Pretty Funny for a Girl


Book Description

Fourteen-year-old Haylah dreams of being a stand-up star, but when her friends thrust her into the spotlight, she's not confident a plus-sized girl like her belongs onstage. Haylah Swinton is pretty confident she's mastered making light of every situation―from her mom's ugh boyfriend to classmates making unsolicited remarks on her figure. She logs all her best jokes in the hopes of one day busting out a fabulous set that will keep everybody laughing with her and not at her. After botching an open mic night, Haylah learns that her longtime crush, the impossibly cool Leo, is also into comedy. And when Leo provides her an opportunity to live vicariously by ghostwriting his sets for an upcoming festival, Haylah jumps at the chance. What a great way to get her material out there without totally bombing herself! But are Leo's intentions in Haylah's best interests? Despite warnings from her friends, Haylah's not ready to listen―and she might just be digging herself deeper toward heartbreak. If Haylah's ever going to take center stage, first she'll need to find the confidence to put herself out there and strut like the comedy queen she truly is. This contemporary YA rom-com stars a strong, memorable heroine and features a story full of heart, humor, and relatable themes of body image, dreams, and self-esteem.




Pretty/Funny


Book Description

“A totally engaging read [and] a fascinating look at the diversity and range of female comics . . . by an author who herself obviously has a sense of humor.” —Joanna E. Rapf, coeditor of The Blackwell Companion to Film Comedy Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars—and often they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.




Funny Girl


Book Description

Funny Girl is a collection of uproarious stories, rollicking comics, rib-tickling wit, and more, from 25 of today’s funniest female writers for kids. What could be funnier than family? Read stories about Ursula Brown's grandmother driving her on a road trip to disaster, Lisa Brown's little brother getting a Tic-Tac stuck up his nose, and Carmen Agra Deedy's mom setting the bathtub on fire. What could be funnier than friends? Pretty much nothing, as Rita Williams-Garcia shows two besties hatching a bird-brained scheme to get on to a TV talk show, and Deborah Underwood introduces a dynamic dog-and-cat duo teaming up on a pet advice column. What could be funnier than YOU? Tell your future with Mad Libs, discover your Chinese Zodiac sign with Lenore Look, and learn the best tricks of the comedy trade from professional humorists like Adrianne Chalepah and Delaney Yeager. With clever contributions from award-winning and bestselling authors including Cece Bell, Sophie Blackall, Libba Bray, Shannon Hale, Lisa Graff, and Raina Telgemeier, this anthology of funny girls will make you laugh until you cry. Or cry until you laugh. Or maybe you won't cry at all. Either way, you'll definitely laugh. Funny Girl isn’t just an anthology: it’s a cause, a mission, a movement. Girls are funny. Now it’s time for the world to know it.




Funny Girl


Book Description

A brilliant novel about a woman determined to make a name for herself as a sitcom star in 1960's London from the bestselling author of Dickens and Prince, High Fidelity and About a Boy Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingénue to television starlet amid a constellation of delightful characters. Insightful and humorous, Funny Girl does what Nick Hornby does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.




It's Kind of a Funny Story


Book Description

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.




Lou Out of Luck


Book Description

Poverty sucks. Dad's timing the family's showers and refusing to turn on the heating. Mum has arranged for Lou to get lifts to school with Drippy Dermot and his eccentric mother in the Van of Doom. And lentils seem to feature in every single meal. Lou is still coming down from her brief moment of TV super-stardom and getting to grips with the fact that - hold the news - she has a boyfriend, but with both parents out of work, life isn't all plain sailing. Throw in Hannah's obsession with the school prom, Dads strange shed activity and Lav s brief flirtation with a modelling career, and suddenly training a dance troupe to swim underwater seems like a walk in the park.




