Ragtime Favorites for Strings


Book Description

Scott Joplin's Ragtime Favorites for Strings as performed by Zinn's Ragtime String Quartet. Published for first violin, second violin viola, cello, string bass (optional), score and piano accompaniment.




Ragtime Favorites for Strings: Bass


Book Description

Scott Joplin's Ragtime Favorites for Strings as performed by Zinn's Ragtime String Quartet. Published for first violin, second violin viola, cello, string bass (optional), score and piano accompaniment. Titles: Country Club * Euphonic Sounds * Heliotrope Bouquet * Maple Leaf Rag * Paragon Rag * Pineapple Rag * Scott Joplin's New Rag.




Ragtime Favorites for Strings: Cello


Book Description

Scott Joplin's Ragtime Favorites for Strings as performed by Zinn's Ragtime String Quartet. Published for first violin, second violin viola, cello, string bass (optional), score and piano accompaniment. Titles: Country Club * Euphonic Sounds * Heliotrope Bouquet * Maple Leaf Rag * Paragon Rag * Pineapple Rag * Scott Joplin's New Rag.




Ragtime Favorites for Strings


Book Description

Scott Joplin's Ragtime Favorites for Strings as performed by Zinn's Ragtime String Quartet. Published for first violin, second violin viola, cello, string bass (optional), score and piano accompaniment. Titles: Country Club * Euphonic Sounds * Heliotrope Bouquet * Maple Leaf Rag * Paragon Rag * Pineapple Rag * Scott Joplin's New Rag.




Scott Joplin for Guitar


Book Description

A collection of ten transcriptions for the guitar of classic rags by Scott Joplin, the greatest and most inspired of all ragtime composers. The works selected for this volume are an excellent cross-sampling of Joplin's rags. Titles: * The Entertainer * The Cascades * Maple Leaf Rag




Orchestral Music in Print


Book Description




The Strad


Book Description




Orchestral "Pops" Music


Book Description

In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.