue of historical memory, an analysis which serves to amplify the ambits of existing scholarship that tends to ascribe it solely to postmemory.




New Spain, New Literatures


Book Description

Hispanic Studies; Literature; Latin American Studies.




Postmodernity and Cross-culturalism


Book Description

Whereas the text of modernity thrived on its rhythms, symbols, and representations of beauty, and above all on its impersonality, postmodernity in the late decades of the twentieth century sought relationships outside the text - those between literature and history, philosophy, psychology, society, and culture. The exploration of such relationships is literary to postmodernity as it is ancillary to modernity."--BOOK JACKET.