Quantum God, Fractal Jesus: How Isaac Newton Redefined God Without Really Meaning to, And Why We Really Don’t Get God


Book Description

There may be just two great questions in life - why am I here, and why is there suffering? In seeking answers to those questions, believers and skeptics alike have reduced God and the character and our understanding of God into neat, pointless little boxes into which neither God nor the universe fit. In seeking resolution, can it be found in science, nature, and the universe itself? Does the universe hold clues to the nature of God, and can it point in the direction of solving both the question of life's meaning and purpose, and the existence of evil and suffering? This is a beautifully and powerfully written book of science and faith, seamlessly woven together not so much to provide answers as to break believers and skeptics out of their metaphysical, theological, and scientific ruts.




More Brilliant than the Sun


Book Description

The classic work on the music of Afrofuturism, from jazz to jungle More Brilliant than the Sun: Adventures in Sonic Fiction is one of the most extraordinary books on music ever written. Part manifesto for a militant posthumanism, part journey through the unacknowledged traditions of diasporic science fiction, this book finds the future shock in Afrofuturist sounds from jazz, dub and techno to funk, hip hop and jungle. By exploring the music of such musical luminaries as Sun Ra, Alice Coltrane, Lee Perry, Dr Octagon, Parliament and Underground Resistance, theorist and artist Kodwo Eshun mobilises their concepts in order to open the possibilities of sonic fiction: the hitherto unexplored intersections between science fiction and organised sound. Situated between electronic music history, media theory, science fiction and Afrodiasporic studies, More Brilliant than the Sun is one of the key works to stake a claim for the generative possibilities of Afrofuturism. Much referenced since its original publication in 1998, but long unavailable, this new edition includes an introduction by Kodwo Eshun as well as texts by filmmaker John Akomfrah and producer Steve Goodman aka kode9.




Llewellyn's Complete Book of Ceremonial Magick


Book Description

A Comprehensive Collection of Magical Wisdom in One Indispensable Book Llewellyn's Complete Book of Ceremonial Magick brings together the myriad occult philosophies and techniques necessary for a thorough understanding of the esoteric arts. This magnificent treasury is filled with fascinating insights from today's most esteemed working practitioners, developing the rich details of a dozen topics that together comprise the Western Mystery Tradition. Within these pages, you will explore the rituals and ideas that have shaped the history and modern practice of magick. Edited by virtuoso occultists Lon Milo DuQuette and David Shoemaker, this brilliant collection of new writings is the preeminent reference work on the occult arts and sciences. Foundations of Western Magic (Sam Webster) • Qabalah (Anita Kraft & Randall Bowyer) • Planetary Magic (David Rankine) • Alchemy (Dennis William Hauck) • Demonology & Spirit Evocation (Dr. Stephen Skinner) • The Magick of Abra-Melin (Marcus Katz) • Enochian Magick & Mysticism (Aaron Leitch) • The Golden Dawn (Chic and Sandra Tabatha Cicero) • Thelema & Aleister Crowley (David Shoemaker) • Polytheistic Ceremonial Magic (John Michael Greer) • Magician's Tables (David Allen Hulse) • The Future of Ceremonial Magick (Brandy Williams)




Civilization


Book Description

From the bestselling author of The Ascent of Money and The Square and the Tower “A dazzling history of Western ideas.” —The Economist “Mr. Ferguson tells his story with characteristic verve and an eye for the felicitous phrase.” —Wall Street Journal “[W]ritten with vitality and verve . . . a tour de force.” —Boston Globe Western civilization’s rise to global dominance is the single most important historical phenomenon of the past five centuries. How did the West overtake its Eastern rivals? And has the zenith of Western power now passed? Acclaimed historian Niall Ferguson argues that beginning in the fifteenth century, the West developed six powerful new concepts, or “killer applications”—competition, science, the rule of law, modern medicine, consumerism, and the work ethic—that the Rest lacked, allowing it to surge past all other competitors. Yet now, Ferguson shows how the Rest have downloaded the killer apps the West once monopolized, while the West has literally lost faith in itself. Chronicling the rise and fall of empires alongside clashes (and fusions) of civilizations, Civilization: The West and the Rest recasts world history with force and wit. Boldly argued and teeming with memorable characters, this is Ferguson at his very best.




Sound States


Book Description

By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life. The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poames, the authors argue, these states of sound make bold but wavering statements--statements held only partially in check by meaning. The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.




Book of Recommendations


Book Description




Genius at Play


Book Description

A multifaceted biography of a brilliant mathematician and iconoclast A mathematician unlike any other, John Horton Conway (1937–2020) possessed a rock star’s charisma, a polymath’s promiscuous curiosity, and a sly sense of humor. Conway found fame as a barefoot professor at Cambridge, where he discovered the Conway groups in mathematical symmetry and the aptly named surreal numbers. He also invented the cult classic Game of Life, a cellular automaton that demonstrates how simplicity generates complexity—and provides an analogy for mathematics and the entire universe. Moving to Princeton in 1987, Conway used ropes, dice, pennies, coat hangers, and the occasional Slinky to illustrate his winning imagination and share his nerdish delights. Genius at Play tells the story of this ambassador-at-large for the beauties and joys of mathematics, lays bare Conway’s personal and professional idiosyncrasies, and offers an intimate look into the mind of one of the twentieth century’s most endearing and original intellectuals.




Framemakers


Book Description




A Billion Years


Book Description

One of the highest-ranking defectors from Scientology exposes the secret inner workings of the powerful organization in this remarkable memoir that is “not only a cautionary tale but also an inspiring story of resilience” (Leah Remini, New York Times bestselling author). Mike Rinder’s parents began taking him to their local Scientology center when he was five years old. After high school, he signed a billion-year contract and was admitted into Scientology’s elite inner circle, the Sea Organization. Brought to founder L. Ron Hubbard’s yacht and promised training in Hubbard’s most advanced techniques, Rinder was instead put to work swabbing the decks. Still, Rinder bought into the doctrine that his personal comfort was secondary to the higher purpose of Hubbard’s world-saving mission, swiftly rising through the ranks. In the 1980s, Rinder became Scientology’s international spokesperson and the head of its powerful Office of Special Affairs. He helped negotiate Scientology’s pivotal tax exemption from the IRS and engaged with the organization’s prominent celebrity members, including Tom Cruise, Lisa Marie Presley, and John Travolta. Yet Rinder couldn’t shake a nagging feeling that something was amiss—Hubbard’s promises remained unfulfilled at his death, and his successor, David Miscavige, was a ruthless and vindictive man who did not hesitate to confine many top Scientologists, Mike among them, to a makeshift prison known as the Hole. In 2007, at the age of fifty-two, Rinder finally escaped Scientology. Overnight, he became one of the organization’s biggest public enemies. He was followed, hacked, spied on, and tracked. But he refused to be intimidated and today helps people break free of Scientology. “An intensely personal, cathartic memoir of blind allegiance, betrayal, and liberation” (Kirkus Reviews, starred review), A Billion Years reveals the dark, dystopian truth about Scientology as never before.




The People Have Never Stopped Dancing


Book Description

During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.