Pulp Art Book


Book Description

"Pulp Art Book--the multi-media collaboration between photographer Neil Krug and model Joni Harbeck--has become a virtual sensation online, and is now the subject of the artists' first monograph. Pulp Art Book: Volume One is an LP-sized hardcover book, split into several vignettes ranging from a spaghetti western theme to a Bonnie and Clyde revival and to the struggles of a 1950s housewife. These series tell the story of each character, and will be expanded in subsequent volumes. The inspiration for the pulp theme comes from the artists' collective appreciation of societal life and the artistic expressions of the 1960s and 70s. Old LP jackets, Giallo posters, vintage book covers, and B-movie cinema themes have defined their taste for this project. Initially they set out to capture something simple and sexy; as the shoots progressed, however, natural story lines emerged. The resulting work captures the smell of those decades and expresses them in a fresh way."--




Pulp Art


Book Description

The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.




Mexican Pulp Art


Book Description

The lurid cover art of Mexican pulp novels are a pop culture revelation. Here, never before collected, are the often surreal and psychedelic images of extraterrestrials, robots, dinosaurs, dastardly killers, Zorro, Santo and many other icons from stories of suspense, mystery, romance and the supernatural. Presents the most striking examples of this sensational art form of the 1960s and 1970s.




The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks


Book Description

Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).




The Art of Horror


Book Description

THE ART OF HORROR: AN ILLUSTRATED HISTORY




The Art of the Pulps: An Illustrated History


Book Description

Experts in the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines—the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the editors’ collections—among the world’s largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps. "The Art of the Pulps is a must for any pulp fans, anywhere." - LOCUS Magazine Winner of the 2018 LOCUS Award for Best Art Book




Belarski


Book Description

A master at building suspense through figure, perspective, and color, Rudolph Belarski dazzled the newsstand browser with pictorial headlines of vital action scenes pertaining to the interior story. In doing so, he sold magazines and books to a drama-craving audience, and propelled publishing's mass markets, thus infiltrating American minds with the trends and fashions of pop culture. His remarkable versatility as an artist can be seen in the range of his published work in pulp magazines, his exciting paintings appearing on the covers of Thrilling Mystery, Wings, and War Birds, as well as The Phantom Detective, Mystery Book, Argosy, and Western Round-Up.




Astounding, Mysterious, Weird and True


Book Description

Astounding, Mysterious, Weird and True: The Pulp Art of Comic Book Artists is the first-ever book about the pen and ink artists who worked in both pulps and comics, and what happened to them. This informative and entertaining volume offers an intriguing look at interior pulp illustrations created by artists who eventually gained greater fame in the world of comic books. Beginning in the 1930s and up through the 1970s, these artists contributed to both pulp magazines and comic books. For some, it was a period when their art first saw publication, for others it was a time when they published their works concurrently in both pop mediums. Eventually, as the popularity of pulps waned and comic books ascended, those artists who could deliver what the comic book audience wanted found steady work drawing for comic books while others transitioned to advertising or prestige magazines such as The Saturday Evening Post or disappeared from the publishing scene altogether. This book provides capsule-format information on the artists, their work, art studios and publishers that fueled the publication of comic books and pulp magazines. The artists on display here reads like a who's who of the comic book world. Filled with many illustrations! Some of the artists included: Dan Adkins - Murphy Anderson - Dick Ayers - Matt Baker - Dan Barry - C.C. Beck - Jack Binder - Peter Costanza - Stan Drake - Bill Draut - Elton Fax - Creig Flessel. - Dick Fletcher - Matt Fox - Kelly Freas - Dick Giordano - John Guinta - Jerry Iger - Jeffrey Jones - Jack Kirby - George Klein - Mort Meskin - Leo Morey - Gray Morrow - Norman Nodel - Irving Novick - Alex Raymond - Paul Reinman - Alex Schomburg - Syd Shores - Joe Simon - Wally Wood and many more...




Pure Pulp


Book Description

A survey of works by leading contemporary artists made in residency at Dieu Donné. The Dieu Donné Studio is the site of unparalleled creative exploration and experimentation in paper-based art, where resident artists create innovative works that employ traditional materials and 21st-century technology. This collection highlights residents since 2000 who are known for their work in sculpture, painting, photography, performance, and conceptual art. Collecting the work of 20 acclaimed artists, this book includes a statement from each artist, essays about the residency program, and conversations with the studio collaborators.




Pulp Culture


Book Description

Essential reading for those interested in Noir writing, hardboiled fiction and films, and the psot-war era..