Book Description
Reprint of the original, first published in 1874.
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 266 pages
File Size : 12,48 MB
Release : 2023-09-27
Category : Fiction
ISBN : 3368837214
Reprint of the original, first published in 1874.
Author : Mary Elizabeth Hotz
Publisher : SUNY Press
Page : 233 pages
File Size : 25,48 MB
Release : 2009-02-01
Category : Literary Criticism
ISBN : 0791476596
Explores Victorian responses to death and burial in literature, journalism, and legal writing. Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBOs Six Feet Under, quipped, Once you put a dead body in the room, you can talk about anything. So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker. Locating corpses at the center of an extensive range of concerns, including money and law, medicine and urban architecture, social planning and folklore, religion and national identity, Mary Elizabeth Hotz draws on a range of legal, administrative, journalistic, and literary writing to offer a thoughtful meditation on Victorian attitudes toward death and burial, as well as how those attitudes influenced present-day deathway practices. Literary Remains gives new meaning to the phrase that serves as its significant theme: Taught by death what life should be. ...Literary Remains is a fantastic literary companion and is worth reading even if youre not initially interested in burial practices. M/C Reviews Hotz not only contextualizes her readings within a historical framework surrounding the passage of the Burial Acts, the building of large public cemeteries in the suburbs, and the late-century introduction of cremation as a widespread social practice, but offers a perceptive and compelling rhetorical analysis of the sociological, political, and theological discourse about burial. Victorian Studies the painstaking research on debates about funerary reform that Hotz brings together will be valuable for future investigations of death in Victorian culture. Studies in English Literature This is an ambitious, energetic and rigorous attempt to do that very difficult thing, integrate detailed and historically informed analysis of the documents of nineteenth-century burial reform and of major literary texts into a lucid and complex argument that doesnt fight shy of contradiction and difficulty. Mortality Drawing on a vast range of primary sourcesofficial documents, newspapers and periodicals, travel guidesand the work of anthropologists, historians, and the substantial engagements within literary studies dealing with representations of death and the dead, Hotzs perceptive, engaging, and eloquent study will be welcomed by a range of scholars in the humanities and social sciences. CHOICE I read this fascinating book with great pleasure. It makes a valuable contribution to the study of Victorian practices of death and burial and will be an essential supplement to existing studies of the culture of Victorian melancholy and bereavement. Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery
Author :
Publisher :
Page : 312 pages
File Size : 35,64 MB
Release : 1859
Category : Cheshire (England)
ISBN :
Author : Chetham's Library
Publisher :
Page : 284 pages
File Size : 21,14 MB
Release : 1859
Category : Cheshire (England)
ISBN :
Author : Eileen J. Cheng
Publisher : University of Hawaii Press
Page : 330 pages
File Size : 19,1 MB
Release : 2013-04-30
Category : Literary Criticism
ISBN : 0824837800
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 394 pages
File Size : 26,2 MB
Release : 2024-07-09
Category :
ISBN : 3385261473
Author : Chetham Society
Publisher :
Page : 322 pages
File Size : 49,17 MB
Release : 1867
Category :
ISBN :
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 282 pages
File Size : 44,27 MB
Release : 2022-10-25
Category : Fiction
ISBN : 3375122616
Reprint of the original, first published in 1859.
Author : Jan-Peer Hartmann
Publisher : Interventions: New Studies Med
Page : 302 pages
File Size : 23,75 MB
Release : 2021
Category : Literary Criticism
ISBN : 9780814214749
Examines how medieval and early modern British texts use descriptions of archaeological objects to produce aesthetic and literary responses to questions of historicity and epistemology.
Author : Cathy Caruth
Publisher : JHU Press
Page : 144 pages
File Size : 23,96 MB
Release : 2013-12-23
Category : Literary Criticism
ISBN : 1421411555
These stories of trauma cannot be limited to the catastrophes they name, and the theory of catastrophic history may ultimately be written in a language that already lingers in a time that comes to us from the other side of the disaster.