Human-Built World


Book Description

To most people, technology has been reduced to computers, consumer goods, and military weapons; we speak of "technological progress" in terms of RAM and CD-ROMs and the flatness of our television screens. In Human-Built World, thankfully, Thomas Hughes restores to technology the conceptual richness and depth it deserves by chronicling the ideas about technology expressed by influential Western thinkers who not only understood its multifaceted character but who also explored its creative potential. Hughes draws on an enormous range of literature, art, and architecture to explore what technology has brought to society and culture, and to explain how we might begin to develop an "ecotechnology" that works with, not against, ecological systems. From the "Creator" model of development of the sixteenth century to the "big science" of the 1940s and 1950s to the architecture of Frank Gehry, Hughes nimbly charts the myriad ways that technology has been woven into the social and cultural fabric of different eras and the promises and problems it has offered. Thomas Jefferson, for instance, optimistically hoped that technology could be combined with nature to create an Edenic environment; Lewis Mumford, two centuries later, warned of the increasing mechanization of American life. Such divergent views, Hughes shows, have existed side by side, demonstrating the fundamental idea that "in its variety, technology is full of contradictions, laden with human folly, saved by occasional benign deeds, and rich with unintended consequences." In Human-Built World, he offers the highly engaging history of these contradictions, follies, and consequences, a history that resurrects technology, rightfully, as more than gadgetry; it is in fact no less than an embodiment of human values.




The Religion of Ruskin


Book Description




John Ruskin and the Ethics of Consumption


Book Description

The first book on the Victorian critic and public intellectual John Ruskin by a scholar of religion and ethics, this work recovers both Ruskin's engaged critique of economic life and his public practice of moral imagination. With its reading of Ruskin as an innovative contributor to a tradition of ethics concerned with character, culture, and community, this book recasts established interpretations of Ruskin's place in nineteenth-century literature and aesthetics, challenges nostalgic diagnoses of the supposed historical loss of virtue ethics, and demonstrates the limitations of any politics that eschews common purpose as vital to individual agency and social welfare. Although Ruskin's moralistic efforts did not always allow for democratic individuality, equality, and contestation, his eclecticism, Craig argues, helps to correct these problems. Further, Ruskin's interdisciplinary explorations of beauty, work, nature, religion, politics, and economic value reveal the ways in which his insights into the practical connections between aesthetics and ethics, and culture and character, might be applied to today's debates about liberal modernity today. With the triumph of global capitalism, and the near-silence of any opposing voice, Ruskin's model of an engaged reading of culture and his public practice of moral imagination deserve renewed attention. This book provides students in religion, politics, and social theory with a timely reintroduction to this timeless figure.




The Victorian Christian Socialists


Book Description

Victorian Christian Socialism began as a protest against industrial evils by a group of Anglicans in 1848 - the year of the great Chartist demonstration. In F. D. Maurice it had a prophet and a thinker whose ideas inspired subsequent Christians, so that the ideals of the original Christian Socialists began to spread to other Churches. The result was a series of critiques of the England of their day, rather than a systematic 'movement', and is best analysed, as it is in this book, through an examination of the leading figures, who in addition to Maurice include Charles Kingsley, Thomas Hughes and John Ruskin. The present study is not a collection of biographical studies, however, but a history of Christian Socialism constructed around the most influential of its advocates. They are shown to have been ethical and educational reformers rather than politicians, but in their ability to stand outside the common assumptions and prejudices of their day they achieved social criticism of lasting value.




The Enchantments of Mammon


Book Description

“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century




On Art and Life


Book Description

Includes two of John Ruskin's famous essays: "The Nature of the Gothic" and "The Work of Iron" from his book The Stones of Venice. Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass-production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.




The End of Work


Book Description

Surveys twentieth century theologies of work, contrasting differing approaches to consider the “problem of labor” from a theological perspective. Aimed at theologians concerned with how Christianity might engage in social criticism, as well those who are interested in the connection between Marxist and Christian traditions Explores debates about labor under capitalism and considers the relationship between divine and human work Through a thorough reading of Weber’s Protestant Work Ethic, argues that the triumph of the "spirit of utility" is crucial to understanding modern notions of work Draws on the work of various twentieth century Catholic thinkers, including Josef Pieper, Jacques Maritain, Eric Gill, and David Jones Published in the new and prestigious Illuminations series.




John Ruskin, the Pre-Raphaelites, and Religious Imagination


Book Description

This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.




The Religion of Ruskin


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Ruskin's God


Book Description

In this 1999 book, Michael Wheeler challenges critical orthodoxy by arguing that John Ruskin's writing is underpinned by a sustained trust in divine wisdom: a trust nurtured by his imaginative engagement with King Solomon and the temple in Jerusalem, and with the wisdom literature of the Old Testament. In Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, belief in the wisdom of God the Father informed Ruskin's Evangelical natural theology and his celebration of Turner's landscape painting, while the wisdom of God the Son lay at the heart of his Christian aesthetics. Whereas 'the author of Modern Painters' sought to teach his readers how to see architecture, paintings and landscapes, the 'Victorian Solomon' whose religious life was troubled, and who created various forms of modern wisdom literature in works such as Unto this Last, The Queen of the Air and Fors Clavigera, wished to teach them how to live.