Modern Dublin


Book Description

Provides a new history of the capital of Ireland during the 1960s, examining how an aging eighteenth-century city was rapidly transformed by speculative office construction and suburban development, and exploring how this impacted on the lives of the city's ordinary inhabitants




Ireland


Book Description

A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.




Dublin


Book Description

As rich and diverse as its subject, Dickson’s magisterial history brings 1,400 years of Dublin vividly to life: from its medieval incarnation through the neoclassical eighteenth century, the Easter Rising that convulsed the city in 1916, the bloody civil war following the handover of power by Britain, to end-of-millennium urban renewal efforts.




Between Design and Making


Book Description

The seventeenth and eighteenth centuries represent a high point in the intersection between design and workmanship. Skilled artisans, creative and technically competent agents within their own field, worked across a wide spectrum of practice that encompassed design, supervision and execution, and architects relied heavily on the experience they brought to the building site. Despite this, the bridge between design and tacit artisanal knowledge has been an underarticulated factor in the architectural achievement of the early modern era. Building on the shift towards a collaborative and qualitative analysis of architectural production, Between Design and Making re-evaluates the social and professional fabric that binds design to making, and reflects on the asymmetry that has emerged between architecture and craft. Combining analysis of buildings, archival material and eighteenth-century writings, the authors draw out the professional, pedagogical and social links between architectural practice and workmanship. They argue for a process-oriented understanding of architectural production, exploring the obscure centre ground of the creative process: the scribbled, sketched, hatched and annotated beginnings of design on the page; the discussions, arguments and revisions in the forging of details; and the grappling with stone, wood and plaster on the building site that pushed projects from conception to completion.




The Making of the Irish Protestant Ascendancy


Book Description

This title looks at the life and political career of William Conolly, a key figure in the establishment of the 18th-century Protestant ascendancy in Ireland.




The Cambridge History of Ireland: Volume 3, 1730–1880


Book Description

The eighteenth and nineteenth centuries was an era of continuity as well as change. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rear-guard defence in the face of the emergence of modern Catholic nationalism. Employing a chronology that is not bound by traditional datelines, this volume moves beyond the familiar political narrative to engage with the economy, society, population, emigration, religion, language, state formation, culture, art and architecture, and the Irish abroad. It provides new and original interpretations of a critical phase in the emergence of a modern Ireland that, while focused firmly on the island and its traditions, moves beyond the nationalist narrative of the twentieth century to provide a history of late early modern Ireland for the twenty-first century.




Making the Grand Figure


Book Description

"Through such everyday articles as linen shirts, wigs, silver teaspoons, pottery plates and engravings, Barnard evokes a striking variety of lives and attitudes. Possessions, he shows, even horses and dogs, highlighted and widened divisions, not only between rich and poor, women and men, but also between Irish Catholics and the Protestant settlers. Displaying fresh evidence and unexpected perspectives, the book throws new light on Ireland during a formative period. Its discoveries, set within the context of the 'consumer revolution' gripping Europe and North America, allow Ireland for the first time to be integrated into discussions of the pleasures and pains of consumerism."--BOOK JACKET.




Church of Notre Dame in Montreal


Book Description

The construction of the Church of Notre-Dame was one of the boldest building projects of the nineteenth century. The first major example of Gothic Revival architecture in Canada, it was, at the time of its completion, the largest building in North America. Franklin Toker treats the church not only as a work of art but also as a historical document that reflected the social and nationalist aspirations of the community and marked a high point in the fascinating career of its architect, James O'Donnell.




The Minority Voice


Book Description

'How do such people, with brilliant members and dull ones, fare when they pass from being a dominant minority to being a powerless one?' So asked the Kilkenny man-of-letters Hubert Butler (1900-1991) when considering the fate of Southern Protestants after Irish Independence. As both a product and critic of this culture, Butler posed the question repeatedly, refusing to accept as inevitable the marginalization of his community within the newly established state. Inspired by the example of the Revivalist generation, he challenged his compatriots to approach modern Irish identity in terms complementary rather than exclusivist. In the process of doing so, he produced a corpus of literary essays European in stature, informed by extensive travel, deep reading, and an active engagement with the political and social upheavals of his age. His insistence on the necessity of Protestant participation in Irish life, coupled with his challenges to received Catholic opinion, made him a contentious figure on both sides of the sectarian divide. This study addresses not only Butler's remarkable personal career, but also some of the larger themes to which he consistently drew attention: the need to balance Irish cosmopolitanism with local relationships; to address the compromises of the Second World War and the hypocrisies of the Cold War; to promote a society in which constructive dissent might not just be tolerated but valued. As a result, by the end of his life, Butler came to be recognised as a forerunner of the more tolerant and expansive Ireland of today.