Recueil de Farces Françaises Inédites Du XVe Siècle
Author : Gustave Cohen
Publisher :
Page : pages
File Size : 19,7 MB
Release : 1949
Category :
ISBN :
Author : Gustave Cohen
Publisher :
Page : pages
File Size : 19,7 MB
Release : 1949
Category :
ISBN :
Author : Stphane Mallarm
Publisher : Harvard University Press
Page : 313 pages
File Size : 46,29 MB
Release : 2009-06-15
Category : Literary Criticism
ISBN : 0674032403
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
Author : Jody Blake
Publisher : Penn State Press
Page : 232 pages
File Size : 20,44 MB
Release : 1999-01-01
Category : Art
ISBN : 9780271017532
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Author : Lynn Garafola
Publisher : Wesleyan University Press
Page : 498 pages
File Size : 21,21 MB
Release : 2005-01-28
Category : Performing Arts
ISBN : 9780819566744
Selected writings illuminate a century of international dance.
Author : Edgar Allan Poe
Publisher :
Page : 414 pages
File Size : 12,25 MB
Release : 1917
Category : American poetry
ISBN :
Author : Caroline Potter
Publisher : Routledge
Page : 368 pages
File Size : 24,49 MB
Release : 2016-05-13
Category : Music
ISBN : 1317141792
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author : Michael Sonenscher
Publisher : Princeton University Press
Page : 508 pages
File Size : 35,24 MB
Release : 2018-06-12
Category : History
ISBN : 0691180806
This is a bold new history of the sans-culottes and the part they played in the French Revolution. It tells for the first time the real story of the name now usually associated with urban violence and popular politics during the revolutionary period. By doing so, it also shows how the politics and economics of the revolution can be combined to form a genuinely historical narrative of its content and course. To explain how an early eighteenth-century salon society joke about breeches and urbanity was transformed into a republican emblem, Sans-Culottes examines contemporary debates about Ciceronian, Cynic, and Cartesian moral philosophy, as well as subjects ranging from music and the origins of government to property and the nature of the human soul. By piecing together this now forgotten story, Michael Sonenscher opens up new perspectives on the Enlightenment, eighteenth-century moral and political philosophy, the thought of Jean-Jacques Rousseau, and the political history of the French Revolution itself.
Author : Thomas-Simon Gueullette
Publisher :
Page : 320 pages
File Size : 16,23 MB
Release : 1897
Category : Tatars
ISBN :
Author : Voltaire
Publisher : Simon and Schuster
Page : 56 pages
File Size : 23,37 MB
Release : 2013-08-02
Category : Drama
ISBN : 1627933212
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Author : Ivor Guest
Publisher : Dance Books Limited
Page : 198 pages
File Size : 17,14 MB
Release : 2006
Category : Performing Arts
ISBN :
The cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.