Catena Librorum Tacendorum
Author : Henry Spencer Ashbee
Publisher :
Page : 676 pages
File Size : 27,61 MB
Release : 1885
Category : Erotic literature
ISBN :
Author : Henry Spencer Ashbee
Publisher :
Page : 676 pages
File Size : 27,61 MB
Release : 1885
Category : Erotic literature
ISBN :
Author : EDMOND ROSTAND
Publisher :
Page : 136 pages
File Size : 38,36 MB
Release : 1910
Category :
ISBN :
Author : John Ruskin
Publisher : Andesite Press
Page : 338 pages
File Size : 25,66 MB
Release : 2015-08-12
Category :
ISBN : 9781297790614
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Edgar Allan Poe
Publisher :
Page : 414 pages
File Size : 43,37 MB
Release : 1917
Category : American poetry
ISBN :
Author : Edmond Rostand
Publisher :
Page : 0 pages
File Size : 41,72 MB
Release : 2022-10-27
Category : History
ISBN : 9781017541243
Author : Edmond Rostand
Publisher :
Page : 56 pages
File Size : 40,20 MB
Release : 1899
Category : French drama
ISBN :
In his play "The Romancers" Edmond Rostand satirizes the sentimentalism and escapism of Romantic literature of his times. Percinet is the only son of Bergamin and Sylvette is the only daughter of Pasquinot. Their fathers who are widowers and neighbors make a plan to marry their children with each other. In order to accomplish this, the fathers separate their children so that they may love each other the more, and desire to be re-united. As a part of their plan, Bergamin warns his son to stay away from Pasquinot and his daughter. Similarly, Pasquinot also warns his daughter that she should not be near to his mortal enemy Bergamin and his son. Inspite of their fathers' warnings, Percinet and Sylvette fall in love. They think themselves as the counterparts of Romeo and Juliet. They are worried that their love will also end in tragedy like that of Romeo and Juliet. They are emotional, daydreaming teenagers who have recently finished their school studies. They are deeply influenced by romantic literature of their times, especially by the romantic play "Romeo and Juliet" of William Shakespeare. They are so in love with each other that they desire to die rather than separate with each other. Bergamin then hires Straforel and his company for a fake kidnapping. At midnight hours, when Percinet and Sylvette are about to meet, Straforel with his company kidnap Sylvette and put her into the sedan chair. Percinet hears the cry of Sylvette, jumps over the wall and fights with his sword. At the same time, as planned, Pasquinot enters and calls Percinet a hero. He suggests Bergamin to put an end to their enmity and arrange the marriage of their children. Thus in the end the two children seem like puppets in the hands of their fathers. - MeroSpark Cloud Reference, http://www.merospark.com
Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 27,75 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141792
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Edmond Rostand
Publisher :
Page : 354 pages
File Size : 16,68 MB
Release : 1927
Category :
ISBN :
Author : Mario Praz
Publisher : [London] : Collins
Page : 532 pages
File Size : 50,67 MB
Release : 1956
Category : Devil in literature
ISBN :
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
Author : Voltaire
Publisher : Simon and Schuster
Page : 56 pages
File Size : 45,15 MB
Release : 2013-08-02
Category : Drama
ISBN : 1627933212
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."