Propertius: A Hellenistic Poet on Love and Death


Book Description

The bond between love and death has long been recognised as a defining characteristic of the elegies of Propertius, but scholars have rarely clarified how or to what degree Propertius differed from other love poets in associating these themes. In this book, Dr Papanghelis traces the radical way in which Propertius dealt with amorous and morbid fantasies in his poems. He argues that the modes of erotic expression used in the elegies are fundamentally unconventional, to the point that the definitions of love and death are interdependent. This book offers a detailed reading of some of the most stimulating and problematic of Propertius' elegies, offering fresh insight on the question of the poet's sensuous temperament and the significance of the love-death relationship in his works.




Life, Love and Death in Latin Poetry


Book Description

Inspired by Theodore Papanghelis’ Propertius: A Hellenistic Poet on Love and Death (1987), this collective volume brings together seventeen contributions, written by an international team of experts, exploring the different ways in which Latin authors and some of their modern readers created narratives of life, love and death. Taken together the papers offer stimulating readings of Latin texts over many centuries, examined in a variety of genres and from various perspectives: poetics and authorial self-fashioning; intertextuality; fiction and ‘reality’; gender and queer studies; narratological readings; temporality and aesthetics; genre and meta-genre; structures of the narrative and transgression of boundaries on the ideological and the formalistic level; reception; meta-dramatic and feminist accounts-the female voice. Overall, the articles offer rich insights into the handling and development of these narratives from Classical Greece through Rome up to modern English poetry.




Love and Death in Goethe


Book Description

Explores the central theme of Romantic poetry in the works of the most important German Romantic poet of all.




Poetic Autonomy in Ancient Rome


Book Description

Luke Roman argues that poets in ancient Rome employed a distinctive 'rhetoric of autonomy' and represented their poetry as different from other cultural products and social relations. Looking closely at the works of famous Roman poets, he offers fresh insights into ancient literary texts and the dialogue between ancient and modern aesthetics.




Virginia Woolf's Mrs. Dalloway


Book Description

This reader's guide to Mrs. Dalloway brings to light a web of allusions weaved into one of Virginia Woolf's most read novels.




Tears in the Graeco-Roman World


Book Description

This volume presents a wide range of contributions that analyse the cultural, sociological and communicative significance of tears and crying in Graeco-Roman antiquity. The papers cover the time from the eighth century BCE until late antiquity and take into account a broad variety of literary genres such as epic, tragedy, historiography, elegy, philosophical texts, epigram and the novel. The collection also contains two papers from modern socio-psychology.




Dead Lovers


Book Description

Explores the variety of bonds that are formed between writers and the figure of the dead lover




Latin Poetry and the Judgement of Taste


Book Description

Table of contents




Propertius: Elegies Book IV


Book Description

Up-to-date commentary, with introduction and new text, on this important work of Latin poetry.




The Aldobrandini Wedding


Book Description

One of the most intriguing works of art which have come down to us from antiquity is the Roman fresco known as 'The Aldobrandini Wedding'. As in the first two volumes of his iconological studies, the author's critical review of previous interpretations reveals that none of them will stand up to scrutiny. By applying a modern art-historical method, he arrives at a fundamentally new interpretation which accounts for the many iconographical details which are a distinctive feature of 'The Aldobrandini Wedding'. The painting turns out to be an idiosyncratic variant of a mythological theme that frequently crops up elsewhere in Roman art.