Author : Lynn Garafola
Publisher : Wesleyan University Press
Page : 498 pages
File Size : 40,17 MB
Release : 2005-01-28
Category : Performing Arts
ISBN : 9780819566744
Selected writings illuminate a century of international dance.
Author : Ivor Guest
Publisher : Dance Books Limited
Page : 198 pages
File Size : 35,52 MB
Release : 2006
Category : Performing Arts
ISBN :
The cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.
Author : Boris Vian
Publisher : Tamtam Books
Page : 310 pages
File Size : 23,5 MB
Release : 2005
Category : Fiction
ISBN :
Fiction. Translated from the French by Paul Knobloch. Originally published in 1947. "In the Exopotamian desert, where hepatrols blossom and children collect little animals called sandpeepers, the sun shines in an unusual way: it produces eerie black zones whose mysteries remain unexplained. Above all, Vian's pecurilar way with language proves that, indeed, life in the desert is equal to none. Since unusual language is bound to produce unusual fiction, it follows that the story does not take place in the fall, nor is it set in China" - from the Foreword by Marc Lapprand. The fourth novel by Vian, who was a contemporary of Sartre and Beauvoir. His innovative style, cutting-edge during his lifetime, but only successful in the sixties, made him an icon of the May 1968 student movement.
Author : Alistair Charles Rolls
Publisher : Rodopi
Page : 380 pages
File Size : 44,93 MB
Release : 1999
Category : Literary Criticism
ISBN : 9789042004672
It is a close study of four novels by Boris Vian. It aims to show how L'Ecume des jours, L'Automne a Pekin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes possible to achieve a more comprehensive understanding, not only of the significance of the tetralogy in exposing a complex and multi-layered novelistic strategy at the heart of the vianesque, but of the individual novels as autonomous creations. An examination of the novels reveals that they are not merely joined to one another via a superficial network of textual similarities (that which I refer to as intratextuality), but that this intertwining is emblematic of a common method of narrative construction. Each Vian novel is dependent, for a thorough understanding of the text to be possible, upon the multiple lines of external influence running through it. The sources of this influence (which I refer to as intertextuality) are located in various major texts of twentieth century literature, anglophone as well as francophone. Thus, in each instance the narrative is driven by a complicated interaction of intratextuality and intertextuality."
Author : Christopher Breward
Publisher :
Page : 278 pages
File Size : 35,63 MB
Release : 2005
Category : Business & Economics
ISBN :
What is the relationship between fashion and modernity, and how is this unique relationship manifested in the material world? This book considers how the relationship between fashion and modernity tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world.
Author : Boris Vian
Publisher : Tamtam Books
Page : 0 pages
File Size : 35,92 MB
Release : 2013
Category : Fiction
ISBN : 9780966234695
A narrative about an engineer, Wolf, who invents a bizarre machine that allows him to revisit his past and erase inhibiting memories.
Author : Steven Huebner
Publisher : Oxford University Press
Page : 552 pages
File Size : 40,14 MB
Release : 2006-02-02
Category : Music
ISBN : 9780199719921
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Author : Susan Rutherford
Publisher : Cambridge University Press
Page : 26 pages
File Size : 46,95 MB
Release : 2006-08-10
Category : Music
ISBN : 052185167X
An examination of the female opera singer during the nineteenth and twentieth centuries.
Author : Philip Mansel
Publisher : Orion Publishing Company
Page : 414 pages
File Size : 29,95 MB
Release : 2005
Category : Biography & Autobiography
ISBN : 9780753818558
The Habsburg courtier Charles-Joseph Prince de Ligne seduced and symbolized eighteenth-century Europe. Speaking French, the international language of the day, he travelled between Paris and St Petersburg, charming everyone he met. He stayed with Madame du Barry, dined with Frederick the Great and travelled to the Crimea with Catherine the Great. But Ligne was more than a frivolous charmer. He participated in and recorded some of the most important events and movements of his day: the Enlightenment; the struggle for mastery in Germany; the decline of the Ottoman Empire; the birth of German nationalism; and the wars to liberate Europe from Napoleon. He had surprisingly radical views, believing for example in property rights for women, legal rights for Jews and the redistribution of wealth. He was also a highly respected writer and his books on gardens, his letters from the Crimea and his epigrams are considered minor classics of French literature.
Author : Karen Henson
Publisher : Cambridge University Press
Page : 281 pages
File Size : 45,67 MB
Release : 2015-01-15
Category : Music
ISBN : 1107004268
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
