Pulp Sci-Fi from the Rock


Book Description

A century ago, pulp magazines brought the fresh ideas of science-fiction and exploration to the masses with its rough, inexpensive format, and lit the imaginations of a generation on fire. Those inspired became the greatest storytellers of their time, producing stories that would shock, awe, and inspire.That legacy of the new, the different, and the strange lives on today in the minds and pens of genre writers all over the world.This collection honours that legacy with twenty-two short stories highlighting the best of the modern interpretations of Pulp Science-Fiction, from minds like Ali House (The Segment Delta Archives), Jon Dobbin (The Starving), and Sherry D. Ramsey (Beyond the Sentinel Stars)! With introduction from sci-fi legend Kenneth Tam!




Off Rock


Book Description

A “fast-paced, high-energy” space adventure that is part sardonic heist caper and part homage to science fiction B-movies of the 1970s (Booklist) “Five awesome and entertaining words to describe this one: Bank heist set in space. Yes, please.” —io9 In the year 2778, Jimmy Vik is feeling dissatisfied. After busting his ass for assorted interstellar mining outfits for close to two decades, downsizing is in the wind, his ex-girlfriend/supervisor is climbing up his back, and daily Jimmy wonders if he’s played his last good hand. So when Jimmy stumbles upon a significant gold pocket during a routine procedure on Kardashev 7-A, he believes his luck may have changed—larcenously so. But smuggling the gold “off rock” won’t be easy. To do it, Jimmy will have to contend with a wily criminal partner, a gorgeous covert assassin, the suspicions of his ex, and the less than honorable intentions of an encroaching, rival mining company. As the clock ticks down, treachery and betrayal loom, the body count rises, and soon Jimmy has no idea who to trust.




The Art of Horror


Book Description

THE ART OF HORROR: AN ILLUSTRATED HISTORY




Strange Stars


Book Description

A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.




The New Mammoth Book Of Pulp Fiction


Book Description

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.




A Planet for Rent


Book Description

The most successful and controversial Cuban Science Fiction writer of all time, Yoss (aka José Miguel Sánchez Gómez) is known for his acerbic portraits of the island under Communism. In his bestselling A Planet for Rent, Yoss pays homage to Ray Bradbury’s The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the nineties, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice. Praise for Yoss “One of the most prestigious science fiction authors of the island.” —On Cuba Magazine "A gifted and daring writer." —David Iaconangelo "José Miguel Sánchez [Yoss] is Cuba’s most decorated science fiction author, who has cultivated the most prestige for this genre in the mainstream, and the only person of all the Island’s residents who lives by his pen.” —Cuenta Regresiva Born José Miguel Sánchez Gómez, Yoss assumed his pen name in 1988, when he won the Premio David Award in the science fiction category for Timshel. Together with his peculiar pseudonym, the author's aesthetic of an impentinent rocker has allowed him to stand out amongst his fellow Cuban writers. Earning a degree in Biology in 1991, he went on to graduate from the first ever course on Narrative Techniques at the Onelio Jorge Cardoso Center of Literary Training, in the year 1999. Today, Yoss writes both realistic and science fiction works. Alongside these novels, the author produces essays, Praise for, and compilations, and actively promotes the Cuban science fiction literary workshops, Espiral and Espacio Abierto. When he isn’t translating, David Frye teaches Latin American culture and society at the University of Michigan. Translations include First New Chronicle and Good Government by Guaman Poma de Ayala (Peru, 1615); The Mangy Parrot by José Joaquín Fernandez de Lizardi (Mexico, 1816), for which he received a National Endowment for the Arts Fellowship; Writing across Cultures: Narrative Transculturation in Latin America by Ángel Rama (Uruguay, 1982), and several Cuban and Spanish novels and poems.




The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks


Book Description

Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).




Pollen's Action


Book Description

SAMSON POLLEN (1931-2018) painted it all-spectacularly. Illustrating authors like Mario Puzo, Martin Cruz Smith, Richard Stark, Norman Mailer, Ed McBain, Richard Wright, Don Pendleton and others with dynamic, immersive, explosive, outrageous artwork, transporting readers to steamy jungles, raging seas, and mean city streets.




Science Fiction


Book Description

Presents a chronological survey of this genre from the beginnings of modern science and technology to the present.




Hawkwind: Days of the Underground


Book Description

An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.