Reclaiming Stereotypes. an Analysis of the Continued Struggle to Counteract Stereotyping of African-American Women in Contemporary Hollywood Cinema


Book Description

Seminar paper from the year 2017 in the subject Cultural Studies - Miscellaneous, grade: 2.3, University of Bremen, course: Analyzing Hollywood Cinema, language: English, abstract: This analysis serves to outline the continued struggle of African-American women to counteract racially and sexually biased stereotypes as perpetuated by the popular media domain of Hollywood cinema in a white-dominated, patriarchal society. Moreover, it serves to shed light on recent activism and achievements, which are now commonly referred to as 'reclaiming stereotypes'. Resistance from within the industry will be exemplified by juxtaposing the 2009 film "Precious," an independent production which was majorly successful, with other film productions from the same year, which serve to perpetuate the misrepresentation of African-American women. Furthermore, activism stemming from sources outside of the cinema industry will be detailed, as part of a growing mind state of contempt for stereotyping African-American women.




The Black Image in the White Mind


Book Description

Living in a segregated society, white Americans learn about African Americans through the images the media show. This text offers a look at the racial patterns in the mass media and how they shape the ambivalent attitudes of whites toward blacks.




Trifles


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Black Looks


Book Description

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.




Double Burden


Book Description

Departing from conventional studies of black women, which characterize them as domineering matriarchs, prostitutes and welfare queens, this text uses the concept of a "collective memory" to show how black women cope with and interpret lives often pervaded with racial barriers not of their making.




The Advocate


Book Description

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.




African Americans and the Pacific War, 1941–1945


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Dixon provides the first comprehensive study of African American military and social experiences during the Pacific War.




Framing Blackness


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A challenge to Hollywood's one-dimensional images of African Americans.




Rhetorical Healing


Book Description

Reveals the rhetorical strategies African American writers have used to promote Black women’s recovery and wellness through educational and entertainment genres and the conservative gender politics that are distributed when these efforts are sold for public consumption. Since the Black women’s literary renaissance ended nearly three decades ago, a profitable and expansive market of self-help books, inspirational literature, family-friendly plays, and films marketed to Black women has emerged. Through messages of hope and responsibility, the writers of these texts develop templates that tap into legacies of literacy as activism, preaching techniques, and narrative formulas to teach strategies for overcoming personal traumas or dilemmas and resuming one’s quality of life. Drawing upon Black vernacular culture as well as scholarship in rhetorical theory, literacy studies, Black feminism, literary theory, and cultural studies, Tamika L. Carey deftly traces discourses on healing within the writings and teachings of such figures as Oprah Winfrey, Iyanla Vanzant, T. D. Jakes, and Tyler Perry, revealing the arguments and curricula they rely on to engage Black women and guide them to an idealized conception of wellness. As Carey demonstrates, Black women’s wellness campaigns indicate how African Americans use rhetorical education to solve social problems within their communities and the complex gender politics that are mass-produced when these efforts are commercialized.




Black Lenses, Black Voices


Book Description

Black Lenses, Black Voices is a provocative look at films directed and written_and sometimes produced_by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.