Reports of the Cambridge Anthropological Expedition to Torres Straits ..; Volume 1


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







REPORTS OF THE CAMBRIDGE ANTHR


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Reports of the Cambridge Anthropological Expedition to Torres Straits, Vol. 1: General Ethnography (Classic Reprint)


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Excerpt from Reports of the Cambridge Anthropological Expedition to Torres Straits, Vol. 1: General Ethnography In 1888 I went to Torres Straits to study marine zoology and had no intention of paying attention to ethnography; indeed, before I left England, I consulted Sir William Flower about taking measurements of natives and he dissuaded me from doing so, and others seemed to think that there was little worth doing as regards the natives. All this fitted in very well with my inclinations, for I had not paid any serious attention to ethnology and was relieved to find that I might neglect it. After a preliminary cruise in the Straits, I stayed at Mabuiag during the month of October in 1888 and spent five months at Mer in 1888 - 9. I also paid short visits to various islands. Throughout this time I was in close contact with the islanders, especially when dredging and collecting plankton. I found them a cheerful, friendly and intelligent folk, and soon became friends with many of them. Naturally, when opportunity offered, I spoke to them about their past and soon found that the young men knew extremely little about it and they always referred me to the Old men. I had previously found that practically none of the Europeans in the islands knew or cared anything about the customs of the natives or their former beliefs, and I also discovered that all that was known about them was contained in the accounts given by Jukes, by Macgillivray, and in the sketches and Often inaccurate notes by Wyatt Gill and a few others. I therefore considered it my duty to record as much as was possible in the circumstances, so I induced the Old men to come in the evenings and talk about old times and tell me their folk-tales. In this way, without any previous experience or knowledge, I worked single - handed among the Western islanders and amassed a fair amount of information. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Cambridge and the Torres Strait


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Centenary volume of the Torres Strait Expedition suggesting new ways of looking at its work.




After Ethnos


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For most of the twentieth century, anthropologists understood themselves as ethnographers. The art of anthropology was the fieldwork-based description of faraway others—of how social structures secretly organized the living-together of a given society, of how a people had endowed the world surrounding them with cultural meaning. While the poetics and politics of anthropology have changed dramatically over the course of a century, the basic equation of anthropology with ethnography—as well as the definition of the human as a social and cultural being—has remained so evident that the possibility of questioning it occurred to hardly anyone. In After Ethnos Tobias Rees endeavors to decouple anthropology from ethnography—and the human from society and culture—and explores the manifold possibilities of practicing a question-based rather than an answer-based anthropology that emanates from this decoupling. What emerges from Rees's provocations is a new understanding of anthropology as a philosophically and poetically inclined, fieldwork-based investigation of what it could mean to be human when the established concepts of the human on which anthropology has been built increasingly fail us.




Curating the Future


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Curating the Future: Museums, Communities and Climate Change explores the way museums tackle the broad global issue of climate change. It explores the power of real objects and collections to stir hearts and minds, to engage communities affected by change. Museums work through exhibitions, events, and specific collection projects to reach different communities in different ways. The book emphasises the moral responsibilities of museums to address climate change, not just by communicating science but also by enabling people already affected by changes to find their own ways of living with global warming. There are museums of natural history, of art and of social history. The focus of this book is the museum communities, like those in the Pacific, who have to find new ways to express their culture in a new place. The book considers how collections in museums might help future generations stay in touch with their culture, even where they have left their place. It asks what should the people of the present be collecting for museums in a climate-changed future? The book is rich with practical museum experience and detailed projects, as well as critical and philosophical analyses about where a museum can intervene to speak to this great conundrum of our times. Curating the Future is essential reading for all those working in museums and grappling with how to talk about climate change. It also has academic applications in courses of museology and museum studies, cultural studies, heritage studies, digital humanities, design, anthropology, and environmental humanities.