Ragged London in 1861


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Ragged London


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Respectability and the London Poor, 1780–1870


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The population of London soared during the Industrial Revolution and the poorer areas became iconic places of overcrowding and vice. Focusing on the communities of Westminster, MacKay shows that many of the plebeian populace retained traditional working-class pursuits, such as gambling, drinking and blood sports.




The Cultural Construction of London's East End


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Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour.The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.




Ragged London in 1861


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Slums and Slum Clearance in Victorian London


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First published in 1986. Victorian London is a classic site of the slum. This study looks at the process of slum clearance. It covers the development of policies and programmes from their initiation through Cross's Act (1875) to the abandonment of clearance by the London County Council at the end of the Victorian period in favour of a suburban solution. It is concerned with the manner in which such policies related to the nature of the slum and its place in the urban structure. The discussion ranges from contemporary understanding of such matters to the detailed content and repercussions of policies, which required the designation of unfit houses, the compensation of property owners, the displacement of tenants, and the rebuilding of sites.




Victorian London


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To Londoners, the years 1840 to 1870 were years of dramatic change and achievement. As suburbs expanded and roads multiplied, London was ripped apart to build railway lines and stations and life-saving sewers. The Thames was contained by embankments, and traffic congestion was eased by the first underground railway in the world. A start was made on providing housing for the "deserving poor." There were significant advances in medicine, and the Ragged Schools are perhaps the least known of Victorian achievements, in those last decades before universal state education. In 1851 the Great Exhibition managed to astonish almost everyone, attracting exhibitors and visitors from all over the world. But there was also appalling poverty and exploitation, exposed by Henry Mayhew and others. For the laboring classes, pay was pitifully low, the hours long, and job security nonexistent. Liza Picard shows us the physical reality of daily life in Victorian London. She takes us into schools and prisons, churches and cemeteries. Many practical innovations of the time—flushing lavatories, underground railways, umbrellas, letter boxes, driving on the left—point the way forward. But this was also, at least until the 1850s, a city of cholera outbreaks, transportation to Australia, public executions, and the workhouse, where children could be sold by their parents for as little as £12 and streetpeddlers sold sparrows for a penny, tied by the leg for children to play with. Cruelty and hypocrisy flourished alongside invention, industry, and philanthropy.




Victorian Crime, Madness and Sensation


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Beginning with Victoria's enthronement and an exploration of sensationalist accounts of attacks on the Queen, and ending with the notorious case of a fin-de-siècle killer, Victorian Crime, Madness and Sensation throws new light on nineteenth-century attitudes toward crime and 'deviance'. The essays, which draw on both canonical and liminal texts, examine the Victorian fascination with criminal psychology and pathology, engaging with real life cases alongside fictional accounts by writers as diverse as Ainsworth, Stevenson, and Stoker. Among the topics are shifting definitions of criminality and the ways in which discourses surrounding crime changed during the nineteenth century, the literal and social criminalization of particular sex acts, and the gendering of degeneration and insanity. As fascinated as they were with criminality, the Victorians were equally concerned with solving crime, and this collection also focuses on the forces of law enforcement and nineteenth-century attempts to "read" the criminal body as revealed in Victorian crime fiction and reportage. Contributors engage with the detective figure and his growing professionalization, while examining the role of science and technology - both at home and in the Empire - in solving cases.




The Dog in the Dickensian Imagination


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Fascinated by them, unable to ignore them, and imaginatively stimulated by them, Charles Dickens was an acute and unsentimental reporter on the dogs he kept and encountered during a time when they were a burgeoning part of the nineteenth-century urban and domestic scene. As dogs inhabited Dickens’s city, so too did they populate his fiction, journalism, and letters. In the first book-length work of criticism on Dickens’s relationship to canines, Beryl Gray shows that dogs, real and invented, were intrinsic to Dickens’s vision and experience of London and to his representations of its life. Gray draws on an array of reminiscences by Dickens’s friends, family, and fellow writers, and also situates her book within the context of nineteenth-century attitudes towards dogs as revealed in the periodical press, newspapers, and institutional archives. Integral to her study is her analysis of Dickens’s texts in relationship to their illustrations by George Cruikshank and Hablot Knight Browne and to portraiture by late eighteenth- and nineteenth-century artists like Thomas Gainsborough and Edwin Landseer. The Dog in the Dickensian Imagination will not only enlighten readers and critics of Dickens and those interested in his life but will serve as an important resource for scholars interested in the Victorian city, the treatment of animals in literature and art, and attitudes towards animals in nineteenth-century Britain.




Haunting Ecologies


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Victorians’ views of water and its role in how the social fabric of Victorian Britain was imagined Water matters like few other substances in people’s daily lives. In the nineteenth century, it left its traces on politics, urban reform, and societal divisions, as well as on conceptualizations of gender roles. Drawing on the methodology of material ecocriticism, Ursula Kluwick’s Haunting Ecologies argues that Victorian Britons were keenly aware of aquatic agency, recognizing water as an active force with the ability to infiltrate bodies and spaces. Kluwick reads works by canonical writers such as Braddon, Dickens, Stoker, and George Eliot alongside sanitary reform discourse, court cases, journalistic articles, satirical cartoons, technical drawings, paintings, and maps. This wide-ranging study sheds new light on Victorian-era anxieties about water contamination as well as on how certain wet landscapes such as sewers, rivers, and marshes became associated with moral corruption and crime. Applying ideas from the field of blue humanities to nineteenth-century texts, Haunting Ecologies argues for the relevance of realism as an Anthropocene form.