Pratique Dessin - XL Livre d'exercices 6: Portrait


Book Description

Bien sûr, cette version numérique ne peut pas remplacer le livre de poche. De nombreuses pages blanches sont les pages de papier, sur lequel on peut créer ses propres dessins dans le livre original. Nous vous recommandons le stock d'acheter en livre de poche et utiliser cet ebook pour obtenir des informations de couleur lors de la coloration ou exprimé un autre contour modèles. Mais vous pouvez aussi fixer une feuille de papier ordinaire sur l'écran de son appareil mobile. Le dessin à main levée - rendue facile ! Même à l‘ère du numérique, un croquis à main levée est la recette pour réussir des œuvres d‘art impressionnantes. C‘est sa propre main qui rend l‘artiste unique. Nombreux sont ceux qui ne connaissent pas leurs aptitudes au dessin. Pourtant, même des tracés inexpérimentés créent des dessins impressionnants. C‘est cette imperfection qui transforme vos dessins en œuvres d‘art. Ce cahier d‘exercices fait de vous un artiste. Le décalquage est une méthode éprouvée simple pour apprendre à dessiner à main levée. Après avoir effectué les exercices de ce cahier, vous réussirez également des croquis sans modèle, car vous aurez développé un sens des proportions et des contours. Dès la première tentative, vos propres dessins seront déjà impressionnants. Il s‘agit d‘ originaux que vous pourrez également signer de votre nom. Les beaux motifs transforme chaque trait en pur plaisir. 132 pages XL. 20 pages vierges pour vos originaux. www.practice-drawing.com




Science and Empires


Book Description

SCIENCE AND EMPIRES: FROM THE INTERNATIONAL COLLOQUIUM TO THE BOOK Patrick PETITJEAN, Catherine JAMI and Anne Marie MOULIN The International Colloquium "Science and Empires - Historical Studies about Scientific De velopment and European Expansion" is the product of an International Colloquium, "Sciences and Empires - A Comparative History of Scien tific Exchanges: European Expansion and Scientific Development in Asian, African, American and Oceanian Countries". Organized by the REHSEIS group (Research on Epistemology and History of Exact Sciences and Scientific Institutions) of CNRS (National Center for Scientific Research), the colloquium was held from 3 to 6 April 1990 in the UNESCO building in Paris. This colloquium was an idea of Professor Roshdi Rashed who initiated this field of studies in France some years ago, and proposed "Sciences and Empires" as one of the main research programmes for the The project to organize such a colloquium was a bit REHSEIS group. of a gamble. Its subject, reflected in the title "Sciences and Empires", is not a currently-accepted sub-discipline of the history of science; rather, it refers to a set of questions which found autonomy only recently. The terminology was strongly debated by the participants and, as is frequently suggested in this book, awaits fuller clarification.




Modelling in Aquatic Chemistry


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General Catalogue of Printed Books


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Divine Names on the Spot


Book Description

'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'







The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.




Building an Emergency Plan


Book Description

Building an Emergency Plan provides a step-by-step guide that a cultural institution can follow to develop its own emergency preparedness and response strategy. This workbook is divided into three parts that address the three groups generally responsible for developing and implementing emergency procedures—institution directors, emergency preparedness managers, and departmental team leaders—and discuss the role each should play in devising and maintaining an effective emergency plan. Several chapters detail the practical aspects of communication, training, and forming teams to handle the safety of staff and visitors, collections, buildings, and records. Emergencies covered include natural events such as earthquakes or floods, as well as human-caused emergencies, such as fires that occur during renovation. Examples from the Barbados Museum and Historical Society, the Museo de Arte Popular Americano in Chile, the Mystic Seaport Museum in Connecticut, and the Seattle Art Museum show how cultural institutions have prepared for emergencies relevant to their sites, collections, and regions.




Pratique Dessin - XL Livre d'exercices 6: Portrait


Book Description

Le dessin à main levée - rendue facile ! Même à l'ère du numérique, un croquis à main levée est la recette pour réussir des oeuvres d'art impressionnantes. C'est sa propre main qui rend l'artiste unique. Nombreux sont ceux qui ne connaissent pas leurs aptitudes au dessin. Pourtant, même des tracés inexpérimentés créent des dessins impressionnants. C'est cette imperfection qui transforme vos dessins en oeuvres d'art. Ce cahier d'exercices fait de vous un artiste. Le décalquage est une méthode éprouvée simple pour apprendre à dessiner à main levée. Après avoir effectué les exercices de ce cahier, vous réussirez également des croquis sans modèle, car vous aurez développé un sens des proportions et des contours. Dès la première tentative, vos propres dessins seront déjà impressionnants. Il s'agit d' originaux que vous pourrez également signer de votre nom. Les beaux motifs transforme chaque trait en pur plaisir. 132 pages XL. 20 pages vierges pour vos originaux.Color Edition. www.practice-drawing.com