Author : John Campbell
Publisher : UNC Press Books
Page : 284 pages
File Size : 13,64 MB
Release : 2005
Category : Drama
ISBN : 9780807892855
Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad
Author :
Publisher : BRILL
Page : 245 pages
File Size : 18,44 MB
Release : 2024-04-25
Category : Literary Criticism
ISBN : 9004695680
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
Author : Roland Racevskis
Publisher : Associated University Presse
Page : 228 pages
File Size : 20,14 MB
Release : 2008
Category : Literary Criticism
ISBN : 9780838756843
Presents a theoretically informed reading of Racine's nine secular tragedies, from La Thebaide (1664) to Phedre (1677). This study focuses on literary/theatrical constructions of space, time, and identity.
Author :
Publisher : BRILL
Page : 409 pages
File Size : 50,71 MB
Release : 2022-01-17
Category : Literary Criticism
ISBN : 9004504818
In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.
Author : Paul Hammond
Publisher : BRILL
Page : 388 pages
File Size : 10,39 MB
Release : 2021-10-18
Category : Literary Criticism
ISBN : 9004467378
Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Author : Mary Lynne Flowers
Publisher : Fairleigh Dickinson Univ Press
Page : 236 pages
File Size : 21,28 MB
Release : 1979
Category : Drama
ISBN : 9780838620564
Sentence structure in Racine is demonstrated to be a powerful tool for characterization, and here, basic features are explored in the seven tragedies of Racine--terminal punctuation, sentence length, sentence type, use of questions and the conditional, and rapid-fire exchanges between characters.
Author : Edward Forman
Publisher : BRILL
Page : 241 pages
File Size : 30,85 MB
Release : 2020-11-04
Category : Literary Criticism
ISBN : 9004442782
This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts – diminished responsibility, provocation, trauma, ignorance, scapegoating – through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness.
Author : Paul Hammond
Publisher : Oxford University Press
Page : 216 pages
File Size : 36,71 MB
Release : 2009-09-17
Category : Drama
ISBN : 0199572607
This book explores the theatrical and linguistic means by which the tragic protagonist is estranged from other characters and comes to occupy a singular world in which the autonomy of the individual seems uncertain, discussing plays from classical, renaissance, and neo-classical literature by Aeschylus, Sophocles, Seneca, Shakespeare, and Racine.
Author : Arthur B. Coffin
Publisher : Edwin Mellen Press
Page : 354 pages
File Size : 26,80 MB
Release : 1991
Category : Tragedy
ISBN : 9780773499034
A selection of essays on tragedy, this volume begins with the premise that any reading of tragedy can be stimulated and enriched by supplementary critical texts which have been selected for precisely those qualities that would enhance one's response to tragedy. The text attempts a reconstruction of the canon of the criticism of tragedy through a critical overview of traditional classical commentary, Russian Formalism, Reader Response Theory, Structuralism, Post-Structuralism, Deconstructionism, and Marxist criticism. Includes selections from the writings of Aristotle, Hegel, Nietzsche, Georg Lukacs, Arthur Miller, Karl Jaspers, Max Sheler, Laurence Michel, Henry Alonzo Myers, Northrop Frye, Albert C. Outler, and others.
Author : Hélène E. Bilis
Publisher : Modern Language Association
Page : 428 pages
File Size : 27,23 MB
Release : 2021-06-19
Category : Literary Criticism
ISBN : 1603295321
Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
