Raoul Vaneigem: Self-Portraits and Caricatures of the Situationist International


Book Description

A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.




Guy Debord, the Situationist International, and the Revolutionary Spirit


Book Description

Winner of the 2020 Choice Outstanding Academic Title Award Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of détournement, as well as the subversive spatial practices of the dérive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Détournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S. See inside the book.




Illusion and Fetishism in Critical Theory


Book Description

Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis and the Situationists, who put the concept of illusion at the forefront of their philosophical thought. Vasilis Grollios argues that these political philosophers, except Castoriadis, have up to now been wrongly considered by many scholars to be far from the line of thinking of negative dialectics, Critical Theory and the early Frankfurt School/Open Marxist tradition. He illustrates how these thinkers focused on the illusions of capitalism and attempted to show how capitalism, by its innate rationale, creates social forms that are presented as unavoidable and universal, yet are historically specific and of dubious sustainability. Providing a unique overview of concepts including illusion, totality, fetishization, contradiction, identity thinking and dialectics, Grollios expertly reveals how their understanding of critique can help us open cracks in capitalism and radicalize democratic social practice today. Illusion and Fetishism in Critical Theory is a must read for scholars of political theory and political philosophy, critical theory, the Frankfurt School, sociology and democratic theory.




Challenging the Right, Augmenting the Left


Book Description

What does the future hold for the left? How does the left adapt to, and prepare for, the crises of our time? In moments of crisis it is always important to rethink longstanding assumptions, jettison wishful thinking and dated ideas, and recover wisdom from the past. In so doing, we have the opportunity to plot a new way forward. The authors of this edited collection do just this: putting forward a diversity of approaches and issues to strategize for the work that awaits us in the 2020s, particularly in the struggle against capitalism, climate change and the far right. Working within five major thematic areas, the contributors examine how to engage working class people in anti-capitalist struggles, undermine reactionary currents of ethno-nationalism while supporting anti-colonial movements, strategically build power inside and outside the state apparatus, demand new forms of resistance to address environmental crises, and effectively promote solidarity and ecological responsibility. This book provides suggestions for working with popular disaffection, taking the rich, fragmented, conflicted history of refusals and defeats as a starting point for next steps in the struggle against capitalism and the far right, rather than as the basis for more conflict or defeatism.




Specters of Revolt


Book Description

In 1848, Karl Marx declared that a communist specter was haunting Europe. In 1994, Jacques Derrida considered how the spectre of Marx would haunt the post-Cold War world. In Specters of Revolt, Gilman-Opalsky argues that the world is haunted by revolt, by the possibility of events that interrupt and disrupt the world, that throw its reality and justice into question. But recent revolt is neither decisively communist nor decisively Marxist. Gilman-Opalsky develops a theory of revolt that accounts for its diverse critical content about autonomy, everyday life, anxiety, experience, knowledge, and possibility. The 1994 uprising of the Mexican Zapatistas set the stage for new forms of revolt against a newly expanded power of capital. In the 20 years since, including the recent phase of global uprisings that began in 2008 with the Greek revolts, insurrection has spoken in the "Arab Spring" in Spain, Turkey, Brazil, and in the U.S. in Occupy Wall Street, Ferguson, and Baltimore, among other places. In light of recent global uprisings, Gilman-Opalsky aims to move beyond the critical theory of revolt to an understanding of revolt as theory itself. Making use of diverse sources from Raoul Vaneigem and Félix Guattari to Julia Kristeva and Raya Dunayevskaya, Spectres of Revolt explores upheaval as thinking, the intellect of insurrection, and philosophy from below.




Spectacular Logic in Hegel and Debord


Book Description

Revisiting Guy Debord's seminal work, The Society of the Spectacle (1967), Eric-John Russell breathes new life into a text which directly preceded and informed the revolutionary fervour of May 1968. Deepening the analysis between Debord and Marx by revealing the centrality of Hegel's speculative logic to both, he traces Debord's intellectual debt to Hegel in a way that treads new ground for critical theory. Drawing extensively from The Phenomenology of Spirit (1807) and Science of Logic (1812), this book illustrates the lasting impact of Debord's critical theory of 20th-century capitalism and reveals new possibilities for the critique of capitalism.




Society Of The Spectacle


Book Description

The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.




Leaving the 20th Century


Book Description

The first Situationist text to be published in the UK in 1974, ‘Leaving the 20th Century’ was Chris Gray and the English situationists’ attempt to capture and distil the vibrant anti-art, anti-capitalist energy of the original International Situationist texts (1957-74). With its loose translations and irreverent commentary, Gray and co. attempted to capture the “terrorism, wit and general megalomania” of the original publications, whilst faithfully reprinting the “photographs of girls, soldiers, bombings, comic-strip frames, maps of cities and diagrams of labyrinths, cathedrals and gardens.” From the art/anti-art beginnings, to the role of the Situationists in the worker-student insurrection of May 68’, ‘Leaving the 20th Century’ remains the definitive English pro-situ text.




The Spectacle of Disintegration


Book Description

Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.




Situationism: A Compendium


Book Description

After Guy Debord’s seminal Society of the Spectacle, this new compendium brings together eight other important situationist works. Ivan Chtcheglov opens proceedings via his Formulary for a New Urbanism (1953), with it’s quasi-mythical demand that resonated down through generations: “The hacienda must be built”, followed by two brief but illuminating pieces from Asger Jorn, who’s sandpaper book cover later turned up under the same Factory Records roof as Manchesters’ own Hacienda, on the Durrtti Column’s "Return of the Durrutti Column" ( the title itself lifted from Andre Bertrand's détourned pro-situ comic strip). Debord’s The Decline and Fall of the Spectacle-Commodity Economy-was an immediate, razor sharp response to the LA/Watts Riots of 1965, it’s analysis of the relationship between the rioter and the meaningless, unaffordable commodities they loot or destroy resonating heavily today. Tunisian situationist Mustapha Khayati contributes Address to Revolutionaries of Algeria and of All Countries and the game changing “On the Poverty of Student Life”, the match that arguably lit the fires of May 68’. Raoul Vaneigem's The Revolution of Everyday Life finishes things off in defiant fashion : “. You’re f*%@g Around With Us? — Not For Long!”