Readers and Writers in Cuba


Book Description

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.




Readers and Writers in Cuba


Book Description

This study examines the evolution of Cuban literature and culture from its origins in the 19th century to the present. The early sections analyze the relationship between literary production and universities, the printing press, the abolitionist movement and the exile community from 1810 through the post-war years. Subsequent sections trace literary life from the 1920s to 1958, focusing on the links between writers, readers, and the institutions that supported literary endeavors in the Cuban Republic. The remaining chapters address Cuban literary culture from 1959 through the 1990s. This first thorough study of Cuban print culture after the 1959 revolution fills a large gap in Latin American studies with original research in archives and journals. Analysis of the relationship between literature and contemporary Cuban society is grounded in the earliest Cuban vernacular literature born in the Spanish colony and redefined in the process of nation-building in the first half of the 20th century. The book also surveys Cuban literary production in the current period of transition, confronting issues of globalization, fragmentation, and Cuba's adjustment to a post-Cold War world.




The Cuba Reader


Book Description

Tracking Cuban history from 1492 to the present, The Cuba Reader includes more than one hundred selections that present myriad perspectives on Cuba's history, culture, and politics. The volume foregrounds the experience of Cubans from all walks of life, including slaves, prostitutes, doctors, activists, and historians. Combining songs, poetry, fiction, journalism, political speeches, and many other types of documents, this revised and updated second edition of The Cuba Reader contains over twenty new selections that explore the changes and continuities in Cuba since Fidel Castro stepped down from power in 2006. For students, travelers, and all those who want to know more about the island nation just ninety miles south of Florida, The Cuba Reader is an invaluable introduction.




Writing to Cuba


Book Description

In the mid-nineteenth century, some of Cuba's most influential writers settled in U.S. cities and published a variety of newspapers, pamphlets, and books. Collaborating with military movements known as filibusters, this generation of exiled writers created a body of literature demanding Cuban independence from Spain and alliance with or annexation to the United States. Drawing from rare materials archived in the United States and Havana, Rodrigo Lazo offers new readings of works by writers such as Cirilo Villaverde, Juan Clemente Zenea, Pedro Santacilia, and Miguel T. Tolon. Lazo argues that to understand these writers and their publications, we must move beyond nation-based models of literary study and consider their connections to both Cuba and the United States. Anchored by the publication of Spanish- and English-language newspapers in the United States, the transnational culture of writers Lazo calls los filibusteros went hand in hand with a long-standing economic flow between the countries and was spurred on by the writers' belief in the American promise of freedom and the hemispheric ambitions of the expansionist U.S. government. Analyzing how U.S. politicians, journalists, and novelists debated the future of Cuba, Lazo argues that the war of words carried out in Cuban-U.S. print culture played a significant role in developing nineteenth-century conceptions of territory, colonialism, and citizenship.




Literary culture in Cuba


Book Description

This book brings an original and innovative approach to a much-misunderstood aspect of the Cuban Revolution: the place of literature and the creation of a literary culture. Based on over 100 interviews with a wide range of actors involved in the structures and processes that produce, regulate, promote and consume literature on the island, the book breaks new ground by going beyond the conventional approach (the study of individual authors and texts) and by going beyond the canon of texts known outside Cuba. It thus presents a historical analysis of the evolution of literary culture from 1959 to the present, as well as a series of more detailed case studies (on writing workshops, the Havana Book Festival and the publishing infrastructure) which reveal how this culture is created in contemporary Cuba. It thus contributes a new and complex vision of revolutionary Cuban culture which is as detailed as it is comprehensive.




A Contemporary Cuba Reader


Book Description

A collection of essays that explore a wide range of topics related to Cuban politics, economics, foreign policy, social transformation, and culture in the post-Soviet era.




Reading U.S. Latina Writers


Book Description

This essential teaching guide focuses on an emerging body of literature by U.S. Latina and Latin American Women writers. It will assist non-specialist educators in syllabus revision, new course design and classroom presentation. The inclusive focus of the book - that is, combining both US Latina and Latin American women writers - is significant because it introduces a more global and transnational way of approaching the literature. The introduction outlines the major historical experiences that inform the literature, the important genres, periods, movements and authors in its evolution; the traditions and influences that shape the works; and key critical issues of which teachers should be aware. The collection seeks to provide readers with a variety of Latina texts that will guarantee its long-term usefulness to teachers and students of pan-American literature. Because it is no longer possible to understand U.S. Latina literature without taking into consideration the histories and cultures of Latin America, the volume will, through its organization, argue for a more globalized type of analysis which considers the similarities as well as the differences in U.S. and Latin American women's cultural productions. In this context, the term Latina evokes a diasporic, transnational condition in order to address some of the pedagogical issues posed by the bicultural nature which is inherent in pan-American women's literature.




The Social Life of Literature in Revolutionary Cuba


Book Description

This study explores the social functions of literature from the perspective of policymakers, writers, readers and residents in contemporary Cuba. It provides a new perspective on post-59 Cuban literature that underlines how cultural policy has made literature a hybrid activity between elite and mass culture, with inherent social, rather than aesthetic or political, value. Whilst many traditional studies of Cuban literature assume either its subjugation to politics and ideology or, conversely, its role in resisting political discourse via a rather naïve notion of artistic freedom, this project explores the varied, dynamic and multiple ways in which literature works in Cuban society: as a catalyst for identity construction aimed at consensus and belonging, but also as an instrument of self-differentiation and self-definition, even in the more recent context of a more market-oriented system. The study reviews policy from 1959 to the present, and presents contemporary case studies exploring the social functions of literature for writers, readers and ordinary Havana residents.




Cuban-American Fiction in English


Book Description

This bibliography contains listings and annotations of all novels, anthologies, and short story collections written by the first, 1.5, and second generations of Cuban Americans. This work also contains listings and annotations of all secondary works dealing with this fiction, as well as related memoirs, autobiographies and interviews.