Reanimating grief


Book Description

Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief’s subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O’Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.







Reanimators


Book Description

Two Men. A Bitter Rivalry. And a Quarter-Century of Unspeakable Horrors. Herbert West’s crimes against nature are well-known to those familiar with the darkest secrets of science and resurrection. Obsessed with finding a cure for mankind’s oldest malady, death itself, he has experimented upon the living and dead, leaving behind a trail of monsters, mayhem, and madness. But the story of his greatest rival has never been told.Until now. Dr. Stuart Hartwell, a colleague and contemporary of West, sets out to destroy West by uncovering the secrets of his terrible experiments, only to become that which he initially despised: a reanimator of the dead. For more than twenty years, spanning the early decades of the twentieth century, the two scientists race each other to master the mysteries of life . . . and unlife. From the grisly battlefields of the Great War to the backwoods hills and haunted coasts of Dunwich and Innsmouth, from the halls of fabled Miskatonic University to the sinking of the Titanic, their unholy quests will leave their mark upon the world—and create monsters of them both. Reanimators is an epic tale of historical horror . . . in the tradition of Anno Dracula and The League of Extraordinary Gentlemen.




Journal of an Ordinary Grief


Book Description

Winner of the 2011 PEN Translation Prize A collection of autobiographical essays by one of the greatest poets to come from Palestine. Indispensable reading for anyone interested in the roots and ramifications of the Israeli and Palestinian conflict. Muhawi's own prose and meticulous footnotes are impeccable. An inspired and scholarly piece of research. —Words Without Borders “Every beautiful poem is an act of resistance,” writes Mahmoud Darwish. In these probing essays, Darwish, a voice of the Palestinian people and one of the most transcendent poets of his generation, interrogates the experience of occupation and the meaning of liberation. Calling upon myth, memory, and language, these essays delve into the poet’s experience of house arrest, his encounters with Israeli interrogators, and the periods he spent in prison. Meditative, lyrical, and rhythmic—Darwish gives absence a vital presence in these linked essays. Journal is a moving and intimate account of the loss of homeland and, for many, of life inside the porous walls of occupation—no ordinary grief.




Obit


Book Description

The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine




Women and their Improbable Friends


Book Description

Women and their Improbable Friends is an entertaining read, utilizing examples from film to illustrate complex psychological issues. It is founded on a theoretical framework derived from diverse domains of psychodynamic theory, including self psychology. Drawing on her extensive knowledge of psychology, literature and film, the author discusses films to illustrate issues of complicated mourning and restitution.




Mourning in America


Book Description

Recent years have brought public mourning to the heart of American politics, as exemplified by the spread and power of the Black Lives Matter movement, which has gained force through its identification of pervasive social injustices with individual losses. The deaths of Sandra Bland, Michael Brown, Freddie Gray, Trayvon Martin, Tamir Rice, Walter Scott, and so many others have brought private grief into the public sphere. The rhetoric and iconography of mourning has been noteworthy in Black Lives Matter protests, but David W. McIvor believes that we have paid too little attention to the nature of social mourning—its relationship to private grief, its practices, and its pathologies and democratic possibilities.In Mourning in America, McIvor addresses significant and urgent questions about how citizens can mourn traumatic events and enduring injustices in their communities. McIvor offers a framework for analyzing the politics of mourning, drawing from psychoanalysis, Greek tragedy, and scholarly discourses on truth and reconciliation. Mourning in America connects these literatures to ongoing activism surrounding racial injustice, and it contextualizes Black Lives Matter in the broader politics of grief and recognition. McIvor also examines recent, grassroots-organized truth and reconciliation processes such as the Greensboro Truth and Reconciliation Commission (2004–2006), which provided a public examination of the Greensboro Massacre of 1979—a deadly incident involving local members of the Communist Workers Party and the Ku Klux Klan.




Aesthetics in Grief and Mourning


Book Description

"A philosophical exploration of the value of aesthetics in loss and grieving. Loss and grief are destabilizing forces. As a bereaved person grapples with the reality that their loved one is gone and feels only shakily connected to the surrounding world, the tangibility of sensory objects can be grounding. In Aesthetics of Grief and Mourning, philosopher Kathleen Marie Higgins highlights the role of aesthetics in the grieving process, offering a guide for how being attuned to aesthetics can aid those experiencing loss. While some activities associated with loss-such as participation in funerals-are culturally scripted, many others are relatively everyday, including attending to sensory objects, telling stories, reflecting on artworks, experiencing music, and engaging in creative projects. Higgins shows how attending to these aesthetic practices helps those who have experienced loss, and she also sheds light on the importance of aesthetic engagement with the world for individual and community flourishing"--




Images of the Dead in Grief Dreams


Book Description

While in training at the C.G. Jung Institute in Zürich in 1988, Susan Olson suffered the loss of her daughter in an auto accident. In this intimate and unique exploration, Olson uses C. G. Jung’s psychological framework to describe her journey through tragedy, guided by a series of vivid dreams. In Images of the Dead in Grief Dreams: A Jungian View of Mourning, Jung's definition of the dream as a "harbinger of fate, a portent and comforter, a messenger of the gods" evolves from theory into embodied insight as Olson describes her encounter with the transforming power of grief. Drawing from personal experience as well as theoretical and clinical material, Olson presents premonitory dreams, which occur before the loss of a loved one, and grief dreams, which follow a loved one’s death, and analyzes both according to Jung’s method of dream interpretation. Sharing her own dreams as well as those of other mourners, Olson asserts that such dreams play a crucial role in the dreamer’s emotional recovery and psychological development, otherwise known as the process of individuation. She sensitively offers an assessment of the stages of grief and draws on the Greek myth of Demeter and Persephone, Jung’s memoirs, and other literature to amplify her experience of mourning. In this rare combination of grief theory and dream work, Images of the Dead in Grief Dreams is both a grief memoir and an extensive study of C. G. Jung’s view of the mourning process. This fully updated revised edition will be of immense interest to Jungian analysts and trainees, academics, psychologists, students of Jungian dream analysis, and to all who have suffered loss.




The Creation and Inheritance of Digital Afterlives


Book Description

This book explores how social networking platforms such as Facebook, Twitter, and WhatsApp ‘accidentally’ enable and nurture the creation of digital afterlives, and, importantly, the effect this digital inheritance has on the bereaved. Debra J. Bassett offers a holistic exploration of this phenomenon and presents qualitative data from three groups of participants: service providers, digital creators, and digital inheritors. For the bereaved, loss of data, lack of control, or digital obsolescence can lead to a second loss, and this book introduces the theory of ‘the fear of second loss’. Bassett argues that digital afterlives challenge and disrupt existing grief theories, suggesting how these theories might be expanded to accommodate digital inheritance. This interdisciplinary book will be of interest to sociologists, cyber psychologists, philosophers, death scholars, and grief counsellors. But Bassett’s book can also be seen as a canary in the coal mine for the ‘intentional’ Digital Afterlife Industry (DAI) and their race to monetise the dead. This book provides an understanding of the profound effects uncontrollable timed posthumous messages and the creation of thanabots could have on the bereaved, and Bassett’s conception of a Digital Do Not Reanimate (DDNR) order and a voluntary code of conduct could provide a useful addition to the DAI. Even in the digital societies of the West, we are far from immortal, but perhaps the question we really need to ask is: who wants to live forever?