Reveries Over Childhood and Youth


Book Description

Sometimes when I remember a relative that I have been fond of, or a strange incident of the past, I wander here and there till I have somebody to talk to. Presently I notice that my listener is bored; but now that I have written it out, I may even begin to forget it all. In any case, because one can always close a book, my friend need not be bored. I have changed nothing to my knowledge, and yet it must be that I have changed many things without my knowledge, for I am writing after so many years, and have consulted neither friend nor letter nor old newspaper and describe what comes oftenest into my memory. I say this fearing that some surviving friend of my youth may remember something in a different shape and be offended with my book.







Reveries Over Childhood and Youth


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




REVERIES OVER CHILDHOOD & YOUT


Book Description




Reveries over Childhood and Youth


Book Description

My first memories are fragmentary and isolated and contemporaneous, as though one remembered vaguely some early day of the Seven Days. It seems as if time had not yet been created, for all are connected with emotion and place and without sequence. I remember sitting upon somebody’s knee, looking out of a window at a wall covered with cracked and falling plaster, but what wall I do not remember, and being told that some relation once lived there. I am looking out of another window in London. It is at Fitzroy Road. Some boys are playing in the road and among them a boy in uniform, a telegraph boy perhaps. When I ask who the boy is, a servant tells me that he is going to blow the town up, and I go to sleep in terror. After that come memories of Sligo, where I live with my grandparents. I am sitting on the ground looking at a mastless toy boat, with the paint rubbed and scratched, and I say to myself in great melancholy, “it is further away than it used to be,” and while I am saying it I am looking at a long scratch in the stern, for it is especially the scratch which is further away. Then one day at dinner my great-uncle William Middleton says, “we should not make light of the troubles of children. They are worse than ours, because we can see the end of our trouble and they can never see any end,” and I feel grateful for I know that I am very unhappy and have often said to myself, “when you grow up, never talk as grown-up people do of the happiness of childhood.” I may have already had the night of misery when, having prayed for several days that I might die, I had begun to be afraid that I was dying and prayed that I might live. There was no reason for my unhappiness. Nobody was unkind, and my grandmother has still after so many years my gratitude and my reverence. The house was so big that there was always a room to hide in, and I had a red pony and a garden where I could wander, and there were two dogs to follow at my heels, one white with some black spots on his head and the other with long black hair all over him. I used to think about God and fancy that I was very wicked, and one day when I threw a stone and hit a duck in the yard by mischance and broke its wing, I was full of wonder when I was told that the duck would be cooked for dinner and that I should not be punished.




Reveries Over Childhood and Youth (Classic Reprint)


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Excerpt from Reveries Over Childhood and Youth Sometimes when I remember a relative that I have been fond of, or a strange incident of the past, I wander here and there till I have some body to talk to. Presently I notice that my lis tener is bored; but now that I have written it out, I may even begin to forget it all. In any case, because one can always close a book, my friend need not be bored. I have changed nothing to my knowledge; and yet it must be that I have changed many things With out my knowledge, for I am writing after so many years, and have consulted neither friend nor letter nor old newspaper and describe What comes often est into my memory. I say this fearing that some surviving friend of my youth may remember something in a different shape and be offended with my book. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Reveries Over Childhood and Youth - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Autobiographies


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