Pretty Bitches


Book Description

These empowering essays from leading women writers examine the power of the gendered language that is used to diminish women -- and imagine a more liberated world. Words matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless," "Sassy," "Ambitious," "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives -- to say nothing of our moods. No one knows this better than Lizzie Skurnick, writer of the New York Times' column "That Should be A Word"and a veritable queen of cultural coinage. And in Pretty Bitches, Skurnick has rounded up a group of powerhouse women writers to take on the hidden meanings of these words, and how they can limit our worlds -- or liberate them. From Laura Lipmann and Meg Wolizer to Jennifer Weiner and Rebecca Traister, each writer uses her word as a vehicle for memoir, cultural commentary, critique, or all three. Spanning the street, the bedroom, the voting booth, and the workplace, these simple words have huge stories behind them -- stories it's time to examine, re-imagine, and change.




White Girl Problems


Book Description

Babe Walker, center of the universe, is a painstakingly manicured white girl with an expensive smoothie habit, a proclivity for Louboutins, a mysterious mother she's never met, and approximately 50 bajillion Twitter followers. But her "problems" have landed her in shopping rehab-that's what happens when you spend $246,893.50 in one afternoon at Barneys. Now she's decided to write her memoir, revealing the gut-wrenching hurdles she's had to overcome in order to be perfect in every way, every day. Hurdles such as: I hate my horse. Every job I've ever had is the worst job I've ever had. He's not a doctor, a lawyer, or a prince. I'll eat anything, as long as it's gluten-free, dairy-free, low-carb, low-fat, low-calorie, sugar-free, and organic. In an Adderall-induced flash of inspiration, Babe Walker has managed to create one of the most enjoyable, unforgettable memoirs in years.




A Book for Her


Book Description

Bridget Christie is a stand-up comedian, idiot and feminist. On the 30th of April 2012, a man farted in the Women’s Studies Section of a bookshop and it changed her life forever. A Book For Her details Christie’s twelve years of anonymous toil in the bowels of stand-up comedy and the sudden epiphany that made her, unbelievably, one of the most critically acclaimed British stand-up comedians this decade, drawing together the threads that link a smelly smell in the women’s studies section to the global feminist struggle. Find out how nice Peter Stringfellow’s fish tastes, how yoghurt advertising perpetuates rape myths, and how Emily Bronte used a special ladies’ pen to write Wuthering Heights. If you’re interested in comedy and feminism, then this is definitely the book for you. If you hate both then I’d probably give it a miss. “Christie is adept at turning on a sixpence between being comical, or serious, or both at once, and at pricking her own earnestness.” Telegraph ‘Christie piles derision and tomfoolery upon everyday sexism, while never pretending that jokes alone will solve the problem.’ Guardian




Nazis of Copley Square


Book Description

The forgotten history of American terrorists who, in the name of God, conspired to overthrow the government and formed an alliance with Hitler. On January 13, 1940, FBI agents burst into the homes and offices of seventeen members of the Christian Front, seizing guns, ammunition, and homemade bombs. J. Edgar HooverÕs charges were incendiary: the group, he alleged, was planning to incite a revolution and install a Òtemporary dictatorshipÓ in order to stamp out Jewish and communist influence in the United States. Interviewed in his jail cell, the frontÕs ringleader was unbowed: ÒAll I can say isÑlong live Christ the King! Down with communism!Ó In Nazis of Copley Square, Charles Gallagher provides a crucial missing chapter in the history of the American far right. The men of the Christian Front imagined themselves as crusaders fighting for the spiritual purification of the nation, under assault from godless communism, and they were hardly alone in their beliefs. The front traced its origins to vibrant global Catholic theological movements of the early twentieth century, such as the Mystical Body of Christ and Catholic Action. The frontÕs anti-Semitism was inspired by Sunday sermons and by lay leaders openly espousing fascist and Nazi beliefs. Gallagher chronicles the evolution of the front, the transatlantic cloak-and-dagger intelligence operations that subverted it, and the mainstream political and religious leaders who shielded the frontÕs activities from scrutiny. Nazis of Copley Square offers a grim tale of faith perverted to violent ends, and its lessons provide a warning for those who hope to stop the spread of far-right violence today.