Rebellion in Patagonia


Book Description

At the very end of Rebellion in Patagonia, Osvaldo Bayer writes: “Time always tears down the curtain that tries to hide the truth. A crime can never be covered up forever.” He demonstrates that principle in this moving and nuanced study of strikes led by the powerful anarcho-syndicalist labor union FORA against the despotic landowners and industrialists of Argentina’s Patagonia region in 1921– 1922. The tale ends tragically, with thousands slaughtered, but Bayer’s detailed descriptions and first-person testimonies capture the beauty and heroism of the struggle. Banned and publicly burned in the 1970s, this is the book’s first English translation—with a new introduction by Scott Nicholas Nappalos and Joshua Neuhouser. Praise for Rebellion in Patagonia The recovery of a historic struggle of the importance of Rebellion in Patagonia by Osvaldo Bayer is a decisive contribution to the social struggles of today. It offers not just a reconstruction of the past, but an example of what we, ordinary people, can do, and what we will continue to do, for our collective dignity.” —Raúl Zibechi, author of Territories in Resistance: A Cartography of Latin American Social Movements “Genocide against the militant left in Argentina did not begin in 1975 with Isabel Perón or the military dictatorship of 1976–1983. Disappeared people and hidden bodies were the norm even fifty years earlier, when the Argentine army’s murder of 1,500 agricultural workers was ordered by democratically elected, pseudo-progressive President Yrigoyen. The scandal was silenced until Osvaldo Bayer, journalist and historian, wrote this courageous investigative work (which also led to a 1974 whistleblowing film) in the middle of another of Argentina’s most repressive eras.” —Frank Mintz, translator of the French edition, La Patagonie rebelle 1921–1922: Chronique d’une révolte des ouvriers agricoles en Argentine Osvaldo Bayer is an author, journalist, and scriptwriter who was exiled from Argentina during the years of military dictatorship. His works include The Anarchist Expropriators and Anarchism & Violence. He currently lives in Buenos Aires.




The Anarchist Expropriators


Book Description

Osvaldo Bayer's study of working-class retribution, set between 1919 and 1936, chronicles hair-raising robberies, bombings, and tit-for-tat murders conducted by Argentina's working men. Intense repression of labor organizations, newspapers, and meeting places by authorities set off a wave of illegal acts meant to secure funds and settle scores. Escaping similar repression at home, future Spanish Civil War hero Buenaventura Durruti joins the cast on a spree of robberies, ending in a narrow escape back to Europe. Osvaldo Bayer is an anarchist pacifist, author, and screenwriter living in Buenos Aires, Argentina. He is the author of Rebellion in Patagonia (forthcoming from AK Press).




To Shake the Sleeping Self


Book Description

NEW YORK TIMES BESTSELLER • “With winning candor, Jedidiah Jenkins takes us with him as he bicycles across two continents and delves deeply into his own beautiful heart.”—Cheryl Strayed, author of Wild and Tiny Beautiful Things On the eve of turning thirty, terrified of being funneled into a life he didn’t choose, Jedidiah Jenkins quit his dream job and spent sixteen months cycling from Oregon to Patagonia. He chronicled the trip on Instagram, where his photos and reflections drew hundreds of thousands of followers, all gathered around the question: What makes a life worth living? In this unflinchingly honest memoir, Jed narrates his adventure—the people and places he encountered on his way to the bottom of the world—as well as the internal journey that started it all. As he traverses cities, mountains, and inner boundaries, Jenkins grapples with the question of what it means to be an adult, his struggle to reconcile his sexual identity with his conservative Christian upbringing, and his belief in travel as a way to wake us up to life back home. A soul-stirring read for the wanderer in each of us, To Shake the Sleeping Self is an unforgettable reflection on adventure, identity, and a life lived without regret. Praise for To Shake the Sleeping Self “[Jenkins is] a guy deeply connected to his personal truth and just so refreshingly present.”—Rich Roll, author of Finding Ultra “This is much more than a book about a bike ride. This is a deep soul deepening us. Jedidiah Jenkins is a mystic disguised as a millennial.”—Tom Shadyac, author of Life’s Operating Manual “Thought-provoking and inspirational . . . This uplifting memoir and travelogue will remind readers of the power of movement for the body and the soul.”—Publishers Weekly




The Patagonian Hare


Book Description

The unforgettable memoir of 70 years of contemporary and personal history from the great French filmmaker, journalist and intellectual Claude Lanzmann Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the German army. After the liberation of France, he studied philosophy at the Sorbonne, making money as a student in surprising ways (by dressing as a priest and collecting donations, and stealing philosophy books from bookshops). It was in Paris however, that he met Jean-Paul Sartre and Simone de Beauvoir. It was a life-changing meeting. The young man began an affair with the older de Beauvoir that would last for seven years. He became the editor of Sartre's political-literary journal, Les Temps Modernes—a position which he holds to this day—and came to know the most important literary and philosophical figures of postwar France. And all this before he was 30 years old. Written in precise, rich prose of rare beauty, organized—like human recollection itself—in interconnected fragments that eschew conventional chronology, and describing in detail the making of his seminal film Shoah, The Patagonian Hare becomes a work of art, more significant, more ambitious than mere memoir. In it, Lanzmann has created a love song to life balanced by the eye of a true auteur.




Riding Into the Wind


Book Description

This carefully crafted work brings you 70 color pictures, 40+ original drawings, and a story that burns with intensity, radiates personal crises, and reminds us how life can be lived. It is about horses, and not about horses at all. It's about the human journey we're all traveling.




Anarchism & Violence


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At Home with the Patagonians


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Argentine Cinema


Book Description

Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of Argentine film noir. Beginning with definitions of film noir and its international iterations, the book presents a history of the development of film noir and neo-noir in Argentina (from the 1940s to the present), as well as a technical, aesthetic, and socio-historical analysis of such recent Argentine neo-noir films as The Aura, The Secret in Their Eyes, and The German Doctor. It considers the question of inscription of such classic noirs as Double Indemnity and The Third Man and looks forward to future scholarly work on other Latin American noir and neo-noir films, especially those produced in Mexico and Brazil.




South American Cinema


Book Description

First Published in 1996. This text looks at the cinema from the countries of Argentina, Brazil, Canada, Chile, Colombia, Cuba, United States, Uruguay and Venezuela. Presented by country and date order it includes the silent black and white Gaucho films of 1915 to the colour films coming out of Venezuela in 1991. Each entry provides a summary of the film content, its context, production and significance in the genre. It includes an index and glossary of Brazilian (Portuguese or African) Terms and film terms.




New Latin American Cinema


Book Description

Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection will serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.