Practical Organ Building


Book Description

Reproduction of the original.




Practical Organ-Building


Book Description

Originally published in 1882, this classic book contains a wealth of information on the subject of organ building. With thirteen chapters including 'The Sound-Board', 'The Bellows, Trunks, and Frame' and 'Village Church Organs', this book will make a valuable addition to the bookshelf of anyone with an interest in the subject.Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




Practical Organ-building


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The Art of Organ-building


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Practical Organ-Building


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Practical Organ-building


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The History of the English Organ


Book Description

This 1996 book describes the history of organs built in England from AD 900 to the present day.




The Cambridge Companion to the Organ


Book Description

This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.




Arp Schnitger, Organ Builder


Book Description

Peggy Kelley Reinburg has written the first comprehensive book in English to chronicle the remarkable achievements of Arp Schnitger, whose influence extends to the twentieth century with the current interest in Baroque instruments and performance practice. The book gives an account of organ-building activity in North Germany and the Netherlands prior to Schnitger, describes in detail many of his constructions as they related to various periods in his life, and comments on Schnitger's impact on trends in organ building. Specifications are given for twenty-two extant organs, and appendixes include a glossary of German-English technical terms, complete scalings for several Schnitger organs, and a chronological listing of all Schnitger instruments.