Prisms and Rainbows


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Some of the artworks pose difficulties in interpretation, but regardless of amorphous subjects and confusing representations, Butor's creativity finds poetry in them.".




The Critical Poem


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"In this book, scholar Thorpe Running shows that a skeptical approach to both language and poetry places eight poets from three countries in Latin America within a strain of poetry prefigured by Stephane Mallarme." "Octavio Paz, Jorge Luis Borges, Roberto Juarroz, Alejandra Pizarnik, Alberto Girri, Juan Luis Martinez, Gonzalo Millan, and David Huerta span three different generations. In addition to their age and geographical differences, their poetry bears no obvious similarities. All eight, however, are poetas pensantes, or thinking poets, and underlying the work of these probing writers is the disturbing question: Does language do what it is supposed to do? The answer is negative for all these poets who see their poems as being made up of words that don't work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Reves


Book Description

Any living being is twofold two personalities, one internal, and external personality that everyone is able to perceive. The inner personality, which remains almost as a mystery, to another person, cannot be discovered or become communicable, if and only if, the subject person is willing to make public the contents of his heart and his soul.





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The Studio


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Chanteuse in the City


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A study of French film in the inter-war years focusing on women, particularly women singers, and the role they played in shaping a national, populist, Paris-oriented French cinema.




Bellissima


Book Description

When one enters a Collette Dinnigan-designed home there is nowhere else you would rather be. Her style is one of simple yet sophisticated beauty. Bellissima: An Australian–Italian Affair takes you into Collette’s world of beauty – interiors, gardens, food, friends, curiosities, art and travel – in Italy and Australia. It shows us Collette’s remarkable eye for detail, vignettes, texture and colour. She shares her design inspiration and reveals stunning photos never before published of her homes in Bowral and Darling Point, along with a Rome apartment and holiday house in Puglia. Collette and her photographer, Earl Carter, travelled the length of Italy, from Naples to Turin, to capture the essence of what inspires Collette that she then brings home to Australia, the ‘great Southern light’. ​Collette not only takes us into her own private worlds but also those of her friends such as Mimi Thorisson in Turin, Neil Perry in Sydney, and Louise Olsen and Luke Sciberras in country NSW, where they share their recipes and art. This is a book of inspiration and delight, a joyous journey of creativity with one of Australia’s foremost fashion designers. Full of glorious imagery, it is a must-have book for those who love travel and interiors.




Arab Filmmakers of the Middle East


Book Description

In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more than 250 filmmakers, and short and documentary films by another 900 filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films. Part 2 details key feature films from the countries represented. Part 3 indexes feature-film titles in English and French with details about the director, date, and country of origin.




The Transcontinental Maghreb


Book Description

The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject’s reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.




Proceedings


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