Remembering Shakespeare


Book Description

The longstanding challenge and problem of living through tragedy, as opposed to living beyond it or simply carrying on in spite of it, is highlighted in this extensive and in-depth scholarly study. Shakespeare was able to live through tragedy and consequently could come into those higher evolutionary states of mind and being, until now so little known, that are so impressively represented in his last plays. Remembering Shakespeare, in this year of the 400th anniversary of his death, would seem to call especially for this most far-reaching aspect of his achievement, for so long unrecognized, to be at last duly noted and laid open to view.




Remembering Shakespeare


Book Description

"To be or not to be." "My kingdom for a horse." "Shall I compare thee to a summer's day." How is it that Shakespeare is so well remembered? In this richly illustrated book, David Scott Kastan and Kathryn James explore Yale University's extraordinary collection of works by or relating to William Shakespeare. They chart the winding course by which the playwright has been remembered, often in unexpected ways, for some four centuries. Many of the rare items illustrated and discussed in the book have never before been publicly displayed. The authors examine such treasures as the earliest known manuscript of Macbeth, a sixteenth-century reader's notes on Shakespeare, and a proof copy of Walt Whitman's "Shakespeare-Bacon's Cipher," to show how various, idiosyncratic acts of memory over hundreds of years have given us the texts, and even the person, we remember as "Shakespeare." Distributed for the Beinecke Rare Book and Manuscript Library Exhibition Schedule: Beinecke Rare Book and Manuscript Library(02/01/12-06/04/12)




The Routledge Handbook of Shakespeare and Memory


Book Description

The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. Mapping memory in key areas of Shakespeare studies, the volume then goes on to look at the role of memory in individual plays.




How to Teach Your Children Shakespeare


Book Description

Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.




Memory in Shakespeare's Histories


Book Description

A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the present, they devote remarkable attention to the ways in which states and individuals alike passively neglect or actively suppress the past and rewrite history. Two broad and related historical developments caused remembering and forgetting to occupy increasingly prominent and equivocal positions in Shakespeare’s history plays: an emergent nationalism and the Protestant Reformation. A growth in England’s sense of national identity, constructed largely in opposition to international Catholicism, caused historical memory to appear a threat as well as a support to the sense of unity. The Reformation caused many Elizabethans to experience a rupture between their present and their Catholic past, a condition that is reflected repeatedly in the history plays, where the desire to forget becomes implicated with traumatic loss. Both of these historical shifts resulted in considerable fluidity and uncertainty in the values attached to historical memory and forgetting. Shakespeare’s histories, in short, become increasingly equivocal about the value of their own acts of recovery and recollection.




Shakespeare's Memory Theatre


Book Description

Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.




Shakespeare, memory, and modern Irish literature


Book Description

This original and innovative book proposes ‘dismemory’ as a new form of intertextual engagement with Shakespeare by modern and contemporary Irish writers. Through reflection on these canonical writers and ranging across thirteen Shakespeare plays, Taylor-Collins demonstrates how Irish writers who helped to fashion and critique the Irish nation state carry an indelible, if often subdued, mark of Shakespeare’s early modern English influence. The volume overall renews and revitalises the Shakespeare–modern Ireland connection: Taylor-Collins reveals Hamlet’s hauntological legacy in Playboy of the Western World, Ulysses, and Ghosts; how the corporal economies that exert pressure from Coriolanus and Ben Jonson flicker through to the antiheroes in Beckett’s Three Novels; and how the landed legacies of territorial contests in Shakespeare are engaged with in Yeats’s poetry, and similarly how the diseased muddiness in Hamlet is addressed by Heaney.




Memory and Affect in Shakespeare's England


Book Description

The first book to systematically combine the two vibrant yet hitherto unconnected fields of memory and affect in Shakespeare's England.




Shakespearean Adaptation, Race and Memory in the New World


Book Description

As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.




Memorialising Shakespeare


Book Description

This book is the first comprehensive account of global Shakespeare commemoration in the period between 1916 and 2016. Combining historical analysis with insights into current practice, Memorialising Shakespeare covers Shakespeare commemoration in China, Ukraine, Egypt, and France, as well as Great Britain and the United States. Chapter authors discuss a broad range of commemorative activities—from pageants, dance, dramatic performances, and sculpture, to conferences, exhibitions, and more private acts of engagement, such as reading and diary writing. Themes covered include Shakespeare’s role in the formation of cultural memory and national and global identities, as well as Shakespeare’s relationship to decolonisation and race. A significant feature of the book is the inclusion of chapters from organisers of recent Shakespeare commemoration events, reflecting on their own practice. Together, the chapters in Memorialising Shakespeare show what has been at stake when communities, identity groups, and institutions have come together to commemorate Shakespeare.