Redneck #15


Book Description

The history of Bartlett Bowman is revealed! What does July know about Bartlett's past?




Redneck Liberation


Book Description

In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.




Death of a Country Fried Redneck


Book Description

Local food and drink writer Haley Powell thinks she's done solving murders in scenic Bar Harbor, Maine. But when a taste of the South comes to New England, Haley's following another recipe for disaster. . . As a single mom, Hayley Powell already has a full plate--she's got deadlines to make and a teenage daughter with eyes for an aspiring singer-songwriter. But when country music superstar Wade Springer rolls into town, Hayley spies an irresistible side gig: personal chef to her all-American idol. After he tries her home cooking, Wade's so impressed that he hires her on the spot--and invites her to dine with him alone. Hayley and Wade are hitting all the right notes. . .until a body turns up. Wade's tour bus was torched overnight and a roadie named Mickey Pritchett came out well-done. But the real cause of death isn't barbecue: Mickey was shot, his mouth stuffed with one of Hayley's trademark chicken legs. An ornery drunk, Mickey had already made plenty of enemies in town, but Wade's reputation is on the rocks. Hayley reckons it's up to her to settle this mess--a charbroiled mystery with all the fixin's. Includes seven delectable recipes from Hayley's kitchen! Praise for Death of a Kitchen Diva "Delicious and satisfying. Another course, please." --Carolyn Hart "Readers will be calling for a second round from author Lee Hollis." --Leslie Meier, author of Chocolate Covered Murder




Redneck Liberal


Book Description

“Theodore Glimore Bilbo was, is, and evermore shall be God or Satan. He dwelled—dwells— in heaven or hell, but never in limbo.” So wrote A. Wigfall Green almost a quarter of a century ago, and so remains the popular perception of this colorful and controversial symbol of a faded era, though current opinion would tip the scales heavily in favor of the satanic and hellish. Theodore Bilbo is remembered almost exclusively as the archangel of white supremacy. His reputation as perhaps the vilest purveyor of racist rhetoric is richly deserved in light of his vehement opposition to the black civil rights movement that emerged during the last years of his career as United States senator from Mississippi. Yet, as Chester Morgan demonstrates in Redneck Liberal, the conventional image of Bilbo as merely a racist demagogue paints only half the picture. Bilbo served a full term in the Senate (1934-1940) before his political career was consumed by racism, and it is that period that is the focus of this study by Morgan. Bilbo’s first term in the Senate coincided with Franklin Roosevelt’s New Deal. Morgan provides a thorough treatment of Bilbo’s activities in Washington and his large role in Mississippi politics. In the Senate Bilbo consistently gave strong support to virtually all New Deal social and economic programs, such as relief for the unemployed, social security, public housing, and fair labor standards, while at the same time championing the cause of the nation’s small farmers in every way he could. His crude and often repulsive style may have antagonized the more sophisticated liberal academics and bureaucrats of the time, but his first-term voting record would have been the envy of any urban New Dealer. Morgan’s early chapters provide background on Bilbo’s long career prior to his election to the Senate (he served twice as governor of Mississippi, for instance) and also on the main trends in Mississippi politics from Reconstruction to the 1930s. An epilogue seeks to explain the well-known, virulently racist attitude of his final years. Throughout the book Morgan manages to capture the flamboyance of Bilbo’s personality and the vitality and intricacy of Mississippi politics. Redneck Liberal—only the second book on Bilbo ever to be published—draws heavily on Bilbo’s personal correspondence, the papers of Franklin Roosevelt, and other primary sources.







The Liberal Redneck Manifesto


Book Description

"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--




Gasolina #15


Book Description

War explodes across Veracruz, turning good cops into vigilantes and turning husband against wife. Also, what exactly is going on in the good ol' United States?




Dolly Parton, Gender, and Country Music


Book Description

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes—the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.




Rednecks, Queers, and Country Music


Book Description

In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.




The American Herd Book


Book Description

To which is prefixed a concise history of English and American Short horns, compiled from the best authorities.