General Catalogue of Printed Books
Author : British Museum. Department of Printed Books
Publisher :
Page : 1138 pages
File Size : 16,23 MB
Release : 1969
Category : English imprints
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 1138 pages
File Size : 16,23 MB
Release : 1969
Category : English imprints
ISBN :
Author : Patrick Lawrence
Publisher : Fordham University Press
Page : 240 pages
File Size : 11,72 MB
Release : 2022-06-07
Category : Literary Criticism
ISBN : 1531500110
Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.
Author :
Publisher :
Page : 436 pages
File Size : 23,50 MB
Release : 1979
Category : Reprints (Publications)
ISBN :
Author : United States. Attorney General's National Committee to Study the Antitrust Laws
Publisher :
Page : 420 pages
File Size : 23,36 MB
Release : 1955
Category : Antitrust law
ISBN :
Author :
Publisher :
Page : 920 pages
File Size : 29,38 MB
Release : 2005
Category : Editions
ISBN :
Author : British museum. Dept. of printed books
Publisher :
Page : 544 pages
File Size : 38,88 MB
Release : 1931
Category :
ISBN :
Author : David J. Langum
Publisher : University of Chicago Press
Page : 324 pages
File Size : 46,33 MB
Release : 2006
Category : History
ISBN : 0226468704
Crossing over the Line describes the folly of the Mann Act of 1910—a United States law which made travel from one state to another by a man and a woman with the intent of committing an immoral act a major crime. Spawned by a national wave of "white slave trade" hysteria, the Act was created by the Congress of the United States as a weapon against forced prostitution. This book is the first history of the Mann Act's often bizarre career, from its passage to the amendment that finally laid it low. In David J. Langum's hands, the story of the Act becomes an entertaining cautionary tale about the folly of legislating private morality. Langum recounts the colorful details of numerous court cases to show how enforcement of the Act mirrored changes in America's social attitudes. Federal prosecutors became masters in the selective use of the Act: against political opponents of the government, like Charlie Chaplin; against individuals who eluded other criminal charges, like the Capone mobster "Machine Gun" Jack McGurn; and against black men, like singer Chuck Berry and boxer Jack Johnson, who dared to consort with white women. The Act engendered a thriving blackmail industry and was used by women like Frank Lloyd Wright's wife to extort favorable divorce settlements. "Crossing over the Line is a work of scholarship as wrought by a civil libertarian, and the text . . . sizzles with the passion of an ardent believer in real liberty under reasonable laws."—Jonathan Kirsch, Los Angeles Times
Author : British Museum. Department of Printed Books
Publisher :
Page : 598 pages
File Size : 32,58 MB
Release : 1964
Category : English imprints
ISBN :
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1288 pages
File Size : 22,75 MB
Release : 1967
Category : English imprints
ISBN :
Author : Stephen Rodgers
Publisher : Oxford University Press
Page : 273 pages
File Size : 14,44 MB
Release : 2020-12-10
Category : Music
ISBN : 0190919582
Fanny Hensel created some of the most imaginative and original music of her era, making her arguably the most gifted female composer of the nineteenth century. While Hensel has finally stepped out of the shadow of her famous brother, Felix Mendelssohn, as scholars have begun to study her life and writings, her music has remained surprisingly underexamined. This collection places Hensel's music at the center, focusing on the genre that not only made up more than half of her creative output but also, as Hensel herself put it, "suits her best": song. In eleven new essays, leading scholars in the fields of music theory and musicology consider Hensel's songs from a wide range of angles, covering topics such as Hensel's fascination with particular poets and poetic themes; her innovative harmonic, melodic, rhythmic, and textual strategies; and her connection to larger literary and musical trends. The chapters also provide insight into Hensel's efforts to break free from the constraints placed on her as a woman and her place in the larger history of the nineteenth-century Lied. Drawing on diverse biographical, historical, cultural, and musical contexts for their detailed discussions of Hensel's songs, the authors underline Hensel's historical importance and deepen our understanding and appreciation of her compositions. This volume, in short, finally gives Fanny Hensel and her songs the stage that they deserve.