Refractions of Violence


Book Description

A new collection of essays by the internationally recognized cultural critic and intellectual historian Martin Jay that revolves around the themes of violence and visuality, with essays on the Holocaust and virtual reality, religious violence, the art world, and the Unicorn Killer, among a wide range of other topics.




Uncovering Violence


Book Description

It is no surprise that the Bible is filled with stories of violence, having come into being through the crucible of trauma, cultural conflict, and warfare. But the more obvious acts of physical or sexual violence in the Hebrew Bible often overshadow its subtler forms throughout Scripture and belie the variety of perspectives on violence embedded in biblical narratives. This hinders readers' ability to recognize the full spectrum of human engagement with violence, both in texts and in their lived experiences. Uncovering Violence: Reading Biblical Narratives as an Ethical Project seeks to provide a theoretical vocabulary for the various forms that violence can take—including textual violence, interpretive violence, moral injury, and slow violence—and to offer a fresh ethical reading of violence in the biblical text. Focusing on four narratives from the Hebrew Bible, Cottrill uses the approach of narrative ethics to lay out the many ways that stories can make moral claims on readers, not by delivering a discrete "lesson" or takeaway but by making transformative contact with readers and involving them in a more embodied dialogue with the text. Exploring the narratives of Jael’s killing of Sisera, the toxic masculinity of Samson, environmental devastation and failures of legal systems in Ruth, and Abigail’s mediation with King David, Uncovering Violence presents strategies for reading that allow for this close encounter. In doing so, it helps prepare readers to better recognize, interpret, and even respond to violence and its many effects within and beyond the text.




Refractions


Book Description

Embark on a profound journey through the depths of human emotion and spirituality in the updated anniversary edition of Refractions by renowned artist Makoto Fujimura. This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist's soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura's New York art studio stood, this anniversary edition includes new essays unpacking the author's further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope. A gift for any artist or supporter of the arts, Refractions connects faith, art, and life, offering insight into healing with the wisdom and perspective of a leading contemporary artist and follower of Jesus, making beauty from ashes, and the gospel as a message as breathtaking and intricate as the lives it touches. In a world marred by violence and despair, Fujimura guides you toward a deep understanding of life's intricate tapestry, where beauty emerges from unexpected places, and healing finds its roots in the goodness of God and human resilience.




The Virtues of Violence


Book Description

If democracy liberates individuals from their inherited bonds, what can reunite them into a sovereign people? In The Virtues of Violence, Kevin Duong argues that one particular answer captivated modern French thinkers: popular violence as social regeneration. In this tradition of political theory, the people's violence was not a sign of anarchy or disorder. Instead, it manifested a redemptive power capable of binding and repairing a society on the cusp of social disintegration. This was not a fringe view of French democracy at the time, but central to its momentous development. Duong analyzes the recurring role of the people's redemptive violence across four historical moments: the French Revolution, the imperial conquest of Algeria, the Paris Commune, and the years leading up to World War I. Bringing together democratic theory and intellectual history, he reveals how political thinkers across the spectrum proclaimed that violence by the people could repair the social fabric, even as they experienced democratization as social disintegration. The path from an anarchic multitude to an organized democratic society required the virtuous expression of violence by the people--not its prohibition. Duong's book urges us to reject accounts that view redemptive violence as an antidemocratic pathology. It challenges the long-held view that popular violence is a sign of anarchy or disorder. As shocking and unsettling as redemptive violence could be, it appealed to thinkers across the spectrum, because it answered a fundamental dilemma of political modernity: how to replace the severed bonds of the old regime with a superior democratic social bond. The Virtues of Violence argues we do not properly understand modern democracy unless we can understand why popular redemptive violence could be invoked on its behalf.




Refractions of the National, the Popular and the Global in African Cities


Book Description

Case studies of metropolitan cities in nine African countries - from Egypt in the north to three in West and Central Africa, two in East Africa and three in Southern Africa - make up the empirical foundation of this publication. The interrelated themes addressed in these chapters - the national influence on urban development, the popular dynamics that shape urban development and the global currents on urban development - make up its framework. All authors and editors are African, as is the publisher. The only exception is Gran Therborn whose recent book, Cities of Power, served as motivation for this volume. Accordingly, the issue common to all case studies is the often conflictual powers that are exercised by national, global and popular forces in the development of these African cities. Rather than locating the case studies in an exclusively African historical context, the focus is on the trajectories of the postcolonial city (with the important exception of Addis Ababa with a non-colonial history that has granted it a special place in African consciousness). These trajectories enable comparisons with those of postcolonial cities on other continents. This, in turn, highlights the fact that Africa - today, the least urbanised continent on an increasingly urbanised globe - is in the thick of processes of large-scale urban transformation, illustrated in diverse ways by the case studies that make up the foundation of this publication. Short Description













Haunting Without Ghosts


Book Description

Winner, William M. LeoGrande Prize, Center for Latin American and Latino Studies at American University, 2022 For half a century, cultural production in Colombia has labored under the weight of magical realism—above all, the works of Gabriel García Márquez—where ghosts told stories about the country’s violent past and warned against a similarly gruesome future. Decades later, the story of violence in Colombia is no less horrific, but the critical resources of magical realism are depleted. In their wake comes "spectral realism." Juliana Martínez argues that recent Colombian novelists, filmmakers, and artists—from Evelio Rosero and William Vega to Beatriz González and Erika Diettes—share a formal and thematic concern with the spectral but shift the focus from what the ghost is toward what the specter does. These works do not speak of ghosts. Instead, they use the specter to destabilize reality by challenging the authority of human vision and historical chronology. By introducing the spectral into their work, these artists decommodify well-worn modes of representing violence and create a critical space from which to seek justice for the dead and disappeared. A Colombia-based study, Haunting without Ghosts brings powerful insight to the politics and ethics of spectral aesthetics, relevant for a variety of sociohistorical contexts.




Tracks and Traces of Violence


Book Description

Tracks and Traces of Violence explores the social conditions, political contexts, and cultural spaces of violence in Africa. It is comprised of accounts that underpin the visible and hidden 'tracks and traces' of violence in the memories of traumatized individuals and groups. It also interrogates the gaps, silences, and vacuities of/in these memories, as well as the role they play in shaping the facial contours of our modern societies. Weaving together views from literature, anthropology, art, cultural studies, and museum studies, this book provides deeper insight into the meanings of violent socialities, spatialities, and temporalities, as well as into how they materialize in poetry, fiction, art, and popular culture. (Series: Contributions to African Research / Beitrage zur Afrikaforschung, Vol. 80) [Subject: African Studies, Sociology, Art, Literature, Anthropology]