Religious Thought in Old English Verse (Classic Reprint)


Book Description

Excerpt from Religious Thought in Old English Verse In the following pages I have endeavoured to illustrate the main current of religious thought in English poetry through the long period of 1100 years which elapsed between Caedmon and the end of the last century. I am careful to say the main current. It has been an interest and a pleasure to me to trace through each passing century the general stream of religious thought flowing steadily and calmly on, affected far less than might have been expected by the changing circumstances and questions of the time. Those deeper and more personal feelings which so often find a natural and appropriate vent in poetry have little in common with the spirit of controversy. In religious poetry, so far as it is the language of the heart, even the Reformation itself, great as the movement was, made itself felt not so much in the disputatious and argumentative form which it displayed in most prose writings of that period, but simply, for the most part, in the evident enlargement of the general field of graver thought. Not unfrequently, it would be difficult to determine from internal evidence on which side the writer of the poem had ranged himself. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Classical and Christian Ideas in English Renaissance Poetry


Book Description

Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.




The Earliest English Poems


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The Dream of the Rood


Book Description

The Dream of the Rood is a poem that has entranced generations of scholars. It is one of the greatest religious poems in English literature, the work of a nameless poet of superb genius. Immediately attractive, its poetic content is readily accessible to the modern reader, being in the mainstream of Western religious thought. Representative of the Golden Age of Anglo-Saxon culture, drawing on both visual and doctrinal motifs, it provides a ready introduction to its own intellectual and artistic milieu. This is underlined by intimate links with the Ruthwell Cross, the documentary context of the earlier version, and itself often regarded as one of the finest monuments of the Anglo-Saxon Age. This edition presents a conservative text with variant readings described in the notes. In his introduction Professor Swanton describes the Vercelli Book, in which the full text of The Dream of the Rood is found, and gives an account of the Ruthwell Cross, the sources for which are scattered and not normally familiar to students of Old English. The relationship between the two texts, the doctrine behind the poem and its style and structure are also discussed. The edition includes extensive notes and a glossary.




Thought and Action in Old English Poetry and Prose


Book Description

Cognitive approaches to early medieval texts have tended to focus on the mind in isolation. By examining the interplay between mental and physical acts deployed in Old English poetry and prose, this study identifies new patterns and offers new perspectives. In these texts, the performance of right or wrong action is not linked to natural inclination dictated by birth; it is the fruit of right or wrong thinking. The mind consciously directed and controlled is open to external influences, both human and diabolical. This struggle to produce right thought and action reflects an emerging democratization of heroism that crosses societal and gender boundaries, becoming intertwined with socio-political, soteriological, and cultural meaning. In a study of influential prose texts, including the Alfredian translations and the sermons of Ælfric, alongside close readings of three poems from different genres – The Seafarer, The Battle of Maldon, and Juliana –, Ponirakis demonstrates how early medieval authors create patterns of interaction between the mental and the physical. These provide hidden keys to meaning which, once found, unlock new readings of much studied texts. In addition, these patterns of balance, distribution, and opposition, reveal a startling similarity of approach across genre and form, taking the discussion of the early medieval conception of the mind, soul, and emotion, not to mention conventional generic divisions, onto new ground.







The Footsteps of Israel


Book Description

Illuminates the previously unrecognized role of Jews and Judaism in early English writing and society