Gustave Courbet


Book Description

Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.







The Mountain Pool


Book Description

An aristocratic lady travels alone to picturesque Monaco, expecting a peaceful vacation. It turns into a place of horror for the woman, however, as she experiences something unspeakable at the artificial lake. She details her experiences in a letter to a dear friend. This grim tale was Maupassant's dive into something new, and his experiment paid off - creating a chilling story that rivals even the masters of the supernatural genre. Guy de Maupassant (1850-1893) was a French writer. Famed for being a master of the short story, he also wrote travel books and occasionally dabbled in poetry. His stories mainly focus on the relationships between men and women sitting at crossroads in their lives - whether personal or professional. His dramatic flair is largely influenced by French novelist Gustave Flaubert and is perfect for fans of Anton Chekhov's short stories. The most notable of the 300 short stories that he wrote include 'Bel Ami', 'Une Vie', and 'The Dumpling'.




Resonant Recoveries


Book Description

"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--




The Amethyst Ring


Book Description

DigiCat Publishing presents to you this special edition of "The Amethyst Ring" by Anatole France. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Poems in Verse


Book Description

Poetry. Translated from the French by Peter Manson. THE POEMS IN VERSE is Peter Manson's translation of The Poésies of Stéphane Mallarmé. Long overshadowed by Mallarmé's theoretical writings and by his legendary visual poem "Un coup de Dés jamais n'abolira le Hasard," the Poésies are lyrics of a uniquely prescient and generative modernity. Grounded in a scrupulous sounding of the complex ambiguities of the original poems, Manson's English translations draw on the resources of the most innovative poetries of our own time these may be the first translations really to trust the English language to bear the full weight of Mallarméan complexity. With THE POEMS IN VERSE, Mallarmé's voice is at last brought back, with all its incisive strangeness, into the conversation it started a hundred and fifty years ago, called contemporary poetry."







Philostratus


Book Description




Thais


Book Description

ÊIn those days there were many hermits living in the desert. On both banks of the Nile numerous huts, built by these solitary dwellers, of branches held together by clay, were scattered at a little distance from each other, so that the inhabitants could live alone, and yet help one another in case of need. Churches, each surmounted by a cross, stood here and there amongst the huts, and the monks flocked to them at each festival to celebrate the services or to partake of the Communion. There were also, here and there on the banks of the river, monasteries, where the cenobites lived in separate cells, and only met together that they might the better enjoy their solitude. Both hermits and cenobites led abstemious lives, taking no food till after sunset, and eating nothing but bread with a little salt and hyssop. Some retired into the desert, and led a still more strange life in some cave or tomb. All lived in temperance and chastity; they wore a hair shirt and a hood, slept on the bare ground after long watching, prayed, sang psalms, and, in short, spent their days in works of penitence. As an atonement for original sin, they refused their body not only all pleasures and satisfactions, but even that care and attention which in this age are deemed indispensable. They believed that the diseases of our members purify our souls, and the flesh could put on no adornment more glorious than wounds and ulcers. Thus, they thought they fulfilled the words of the prophet, "The desert shall rejoice and blossom as the rose." Amongst the inhabitants of the holy Thebaid, there were some who passed their days in asceticism and contemplation; others gained their livelihood by plaiting palm fibre, or by working at harvest-time for the neighbouring farmers. The Gentiles wrongly suspected some of them of living by brigandage, and allying themselves to the nomadic Arabs who robbed the caravans. But, as a matter of fact, the monks despised riches, and the odour of their sanctity rose to heaven. Angels in the likeness of young men, came, staff in hand, as travellers, to visit the hermitages; whilst demonsÑhaving assumed the form of Ethiopians or of animalsÑwandered round the habitations of the hermits in order to lead them into temptation. When the monks went in the morning to fill their pitcher at the spring, they saw the footprints of Satyrs and Aigipans in the sand. The Thebaid was, really and spiritually, a battlefield, where, at all times, and more especially at night, there were terrible conflicts between heaven and hell.




Some Dream for Fools


Book Description

A novel of a twentysomething, Algerian-born woman living on the edge in France, from “one of the hottest literary talents of multicultural Europe” (Sunday Telegraph). When Ahlème’s mother was killed in a village massacre, she left Algeria for France with her father and brother and never returned. Now, more than a decade later, she is practically French, yet in many ways she remains an outsider. Ahlème’s dreams for a better life have been displaced by the harsh realities she faces every day. Her father is unable to work after an accident at his construction site and her brother boils over with adolescent energy, teetering dangerously close to choosing a life of crime. As a temporary resident, Ahlème could at any moment be sent back to a village and a life that are now more foreign than Paris. In Some Dream for Fools, Faïza Guène explores the disparity between the expectations and limitations of immigrant life in the West and tells a remarkable story of one woman’s courage to dream. “With a keen eye for detail and a sharp narrative tone, [Guène] gives voice to a hurt too long unrecognized. . . . [She] takes us into another world—a world that no nation today can afford to ignore.” —The Christian Science Monitor