Twentieth-century Texas


Book Description

A collection of fifteen essays which cover Indians, Mexican Americans, African Americans, women, religion, war on the homefront, music, literature, film, art, sports, philanthropy, education, the environment, and science and technology in twentieth-century Texas.




Prints and Printmakers of Texas


Book Description

This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"




Printing Arts in Texas


Book Description




Prints and Their Makers


Book Description

"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--







Self-taught Artists of the 20th Century


Book Description

Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.




Making the Unknown Known


Book Description

In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.